Irish Times' top twenty albums of the decade

Daithio

I felt this was a much more accurate top twenty than NME's. IMO anyway.

http://www.irishtimes.com/newspaper/features/2009/1201/1224259791948.html

1 Arcade Fire

Funeral (2005)

Back in 2005, Montreal’s Arcade Fire heard the big music and things would never be the same for them – or us – again. A classic right out of the traps, Funeral was an album about spirit-sapping death and loss that yet managed to sound life-affirming, elegant and charismatic. As they blazed a trail around the world, the band’s live shows turned thousands into disciples and further added to the album’s allure. Here, at long last, was a band you could believe in, at least until the lights went up. Funeral was a rarity in the last decade, an album that abandoned rock’s comfort zones to take risks, shoot for the stars and wear its ambitions on its sleeve. Wake Up became the band’s calling card, an anthem of such intensity, euphoria and poise that many other acts, from Coldplay to U2, attempted to annex or emulate its appeal. Every song on Funeral bore similar witness to Arcade Fire’s art-rock craft and theatrical vision. At decade’s end, the album’s hypnotic violins, faded pianos and psychedelic orchestration still cause shivers. Nothing else came close to capturing that sense of epic grandeur. JC

2 Arctic Monkeys

Whatever People Say I Am, That’s What I’m Not (2006)

They were one of the first new rock acts to mobilise a fan base through their MySpace pages, but this achievement pales in comparison with the effect this album had on its release. Singularly British in outlook (hometown Sheffield landmarks are referenced in broad local accents), and plugged into a lineage that stretches from The Kinks to Oasis, the record’s influence can still be traced. And the songs? Each one a taut, literate and gritty slice of modern life. TCL

3 The White Stripes

Elephant (2003)

As the decade proceeded, Jack White took on a ton of sideline projects – The Raconteurs, The Dead Weather, acting in Cold Mountain – and Meg stayed quiet. But when Elephant raised its head in 2003, we all wanted a slice of the Stripes’ dash. As the thrilling thump of Seven Nation Army soundtracked their move from underground to mainstream, we swooned to the streamlined swagger and gritty, dramatic blues. Their finest hour to date. JC

4 Bon Iver

For Emma, Forever Ago (2007)

Maybe all songwriters seeking their creative mojo should spend a few winter months in a remote cabin in the wilds of Wisconsin. That’s where Justin Vernon fetched up in 2006, nursing a broken heart, contemplating the break-up of his band and recovering from a bout of mononucleosis. There he found the inspiration to write and record a bunch of spooked, masterly folk songs, which formed the basis for one of the decade’s most haunting releases. JC

5 Fleet Foxes

Fleet Foxes (2008)

The debut album of Seattle five-piece Fleet Foxes was one of the most immediately striking in recent memory. Loaded with evocative imagery, skilled musicianship, and most importantly, pitch-perfect harmonies in songs such as Ragged Wood and He Doesn’t Know Why, it literally triggered goosebumps and took breaths away. This was the sound of five Americana- and folk-obsessed musicians so finely attuned to each other that they seemed to be singing and playing as one (hairy) mass of sound. Quite simply, stunning. LM

6 Gillian Welch

Time (The Revelator) (2001)

In creative cohesion with partner David Rawlings, Los Angeles singer-songwriter Welch recorded this stark fusion of old-time mountain music and hymnal country on vintage equipment in Nashville’s famed Studio B (Elvis Presley’s preferred studio, apparently, as referenced on Elvis Presley Blues).

Heritage and ghosts intact, Welch delivered a batch of songs that had little lyrical warmth but were glimpses into lives mired in austerity. Musically it’s sparse, yet it has an irresistible hypnotic quality that sets Welch miles apart from her contemporaries. TCL

7 Brendan Benson

Lapalco (2002)

If this album were an animal, it’d be a dog with its tongue stuck out the window of a car on a hot summer’s day. Benson’s sure-footed second album established him as a masterful songwriter of feel-good anthems. Good to Me, Tiny Spark and You’re Quiet are shining examples of uplifting guitar pop with a wry, self-deprecating edge and without sentimentality. When it comes to melody and songcraft, there are few active musicians to rival the Michiganite. LM

8 Antony and the Johnsons

I Am a Bird Now (2005)

Antony Hegarty’s voice calls you back again and again to this exceptional album of heart and soul. A trembling beauty to remind you of Nina Simone, Tim Buckley or Jimmy Scott, Hegarty’s voice was put to perfect use on this album of expressive, emotional and personal torch songs. I Am a Bird Now is soft and delicate, with each song sympathetically framed by the barest and simplest of musical fringes, allowing Hegarty the space to soar. JC

9 Cathy Davey

Tales of Silversleeve (2007)

Following a hesitant start with her debut (2004’s Something Ilk ), Dublin singer Davey stepped up smartly with this album, which showcased the talents of what sounded like a different person. There was hardly a wrong move here – from the opener, Sing for Your Supper , to the final track, All of You , Davey had produced a selection of highly accomplished pop music, deftly insinuating rhythms and vocal performances that hinted at cheek without actually displaying it. TCL

10 Interpol

Turn on the Bright Lights (2002)

It was the album that spawned a hundred copyists, but none came close to equalling it. The dark magic of Interpol’s extraordinary debut was infused with a unique sense of New York cool and was a clarion call to fans of bands such as Joy Division. Their unique modern spin on despondent anarchism was infused with despair, love, longing, shimmering beats, pulsing bass lines and nihilistic vocals, its emotion seeping through each song like damp on the wall of a prison cell. Powerful. LM

11 Ryan Adams

Heartbreaker (2000)

One of the most bitter-sweet break-up albums of the decade came about following the collapse in New York of Adams’s relationship with girlfriend Amy Lombardi. With a black-and-blue heart, Adams relocated to Nashville, teamed up with country traditionalists Gillian Welch and David Rawlings (and also, on the mellow, morose Oh My Sweet Carolina , with Emmylou Harris), and proceeded to write a suite of slow-burning, cathartic songs that pitched the listener into a heightened state of melancholia. Love betrayed, half-mumbled phrasing, lightly strummed chords . . . alt.country’s Blood on the Tracks ? TCL

12 The Strokes

Is This It (2001)

An obvious but important choice. In 2001, there had been few bands like The Strokes: rock’n’rollers who appealed to a younger generation while simultaneously doffing their caps to their elders. More significantly, it was crammed with terrific songs that inspired everyone from Arctic Monkeys to Wild Beasts. The jerky tick-and-jangle of Hard to Explain , the guitar riff of indie club staple Last Nite , the tense build-up to the chorus of The Modern Age . . . It was impossible to resist the New Yorkers. LM

13 The Avalanches

Since I Left You (2000)

This was an early-decade trendsetter – a bobby-dazzler of an album that provided an ear-popping road trip into pop culture. It demonstrated what happens when six sonic Aussie freaks go wild in a studio. Lashed together with audacious samples (from Madonna’s Holiday to The Osmonds’ Let Me In – the sample clearance process must have been hell) and interstellar grooves, it wasn’t so much the sum of its parts as the sum of its parties. JC

14 PJ Harvey

Stories From the City, Stories From the Sea (2000)

PJ Harvey’s fifth release, partially set in New York City, won the Mercury Music Prize on September 11th, 2001. Even without that detail, though, this is a poignant album that saw the Dorset native flit from ferocious punk maiden ( This Is Love) to conductor of vulnerability (her duet with Thom Yorke on This Mess We’re In ) effortlessly, gracefully and sensuously. A passionate, desolate, fragile and mysterious record that touches on numerous basic human emotions, and one of her finest moments to date. LM

15 Amy Winehouse

Back to Black (2006)

Let’s remember Amy Winehouse before she became a beehived tabloid caricature. A set of songs more bewitched, bothered and bewildered than pop ever tends to get these days, Back to Black was an audacious second album from the British singer. Aided by Mark Ronson’s production, Winehouse conjured up a sassy, soulful album that wouldn’t have looked out of place on the Motown roster. Full to the brim with brassy anthems (Rehab) and confessional honesty ( Love is a Losing Game ), it was a blast from start to finish. JC

16 Ash

Free All Angels (2001)

Bucking the trend for indie bands on their third album to disappear back to where they had come from (Downpatrick, Co Down), Ash instead delivered the best punk/pop album of the decade. We’re not sure what fuelled lead singer Tim Wheeler’s songwriting machine, but we’d guess it was a broken heart and a flick through a Beach Boys chord book. It’s rare for a 13-track album to have at least 10 tracks with hit-single potential, but that’s Free All Angels all over – sheer class and shrewd commerce in equal measure. TCL

17 Animal Collective

Merriweather Post Pavilion (2009)

While some might argue that it’s far too early for an album from the class of 2009 to figure here, we beg to differ. Not only did Merriweather Post Pavilion see long-running alternative stalwarts Animal Collective break on through to the other side, but it also demonstrated the growing appeal of their rich, hallucinogenic pop. Awash with idiosyncratic soaring harmonies, melodies and smart tunes ( Summertime Clothes, My Girls, Brothersport ), its success was proof that more and more people want music that is. Ambitious, challenging and ecstatic. JC

18 Sigur Rós

Ágaetis Byrjun (2003)

Although released in Sigur Rós’s native Iceland in 1999, this astonishing record (whose title translates as “a good beginning”) didn’t receive a full release until 2003, through UK label Fat Cat. Before then, it had languished in its homeland as a painstaking piece of utterly strange ambient symphony. Through quixotic instrumentation, singing in an imaginary language (Hopelandic), and adhering to an innate melodic elegance, Sigur Rós not only introduced music that defied easy classification (“God crying golden tears in Heaven,” noted Melody Maker pretentiously) but paved the way for further experiments in “new classical” music. TCL

19 Doves

The Last Broadcast (2002)

Doves may have discarded their dance roots and proved their mercurial nature with their stark 2000 debut, Lost Souls , but it wasn’t until 2002’s The Last Broadcast that they really expanded their horizons, scoring several hits to boot. A full, rich-sounding album that hearkened back to 1990s indie but simultaneously looked forward to a new era, there was a fat streak of quality pulsing through every vein of this album. And, in Pounding , they wrote one of the most emphatically joyful indie songs of the decade. LM

20 Elbow

The Seldom Seen Kid (2008)

Elbow had always been the little band that could, but their solid efforts never translated into mammoth sales. That all changed with their fourth album. Guy Garvey fell in love and laid bare his soul, and the result was a clutch of semi-orchestral songs that tingled spines ( One Day Like This ) and pounded heads ( Grounds for Divorce ) from one eloquent chorus to another. By opening up their sound, the Bury band also prised open the door to mainstream success, winning the Mercury Prize in 2008. LM

mal1

Happy to see Arcade on top. Not sure about Fleet Foxes and Bon Ivor being in the top 10.

Daithio

mal1 wrote: »

Happy to see Arcade on top. Not sure about Fleet Foxes and Bon Ivor being in the top 10.

Yeah fleet foxes was my main reservation. 100% about the top two though, which are the most important really.

ADTR

I don't like any of these albums. :eek:

Seren_

I'm actually pretty happy to see Bon Iver so high, such an amazing album. Arcade Fire definitely deserve the top spot.

I wonder if Cathy Davey was included as a kind of token Irish album though? Tales of Silversleeve is a great album, but I'd hardly rate it as one of the best of the decade.

siltirocker

Missing some great Pearl Jam and Radiohead from this decade but a well rounded list none the less.

cashback

Decent list I think. I think Fleet Foxes deserve their place alright. I couldn't argue with Funeral being so high and TOTBL is Interpol's best. Good to see Elbow and Doves sneak in, two bands who don't court attention but deserve the recognition.
Yeah, not sure about Cathey Davey though I've not heard the full album, but is it that good?

Seren_

cashback wrote: »

Yeah, not sure about Cathey Davey though I've not heard the full album, but is it that good?

It's a really good album, but I really wouldn't have put it in the top 20 albums of the decade, especially ahead of acts like Radiohead, who have had some amazing albums. Tbh, I probably wouldn't have even put it in a list of the best albums of last year.

Kevin Bacon

Out of all the lists that have been put out by various papers and magazines this one is the best. Wouldn't have put Arcade Fire number 1 but hard to argue not putting it there. Although no radiohead is a bit disappointing and Ash is a strange choice. The album was decent but I don't think it was that good.

Sigur Ros could have done with a spot too but over well I like how this list is put together.

dynamopiev

mega lols at Ash being on it, not that bad a list though.

pappyodaniel

I'm surprised there's no Radiohead here.

or
Daft Punk - Discovery
or
Franz Ferdinand's debut


An overlooked album in my opinion would be Eddie Vedder's soundtrack for Into The Wild.

Glad to see The Avalanches album though as it's my favourite from the last 10 years, really getting tired waiting for their next (how many years has it been?) but the sample clearance is probably killing them.

g5fd6ow0hseima

Kid A?

seachto7

In rainbows, to me, is worthy of a place...defo over fleet foxes...

no wilco or tv on the radio? or nada surf!! or the notwist...

hard to narrow it down..

fillmore jive

Yeha not really too sure about Fleet Foxes or lack of Wilco but delighted the Avalanches made it, what an album.

Placid_Casual

Actually, I had Tales of Silversleeve in my personal top 20! - a marginal decision though. Still surprised to see it here. I guess they had to have a certain quota of Irish albums. How on earth do you explain Free All Angels?

Also, Fleet Foxes absolutely deserve to be in there.

ChuckProphet

not a bad list at all if u remove ash :eek: and cathy davey...wasn't bewilderbeast this decade? that should be near the top

Placid_Casual

ChuckProphet wrote: »

not a bad list at all if u remove ash :eek: and cathy davey...wasn't bewilderbeast this decade? that should be near the top

Wow, I completely forgot about that! Just checked, June 2000. I was thinking 98 or 99 for some reason. A fine album but I haven't listened to it in years, so I probably wouldn't have it in my top 20 for that reason.

Aridstarling

Jesus, that's an out-there list. Not what I'd pick but hey, what difference does it make?





Ash? Really?!!

boosh_fan

I'm not even the biggest Radiohead fan but surely In Rainbows or Hail to the Thief is more deserving than many of those on that list.

OI

It's been said a million times, particularly on the IT blog, but Kid A is the most beautiful album of the last decade aswell as being the most progressive and arguably important. The complete change in sound from ok computer, the high concepts involved and the musical representation of isolation that kid a brought make this easily my favourite album of all time and probably the only album of the last decade that I still listen to regularly. It's non inclusion makes this list completely irrelevant.

Loveless

where the feck is Bloc Party "Silent Alarm", Damien Rice "O", The Frames "For The Birds" and Snow Patrol "Eyes Open"

Bodhidharma

Loveless wrote: »

where the feck is Bloc Party "Silent Alarm", Damien Rice "O", The Frames "For The Birds" and Snow Patrol "Eyes Open"

Hopefully removed from the face of the earth.

Quite a good list. For me the Strokes "Is this it", Eels "Blinking lights and other revelations" and The Flaming Lips "Yoshimi Battles the Pink Robots" are the top three.

Also, Free All Angels is a good pop album. Might not deserve to be in the top 20 but I can never see the reason for people hating Ash.

Kid V

The omission of Kid A discredits the list for me but then again this list was compiled less subjectively than others with the three critics putting emphasis on the fact that they've picked their favorite albums of the last ten years.

They surely recognise the significance and greatness of the album but you can appreciate things without liking them.

Thats my two cents

fitzcarraldo

Compared to some of the lists i've seen this one isn't bad at all, but the lack of Kid A really shows they have tried to cover all bases in there selection (Irish artists, dance, pop and indie etc) and had to make compermises.

Its funny the difference between opinions of best albums and favorite albums, I agree Kid A is probably one of the best albums of the decade, inventive, progressive etc. but would not be one my favorites, to be honest I never really enjoyed Radiohead this decade.

I'd have At the Drive In - Relationship of Command in there anyway, TV on the Radio - return to cookie mountian and have a soft spot for Aha Shake Heartbreak

Jay P

mal1 wrote: »

Happy to see Arcade on top. Not sure about Fleet Foxes and Bon Ivor being in the top 10.

I agree with the first part, not the second bit though. They are certainly two of my favourite albums of all time, not just this decade.

I'm very surprised In Rainbows isn't here. Otherwse, I have no complaints.

Ruire

Daithio wrote: »

1 Arcade Fire

Funeral (2005)

Pretty good, aye.

3 The White Stripes

Elephant (2003)

Epic.

4 Bon Iver

For Emma, Forever Ago (2007)

5 Fleet Foxes

Fleet Foxes (2008)

Both horribly boring.

9 Cathy Davey

Tales of Silversleeve (2007)

She is above your petty lists. Cathy FTW.

15 Amy Winehouse

Back to Black (2006)

No, just no.

loveissucide

But Back To Black was inescapable at the time.Dosn't matter if it was good in the eyes of the nostalgia people circa 2020.

Ruire

loveissucide wrote: »

But Back To Black was inescapable at the time.Dosn't matter if it was good in the eyes of the nostalgia people circa 2020.

She murdered Valerie (not on the album, but still, principles). Rehab was also the most dull and uninspired trash I've heard referred to as "good" by reputable musicky people.

loveissucide

I didn't say I liked it.It's just one of the few records of this decade to be a genuine hit on a par with albums in previous eras.
And Frank was fairly good,before anyone starts hating on Winehouse.

Ruire

Just because it's not as bad as most of the music out there doesn't make it worthy of comparison with music which actually is quite good.

thetonynator

The Blizzards - A Public display of affection.
Brilliant album!!!

loveissucide

thetonynator wrote: »

The Blizzards - A Public display of affection.
Brilliant album!!!

Not very indie/alternative,never mind listenable.

Ruire

thetonynator wrote: »

The Blizzards - A Public display of affection.
Brilliant album!!!

I agree with loveissucide, it's a terrible album. Then again, the Blizzards are quite dreadful. Trust me, I'm a doctor? Not a chance, mate. And then there's that single of theirs named after Ireland's most popular free-ads newspaper, Buy and Sell.

KCAccidental

i never think broken social scene - you forgot it on people will make these lists, but i am always disappointed that they dont because it should be in any top 20 list of the decade

jill_valentine

Not to be, y'know, one of those people, but I'm continually outraged at the glaring absence of Death From Above 1979 from all these end of decade lists.

Spiritoftheseventies

mal1 wrote: »

Happy to see Arcade on top. Not sure about Fleet Foxes and Bon Ivor being in the top 10.

Fleet foxes a great album

Valmont

OI wrote: »

It's been said a million times, particularly on the IT blog, but Kid A is the most beautiful album of the last decade aswell as being the most progressive and arguably important. The complete change in sound from ok computer, the high concepts involved and the musical representation of isolation that kid a brought make this easily my favourite album of all time and probably the only album of the last decade that I still listen to regularly. It's non inclusion makes this list completely irrelevant.

With that review, I am buying it this instant!

SligoBrewer

Loveless wrote: »

where the feck is... and Snow Patrol "Eyes Open"

Are you serious?

Funeral is very meh and if that's the best this decade has to offer it's be en a very poor decade, although the nod to Avalanche's Since I Left You is well appreciated by yours truly.

Although since they seem to be going for albums that opened new subgenres on that list (Funeral, WPSIATWIN, Back to Black) the omission of Crystal Castles is gaping imo.

List also is lacking The Rising.

Spiritoftheseventies

SligoBrewer wrote: »

Are you serious?

Funeral is very meh and if that's the best this decade has to offer it's be en a very poor decade, although the nod to Avalanche's Since I Left You is well appreciated by yours truly.

Although since they seem to be going for albums that opened new subgenres on that list (Funeral, WPSIATWIN, Back to Black) the omission of Crystal Castles is gaping imo.

List also is lacking The Rising.

Are you serious. Funeral an instant classic

RastaRed

1.Kings Of Leon-Aha Shake Heartbreak
2.Badly Drawn Boy-The Hour Of The Bewilderbeast
3.Arctic Monkeys-Whatever People Say It Is
4.The Strokes-Is This It
5.Daft Punk-Discovery
6.Doves-The Last Broadcast
7.Elbow-The Seldom Seen Kid
8.The Killers-Hot Fuzz
9.Kasabian-West Pauper Luantic Asylum
10.The Streets-A Grand Don't Come For Free

SligoBrewer

bayviewclose wrote: »

Are you serious. Funeral an instant classic

Classics are never instant.

L.T.D

Muse - Origin of Symmetry

Spiritoftheseventies

SligoBrewer wrote: »

Classics are never instant.

this one was

blow69

Yeah Yeah Yeahs?

insinkerator

no sigur ros?

lol never mind, musta missed it


While i love for emma forever ago, im not too sure on it being that high on the list. Definitely within the top 20 though

rcaz

OI wrote: »

It's been said a million times, particularly on the IT blog, but Kid A is the most beautiful album of the last decade aswell as being the most progressive and arguably important. The complete change in sound from ok computer, the high concepts involved and the musical representation of isolation that kid a brought make this easily my favourite album of all time and probably the only album of the last decade that I still listen to regularly. It's non inclusion makes this list completely irrelevant.

It's my favourite album of the decade too, and I'd put it way ahead of everything else, but I think it's important to discuss these things with balanced views/opinions. I love the album, but I can see why others are so skeptical about it; it's very easy to see where the influences came from, and some of it is very derivative.

The electronic stuff, especially Idioteque and Kid A, is straight outta Autechre, the strings in How To Disappear Completely are heavily influenced by Penderecki/Ligeti (and the rest of the song is a pretty normal acoustic ballad), Optimistic and In Limbo are very Radiohead-y guitar rock, Motion Picture Soundtrack is fairly usual organ music...

Radiohead brought a lot of different influences together, and did so immaculately, making a perfect album IMO, but it's still a meshing of lots of different influences stuck together. That's where the skepticism comes from.

OI

@ el pron

it's a superb post in fairness, particularly the first half of the final paragraph, which I wholeheartedly agree with. I haven't listened to a lot of autechre so I can't really comment there. You may very well be right. I can hear an aphex influence on idioteque and there is clearly a big nod to jazz on national anthem. But they make it their own and the songs are so painstakingly crafted that the artists mentioned were merely sound influences not songwriting if that makes sense.

It was nice to see kid a top the pitchfork list though.

PhiliousPhogg

…and I would say Thom Yorke’s vocals work really well with the whole feeling of angst and isolation throughout the album.

2 I think should be in that list:

Bjork – Vespertine. She is of course a powerful singer and always surrounded herself with top notch producers, but the production on this album really is exquisite.

Grizzly Bear – Veckatimest. Again superb production and attention to detail. Saw them live and all 4 have input into vocals at different times. Great songs, very delicate but a really rich gorgeous sound.

Carter96

What the hell are Elbow doing on that list? Boring and seriously overrated.

You and Me by The Walkmen and Primary Colours by The Horrors are much better than some of those on that list.

Cathy Davey? WTF? P1ss off.

I hate lists like this anyway but, The Pains of Being Pure At Heart deserve a mention at least.

Scubadevils

El Pr0n wrote: »

It's my favourite album of the decade too, and I'd put it way ahead of everything else, but I think it's important to discuss these things with balanced views/opinions. I love the album, but I can see why others are so skeptical about it; it's very easy to see where the influences came from, and some of it is very derivative.

The electronic stuff, especially Idioteque and Kid A, is straight outta Autechre, the strings in How To Disappear Completely are heavily influenced by Penderecki/Ligeti (and the rest of the song is a pretty normal acoustic ballad), Optimistic and In Limbo are very Radiohead-y guitar rock, Motion Picture Soundtrack is fairly usual organ music...

Radiohead brought a lot of different influences together, and did so immaculately, making a perfect album IMO, but it's still a meshing of lots of different influences stuck together. That's where the skepticism comes from.

I must listen again to Kid A - I believe a lot of people got into Autechre on the strength of that album. For me I bought it as I heard Radiohead had been influenced by Autechre and being an Autechre fan I was keen to hear it... I listened once over a family meal and it didn't hit me, the wrong scenario though I'll admit to give a new album the once over - I may have listened again since then but can't specifically remember as I went through a stupid phase of buying way too much music and some albums have got lost in the blur of it all!

Think I'll dig it out and stick it on tonight again with a more focused listen...

Scubadevils

Tried it again but got impatient during the first track and turned it off His voice annoys me for some reason, maybe another time...