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sell outs!!!

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Comments

  • Registered Users, Registered Users 2 Posts: 26,452 ✭✭✭✭Creamy Goodness


    red_ice wrote: »
    biffy? Sell out? Jesus thats utter bs cremo. Simon wrote the guts of that puzzle 3/4 years ago when his mother died. They had other material at the time they were working on and decided to put it off because of where they were as a band. read up on things!

    i see you didn't see the :p.

    it was in jest of the obvious over-night success.

    although let's hope for the next album they bring back Chris Sheldon at the helm, gggarth richardson's producing just doesn't suit biffy imo.

    read up on things, i read everything of biffy, so much so i'm |--| this close to getting a biffy tattoo.


  • Registered Users, Registered Users 2 Posts: 12,778 ✭✭✭✭Kold


    Muse.


  • Registered Users, Registered Users 2 Posts: 699 ✭✭✭ball ox


    It does my head in when people rattle on about certain bands being 'sellouts'.
    It's nearly as annoying as people who stop liking bands when they become popular, a perfect example being the the kind of tools that think arcade fires 'funeral' is 'ok' but not as good as their first release.....

    Bands will evolve as they make albums, obviously doing the same thing on every album would be pretty boring for the band. What can influence a band as they evolve varies i.e. they may have gotten into electronica & computer music (radiohead), they may have spent a few months in India (the beatles), they may have gone off and done a load of drugs (the 70's).....the point is, what ever they are doing at the time personally will effect the next album....
    Whereas the listener, has an album at home and would like the next album to be like the one he has. (It's a winning formula why change it....)

    Now, I know that the bands I have mentioned above would not be considered to have sold out but the point is that bands will try different things and sometimes its a mainstream success, that does not mean they sat down and calculated some sort of formula to create a commercial album, it just means that **** loads of people like it. People will like it so much that advertising companies will want to use it, movie companies will want it, people will want to use that band to sell products....

    I'm a band and someone says to me 'would you like to reach a larger target audience and make a **** load of money?'

    What would I benefit from saying 'no'? Respect from a minority of fans who don't understand that getting my stuff played on international tv is a good thing?


  • Closed Accounts Posts: 37,214 ✭✭✭✭Dudess


    Ah,it was probably Nicky Wire. He also said he hates Arcade Fire because they "brought indie music to the mainstream".
    What a moron.
    JC 2K3 wrote: »
    I've always found the "anyone who calls a band sellouts are elitist snobs" attitude to be rather elitist in itself.
    Yep, I agree with that...
    I hate people who think a band has lost it's credibility just because the general public pays them more attention.
    ... but I also agree with that.

    A number of people have gone off Arcade Fire now. Considering their music is just as brilliant as a few years ago, that can only be because of their popularity. White Stripes - good example.
    Also The Killers - it seems to be majorly uncool to like them. Well f*ck it, I think anything I've heard by them (apart from Somebody Told Me) is great. Ditto Kaiser Chiefs.
    Sure, the explosion of bland, generic "indie" bands since 2001, following the success of The Strokes, got tired a long time ago. But I don't think The Killers and Kaiser Chiefs deserve to be thrown into that bracket. They're not bland - The Kooks and The View are. However The Killers and Kaiser Chiefs are "retro" - I could name a dozen bands I can hear in their sound. Still, no harm in that. It leads to people checking out these influences, which I don't consider a bad thing at all.


  • Registered Users, Registered Users 2 Posts: 27,387 ✭✭✭✭super_furry


    Snowpatrol.
    First two albums are amazing. Then they made a third album which sounded liked a turd album. Then they made a forth album which sounded like their turd album. Turdy sellouts.

    Definately. They make two brilliant albums enjoy limited sales, then see how many trillions of albums Coldplay are shifting and decide to rebrand themselves as a Coldplay tribute band.


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  • Registered Users, Registered Users 2 Posts: 12,778 ✭✭✭✭Kold


    Dudess wrote: »
    Sure, the explosion of bland, generic "indie" bands since 2001, following the success of The Strokes, got tired a long time ago. But I don't think The Killers and Kaiser Chiefs deserve to be thrown into that bracket. They're not bland - The Kooks and The View are.

    I wouldn't call the Killers sell outs since I don't think they ever had any integrity at all. It's awful lyrics to awful music.

    The Kaiser Chiefs at least have no pretentions about themselves.


  • Closed Accounts Posts: 6,478 ✭✭✭Bubs101


    Dudess wrote: »
    .
    Also The Killers - it seems to be majorly uncool to like them. Well f*ck it, I think anything I've heard by them (apart from Somebody Told Me) is great.

    +1. I don't think anybody could accuse them of selling out, they merely advanced their sound. Sam's Town for me was album of the year when it came out and if anything it's less commercial then Hot Fuss. Hot Fuss was a collection of 5 singles built around 7 fillers, Sam's Town was an attempt to make an album you can listen to from start to finish without any drop in quality which I think they achieved with flying colours. Not the mark of a sell out


  • Closed Accounts Posts: 37,214 ✭✭✭✭Dudess


    Yeah, I should have clarified - I'm moving slightly from the "selling out" thing to focusing on bands who people start to dislike just because they become popular, even though their sound hasn't changed.


  • Closed Accounts Posts: 8,542 ✭✭✭Captain Darling


    ball ox wrote: »
    It's nearly as annoying as people who stop liking bands when they become popular, a perfect example being the the kind of tools that think arcade fires 'funeral' is 'ok' but not as good as their first release.....

    Errr, Funeral was their first ALBUM to be released.


  • Registered Users, Registered Users 2 Posts: 26,452 ✭✭✭✭Creamy Goodness


    Errr, Funeral was their first release.
    no it wasn't


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  • Registered Users, Registered Users 2 Posts: 1,425 ✭✭✭indiewindy


    Errr, Funeral was their first release.

    They are probably counting this
    http://www.cduniverse.com/productinfo.asp?pid=6879781
    and wear this tshirt
    http://store.theonion.com/your-favorite-band-sucks-p-78.html
    Recording information: 08/2002.


    The legions of fans waiting for the follow-up to the Arcade Fire's critically championed 2004 indie masterpiece, FUNERAL, may be slightly disappointed to learn that this EP, officially released in 2005, is not FUNERAL's follow-up but, in fact, its predecessor. Originally recorded in 2003 and sold over the web and at Arcade Fire shows, this seven-song EP plays like a sonic blueprint for the majestic, passionate songscapes of the band's 2004 watershed album. Of course, FUNERAL is so fully realized, so full of emotional drama and unique, meticulous songcraft, that comparisons are unfair.

    Like the songs on FUNERAL, the tunes here treat themes of loss, love, family, youth, and self-awareness with startling sincerity and vividness. The band's distinctive instrumentation, which includes strings, accordion, banjo, and French horn amid the usual rock guitars, bass, and drums, highlights the orchestral nature of the Arcade Fire's arrangements, while Win Butler's warbly, soulful vocals (and the impish voice of Regine Chassagne) ring out over the fray. The band's knack for memorable melodies that surge and stir comes to the fore, especially on the driving "No Cars Go" and the soulful, folky sway of "Vampire/Forest Fire," which builds to a thunderous apex. Though overshadowed by the band's full-length debut, this is still an absorbing listen that represents the Arcade Fire's first confident steps.


  • Registered Users, Registered Users 2 Posts: 699 ✭✭✭ball ox




  • Closed Accounts Posts: 2,048 ✭✭✭DerekD Goldfish


    In my opinion letting a song be used for advertisement purposes devalues it greatly.
    Allowing a song to be used in a movie is not the same thing as a movie is(well usually) a peice of art advertisements have no artistic merit whatsoever and are purly created to maximise revenue.
    I can forgive a young up and coming act letting a song be used in advertisement as A)Most musisions in the early stages of thier career have **** all money
    B) The record company probably had the power to make the decision

    When an established act with power behind them does it I do lose a lot of respect for them I would never stop listening to a band for solely this reason but it would affect my opinion of them.
    2 Good examples include
    New Order for years refused to let thier songs be used in advertisements turning down large sums of money but recently they have been used numouroes times I know the band lost a lot of money with the bankrupting of Factory records but with many world tours since then as well as money earnt from sales of the back catelouge which they have the rights to they shoudnt need the money and haveing a peice of art associated with a product devalues its importance
    Sting has for many years campaigned to help save the rainforests he later appeared in an add for Jaguar promoting high powered cars with high emission rates while also campaigning for the environment and being a hypocrie to producing terrible music to stings list of crimes.
    I dont have a problem with an artist being commissioned to create a peice of music for an add such as Brian Eno being payed to create the windows music but accepting payment for a peice of art previously created for artistic purposes makes you less of an artist in my opinion


  • Closed Accounts Posts: 7,794 ✭✭✭JC 2K3


    advertisements have no artistic merit whatsoever
    Ah come on now, as much as I wish I could use that as an argument, it's completely untrue.


  • Closed Accounts Posts: 11,148 ✭✭✭✭KnifeWRENCH


    Dudess wrote:
    What a moron.
    I do hope you're referring to Mr. Wire and not me!! ;)
    Dudess wrote:
    A number of people have gone off Arcade Fire now. Considering their music is just as brilliant as a few years ago, that can only be because of their popularity. White Stripes - good example.
    Well more fool them, because Icky Thump is, without doubt, my favourite album from 2007. They keep getting better and better imo. Anyone who gave up on The White Stripes when Elephant came out does not know what they're missing!!:)
    advertisements have no artistic merit whatsoever
    That's a pretty harsh statement. They're designed to sell products: if the products sell than the advertisers have obviously done something right.
    and are purly created to maximise revenue.
    You say that like it's a bad thing!!!
    When an established act with power behind them does it I do lose a lot of respect for them
    It doesn't bother me in the slightest. I don't think it undermines an artist's credibility unless they disagree with what the product stands for or if the company has a bad reputation.
    Like if I was a successful rockstar (!!!), I wouldn't let Nike use my music because of their shocking record when it comes to their employees. But I would have no problem with, let's say, RTE using my music for advertising their scheduele.
    I think it's silly to turn down large sums of money in order to avoid being labelled a sellout. I'd be really happy if I had E1,000,000. But I would be even happier with E2,000,000. It's not a crime to want a bit more money. Everyone dreams of being rich- it's only greed when you become obsessed with the idea and compromise your morals/beliefs.
    2 Good examples include
    New Order for years refused to let thier songs be used in advertisements turning down large sums of money but recently they have been used numouroes times I know the band lost a lot of money with the bankrupting of Factory records but with many world tours since then as well as money earnt from sales of the back catelouge which they have the rights to they shoudnt need the money and haveing a peice of art associated with a product devalues its importance
    Sting has for many years campaigned to help save the rainforests he later appeared in an add for Jaguar promoting high powered cars with high emission rates while also campaigning for the environment and being a hypocrie to producing terrible music to stings list of crimes.
    Ok I agree with you on Sting - he does come across like a hypocrite. But I don't mind Blue Monday being used to advertise Mars Bars - I don't think Peter Hook, at any point in his life, said "You know, I disagree with Mars Bars and what they represent."
    I dont have a problem with an artist being commissioned to create a peice of music for an add such as Brian Eno being payed to create the windows music but accepting payment for a peice of art previously created for artistic purposes makes you less of an artist in my opinion
    Art is very subjective,though - like I said before, I don't think Blue Monday is less aesthetically pleasing because the "evil corporate whores" from Mars got their nougatty hands on it.

    I suppose what it really boils down to is what the artist has in mid when they compose their music.
    If a song is written with the sole intention of getting mainstream success and money , then it has no artistic merit and those musicians do not have much artistic integrity.
    However, I doubt when New Order wrote Blue Monday they had dollar signs in their eyes and were thinking "Y'know, this would sound great in an ad for chocolate and we would get rich off it." No, they wrote the song because...well...it was good. Years later the offer came up and they probably thought "Yeah, Why not? Bit of extra money won't hurt." I don't think there's anything wrong with that.:)


  • Closed Accounts Posts: 37,214 ✭✭✭✭Dudess


    I do hope you're referring to Mr. Wire and not me!! ;)
    But of course!


  • Closed Accounts Posts: 2,048 ✭✭✭DerekD Goldfish


    JC 2K3 wrote: »
    Ah come on now, as much as I wish I could use that as an argument, it's completely untrue.

    No its not
    Advertisements are not art
    They're designed to sell products: if the products sell than the advertisers have obviously done something right.

    They have achieved their goal that doesn't make it art.
    If I set out to paint a wall and I paint it doenst mean its art it just means
    I acheived what I set out to.
    I have no problem with people making money from art bust it should be the result of achieving your goal of creating a worthwhile peice of art not the goal in itself.
    If an action is carred out with the sole aim of creating money its not art its work.
    , I don't think Blue Monday is less aesthetically pleasing because the "evil corporate whores" from Mars got their nougatty hands on it.

    I dont think all corporations are evil
    Im slighly lefty but im far from a communist
    Its having your song associated with a product that annoys me
    Truly great songs become known as "The Mars song" or "The O2 song"
    rather than by the artist themself if I was an artist I couldnt live with this and I find it hard to understand how someone that considers themselves an aritst could.


    Also while im on another rant 95% of the people that took part in both Live Aid ceremony's are scum of the earth
    The vast majority of them (I'll let Bob of the hook) couldnt have cared less about the people there were suposed to be helping and just used it as free wordwide exposure which massively increased sales of pretty much all the artists involved yet very few of them donated this extra income to the cause.
    Most of the time when acts take part in charity events its for thier own good and IMO acts who use the suffering of others to gain exposure and income from themselves are scum


  • Closed Accounts Posts: 2,048 ✭✭✭DerekD Goldfish


    Mr.S wrote: »
    personally i dont care if a bands a sellout or whatever.

    Their aim is to sell records - its their fecking job ffs! and if it sounds good, who really cares?

    a classic example i always have to sit through is Greenday - Their latest album, apparently, makes them a sell out as it was made "just to sell to the masses" :rolleyes:

    Artist aim is not(or shouldnt be) to sell albums.
    It is (or should be) to create art if they also manage to make money out of this art then fair play to them
    Greendays last album didnt make them sellouts they never had any credibility or respect from anyone over 18 to lose.


  • Registered Users, Registered Users 2 Posts: 1,747 ✭✭✭MikeHoncho


    Artist aim is not(or shouldnt be) to sell albums.
    It is (or should be) to create art if they also manage to make money out of this art then fair play to them

    Dude the real world called. It said its been missing you. Maybe you should think about coming back.

    What an absolutly crazy statement to make. The more people that hear your art the better surely. If the aim wasnt to sell albums then they wouldnt bother making them.


  • Registered Users, Registered Users 2 Posts: 5,184 ✭✭✭nyarlothothep


    making an album should be, first and foremost, making something you're proud of as a piece of art. Then comes the selling etc. Making an album purely to sell is missing the point of the whole endeavor in the first place, music!


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  • Registered Users, Registered Users 2 Posts: 12,778 ✭✭✭✭Kold


    MikeHoncho wrote: »
    If the aim wasnt to sell albums then they wouldnt bother making them.

    I think that's the problem. A real musician would make music if they were only making a pittance out of love for music.


  • Closed Accounts Posts: 6,478 ✭✭✭Bubs101


    Kold wrote: »
    I think that's the problem. A real musician would make music if they were only making a pittance out of love for music.

    Not in the current climate. It's like saying a real footballer would play for pittance for a love of football. If they did, it would be very stupid. As long as the music is good I really don't care


  • Closed Accounts Posts: 1,203 ✭✭✭Attractive Nun


    I think it's silly to turn down large sums of money in order to avoid being labelled a sellout. I'd be really happy if I had E1,000,000. But I would be even happier with E2,000,000. It's not a crime to want a bit more money. Everyone dreams of being rich- it's only greed when you become obsessed with the idea and compromise your morals/beliefs.

    Firstly, not everyone dreams of being rich.

    Secondly, I agree entirely with DerekD. I take music seriously (the pretension!) and I expect musicians to take their music seriously too. It's easy to follow the latest musical fads, listening to this and that 'catchy' band for a few months, getting bored of them and then turning to the next major label-backed artist of the moment. But real enjoyment (for me anyway) comes from ignoring the 'popularity' of an artist and searching for bands whose music isn't influenced by the potential for popularity. Bands who look upon music as the art that it is and make albums, first and foremost, simply for the sake of creating something beautiful, or saying something important - or not important, or trying to push the boundaries of sound, or simply making it for themselves.

    When you listen to music, emotions inevitably get stirred in you - you're moved somewhere. Whether it's just the power of the lyrics, or the rhythm, or the distortion, you'll start thinking about something - the subject of the song, your own life, whatever. That's the point of music, and of art generally: to move the listener. If the artist allows their music to be used in advertisements or TV theme songs or even movies (there are exceptions, if the artist feels the movie captures the emotion of the song well then I guess I don't mind so much), then they're allowing their music to be associated with something totally external to what the artist was presumably trying to do with their music. When people hear 'Blue Monday', they're inevitably going to think about Mars bars. For New Order to permit the use of that song not only devalues their work as a piece of art, but shows disrespect to their fans in my view.

    Fortunately, it is perfectly possible for good bands who are conscious of these sentiments to make a fine living from their work even if they don't hit a nerve with the masses (à la Arcade Fire, for example). But that requires those of us who love good music to support these bands by buying their CDs, going to their gigs, telling our friends and simply listening to their music.


  • Registered Users, Registered Users 2 Posts: 49 Legend20


    Jack White wrote a song for Coca-Cola couple years back yes? Thats pretty sell out like isnt it?
    I love the White Stripes and The Raconteurs and can see were people are coming from when they say Jack is a sell out, **** it he makes goooooood music!!


  • Registered Users, Registered Users 2 Posts: 1,747 ✭✭✭MikeHoncho


    Kold wrote: »
    I think that's the problem. A real musician would make music if they were only making a pittance out of love for music.

    Yes but would it be any good. There are millions of people making music in their bedrooms for the love of it. It never sees the light of day because well its sh!te. Artists need investment to develop. People have bills to pay you know. The money in the music business gives artists time to develop the best material.

    Here is my opinion on sellouts. If you make an album and you compromise your own artistic vision for increased sales that would make you a sellout (Greenday, RHCP). If you make an album exactly the way you want it to sound and pour your heart and soul into it and it just happens to strike a chord with people and sell a ton of copies then you are not one (Arcade Fire, White Stripes etc).


  • Closed Accounts Posts: 2,048 ✭✭✭DerekD Goldfish


    MikeHoncho wrote: »
    Yes but would it be any good. There are millions of people making music in their bedrooms for the love of it. It never sees the light of day because well its sh!te. Artists need investment to develop. People have bills to pay you know. The money in the music business gives artists time to develop the best material.

    Here is my opinion on sellouts. If you make an album and you compromise your own artistic vision for increased sales that would make you a sellout (Greenday, RHCP). If you make an album exactly the way you want it to sound and pour your heart and soul into it and it just happens to strike a chord with people and sell a ton of copies then you are not one (Arcade Fire, White Stripes etc).

    I disagree
    Most bands although there are exceptions release thier best material in thier first couple of albums before fame and expectation gets to thier head.
    Latter albums by successful bands would have budgets far greater than the early ones as they are deemed less risk but most of the time bands fail to match the highs of thier early work.
    On the other hand solo artists tend to release thier best work later in their career usually in their early 30's when they have been in the music business for a decade or so but imo this is less to do with development money and more to due with maturity being more important to solo acts who tend to be more reliant on Lyrics than bands.


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