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Eurovision Song Contest 2025 - Mod warning in the OP

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Comments

  • Registered Users, Registered Users 2 Posts: 35,798 ✭✭✭✭odyssey06


    I agree. I wasn't urging anyone to start such a campaign, just mentioning it as a possible consequence.

    It would be better if EBU heeds such calls and looks at the televote process e.g. reduce the device limit of 20 votes, look at whether it makes sense to allow voting all the way through the contest etc.
    I'd prefer to keep the 50-50 jury televote split but something has to give.

    "To follow knowledge like a sinking star..." (Tennyson's Ulysses)



  • Registered Users, Registered Users 2 Posts: 4,861 ✭✭✭Sudden Valley


    I would agree. I think the pro-israeli campaigns have just been so effective the last two years that they have made the public vote a bit of a farce. If nothing changes it will be the same thing next year. Reducing the votes from devices would be a good idea or changing the weight between jury and public votes. Making the winning about the song.



  • Registered Users, Registered Users 2 Posts: 182 ✭✭Libertine07


    If you vote through the app it's linked to your payment card, so if you have a regular debit card, and a credit card, and Revolut, you can vote 60 times. The Revolut virtual cards make it even worse. This is how Israel have racked up the points this year and last. Average viewers are only voting a handful of times.

    I think the limit needs to be far lower than 20, or if you keep it at 20 limit how many times someone can vote for the same song.

    Advertising campaigns for any entry need to be banned outright.



  • Registered Users, Registered Users 2 Posts: 896 ✭✭✭supereurope


    I'm old enough to remember the 2000s at Eurovision. It was the era of 100% televoting, when gimmicks, novelty, and bloc and diaspora voting dominated. While viewers in that era mostly got it right when choosing a winner, it was elsewhere on the scoreboard where the problems were. Terrible songs qualifying for the final over better ones or terrible songs finishing in the top 10 giving them automatic passage to the grand final the following year, so they didn't even have to try and make an effort with their songs.

    After the televote winners were denied the overall win in 2023 and 2024, fans have been raising their voices on social media about how the juries are outdated, too conservative, have no idea of modern music and therefore should be abolished in the grand final as well. These fans are mainly younger fans who weren't around or have no memory of the 2000s, but feel there was an injustice that the "people's champion" didn't win two years in a row and have been outspoken that it's time to remove juries from the contest completely.

    Those voices have been very quiet since Saturday night.



  • Registered Users, Registered Users 2 Posts: 896 ✭✭✭supereurope


    My definition of a "girlbop" is: a young woman with big hair and a tight outfit singing an uptempo pop song with lots of dancing, hair-whipping and elaborate staging. The singer will be referred to as a "Queen" by many in the fandom and she won't sing or perform on stage, she will "slay" or "serve c*nt."

    I wouldn't classify Luxembourg as a girlbop.

    I appreciate others will have a different definition :)



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  • Registered Users, Registered Users 2 Posts: 716 ✭✭✭thebronze14


    No bias in your voting judging by your signature at the bottom alright🤣



  • Registered Users, Registered Users 2 Posts: 35,798 ✭✭✭✭odyssey06


    Totally agree re: advertising and that's a good idea on the limit, shouldn't be 20 for same song for sure.

    "To follow knowledge like a sinking star..." (Tennyson's Ulysses)



  • Registered Users, Registered Users 2 Posts: 567 ✭✭✭taratee


    There isn't. I didn't vote for Israel last year. Didn't like the song, so I didn't vote for it. Liked the song and the Luxembourg song this year, so I voted for both. If no song tickles my fancy next year, I won't vote for any.

    Am Yisrael Chai - Bring them home.



  • Registered Users, Registered Users 2 Posts: 35,798 ✭✭✭✭odyssey06


    Cheers, ok yeah Luxembourg and Ireland etc wouldn't fall into that category then - pop songs but not enough "bop".
    Poland had "bop" but not "girlbop".
    Spain seems like it might be "girlbop" to me.

    And then France, Switzerland, Greece not pop\bop.
    The UK trio too musically.

    "To follow knowledge like a sinking star..." (Tennyson's Ulysses)



  • Moderators, Entertainment Moderators Posts: 10,706 Mod ✭✭✭✭squonk


    Funny. I was having a conversation with a friend last night and had the opposite opinion, ie that the public had no idea of God music as a bloc and just voted for the silliest act it whatever pet project they were into. The ratio jory to public shoukd be 50:50’atbleast. I’d go 70:30 really negate public voted kill competitions like this. Whatever we agree or disagree with each other in here we’ve all listened to the sins as there were sounded along the way it at least watched the semis. Many just watch the final. I think that’s where the livid vote falls down. Songs like France thst are slow and artistic will suffer and people won’t have a chance to moon below the surface. That’s where the jury’s are useful but it’s no use if the song will still get steamrolled by the public in the end.



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  • Registered Users, Registered Users 2 Posts: 35,798 ✭✭✭✭odyssey06


    Maybe they should make a bigger deal of presenting a jury award prize.

    "To follow knowledge like a sinking star..." (Tennyson's Ulysses)



  • Registered Users, Registered Users 2 Posts: 896 ✭✭✭supereurope


    Yes, I would categorise Spain as a "girlbop", but certainly not France, Greece, Switzerland.



  • Registered Users, Registered Users 2 Posts: 176 ✭✭Put It In H


    Since the introduction of the semi-finals, Ireland has participated in 19 semi finals and qualified from 7 of them (of which 2/7 were Jedward!) That's <37% success rate, and tbh I think most of those NQ's were deserved.

    The only one I would argue strongly should have qualified was Molly Sterling in 2015; she made top ten with jury but was sadly buried by televote.

    I thought Emmy this year was somewhat unlucky, in that neither the song nor the performance was truly awful, but neither was it truly great; it was all just "ok", and that wasn't enough to stand out on the night.

    For other years I thought the song was good enough but the live performance didn't work (Lesley Roy in 2021), whereas other times the performance was good but the song just wasn't good enough (Brooke Scullion 2022, Sinéad Mulvey 2009).

    And then there were the years where neither song nor performance deserved anything (Donna & Joe 2005, Nicky Byrne 2016, Sarah McTernan 2019, Wild Youth 2023). I feel like Wild Youth could have been a decent entrant if they sent something with more of an indie-rock sound but they made the mistake of trying to look like and sound like what they thought Eurovision was, rather than just be themselves.



  • Registered Users, Registered Users 2 Posts: 76,641 ✭✭✭✭Welsh Megaman


    If you had said a week ago that Estonia would finish above Sweden, or that Switzerland would receive zero televotes, I would have called you ‘Verrückt’. 😎



  • Registered Users, Registered Users 2 Posts: 12,587 ✭✭✭✭suvigirl


    Oh God, I'm old enough to remember the 1980s Eurovision 🙈 no public got a say then from what I recall



  • Registered Users, Registered Users 2 Posts: 5,614 ✭✭✭10000maniacs


    Here is the reason why televoting is a screwed up and unfair way of deciding the winner.
    Only 5% of the general viewing public watching Eurovision in a particular country are televoters. The other 95% don't give a crap.
    However, these 5% are a highly motivated group of voters.
    They can necessitate an extreme swing for whoever they are rooting for, or otherwise.
    If you imagine a room of 100 people and 99 of them vote once, and one of them votes 20 times, based on the math's, you could expect the one who voted 20 times to actually win."
    If a lot of Israelis or Armenians in say the UK or Ireland are highly motivated for their country to win Eurovision, they will vote multiple times thus skewing the televoting figures in the country they are phoning from.



  • Registered Users, Registered Users 2 Posts: 34,529 ✭✭✭✭gmisk


    Totally agree on these all. Molly Sterling was hard done by and in some ways ahead of it's time.

    Brooke definitely could have done well with a better song, something like the below which she released not too long after for example is a tune.



  • Registered Users, Registered Users 2 Posts: 12,587 ✭✭✭✭suvigirl


    All competition that allows public voting is just a personality/country contest. Just look at the likes of dancing with the stars etc people will, in an awful lot of cases, just vote for who they like, or what country they want to win, rather then on the actual best song etc

    So the question is, do they stop public voting (will never happen, worth too much money) or do they try to 'control' it better?

    One phone number, one vote kind of thing. Also, shortening the amount of time for votes.

    But would there be willingness to do it, how much did they make on the votes anyone know?



  • Registered Users, Registered Users 2 Posts: 521 ✭✭✭LordBasil


    Re Ireland, I think in hindsight it was a bad sign when Ireland was not drawn to open the SF. Ireland and Australia were the only fun up-tempo songs in the first half and based on the studio versions 'Laika Party' seemed a more appropriate opener than 'Milkshake Man'. The fact Australia opened signalled producers didn't have confidence that Ireland's staging would be impactful enough to open the show. So frustrating, if it had of been staged better we easily could have qualified. We got 28 points, the same as Serbia and Georgia but we scored points off more countries than they did which is why we are 13th and they are 14th & 15th. That shows we had potential for more universal reach if the song had been staged better.



  • Registered Users, Registered Users 2 Posts: 6,054 ✭✭✭Storm 10


    Guys not that its over can someone explain how does the public vote work, I cant understand how the UK and Switzerland get zero points surely someone voted for them, would acts not be getting thousands of votes in Europe.



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  • Registered Users, Registered Users 2 Posts: 35,798 ✭✭✭✭odyssey06


    The televotes are grouped similar to the way the jury votes with a 1,2,3,4,5,6,7,8,10,12.

    So they got some votes, but there were at least 10 countries ahead of them who reached the threshold of bagging some points. If you're not in the Top 10 you get 0.

    Each participating country awards two sets of 12, 10, 8–1 points, based on their ten favourite songs from other countries. One set of picks comes from their professional jury, and the other from televoting in their country. Only the set from televoting is used in the semi-finals. Both sets from jury and televoting are used in the final.

    https://en.wikipedia.org/wiki/Voting_at_the_Eurovision_Song_Contest

    "To follow knowledge like a sinking star..." (Tennyson's Ulysses)



  • Moderators, Entertainment Moderators, Sports Moderators Posts: 12,698 Mod ✭✭✭✭Say Your Number


    Justin Hawkins reacts to the Australian entry, hard to know if he likes it or not.



  • Registered Users, Registered Users 2 Posts: 182 ✭✭Libertine07


    This is great!

    I think he enjoyed it really, he gives himself away a few times.



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