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Avatar 2

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Comments

  • Registered Users Posts: 4,435 ✭✭✭Josey Wales


    Well if anyone can confirm where a 3D HFR version is actually playing in Dublin, I'll probably go a second time.



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    As noted by posters earlier, Omniplex Rathmines and Movies@ Dundrum / The Square are advertising 3D HFR screenings… although their respective websites are messy as hell 😅



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    Enjoyed it more than I expected to after recently re-watching the original and feeling that it hadn't stood up at all to the test of time. Main takeaway from Avatar 2 was that it simply didn't need to be nearly as long as it was, especially given the planned sequels, and that style won over substance.

    It definitely looked absolutely fantastic but there were so many scenes that severed no purpose other than to self indulgently show off the visuals. I've no problem with one or two of these a movie but this was so saturated that it took away from the movie as a whole - with the plot barely moving during these nature documentary style scenes.

    I'm normally fine with turning off my brain and there being a few gaps in logic of the plot for these blockbusters but many times during this movie they didn't even make a half hearted attempt to explain situations - from a bunch of characters just disappearing in the finale to the diminishing and sidelining of Zoe Saldana's character.

    It should continue to do great numbers as I'm sure many, like myself, will be telling people to see it in theatres. Having said that, I feel this one will likely be more forgettable and have even less broader impact than the original due to how much of a rethread it is of the first and how little the overall story moved along.

    I can't wait to watch the sequel where they fight the same bad guy after humans find some magic resource but this time on sand.



  • Registered Users Posts: 23 sherrupyew


    I've read a few people comment on Neytiri being sidelined etc. It is true that she is sidelined initially, but isn't that clearly the point?

    A major theme of the film is "fight or flight". It surfaces repeatedly in different ways, but one of the main ways is in the depiction of Jake and Neytiri. Despite having the reputation of a "warrior", Jake's instinct is to repeatedly run/hide/compromise. This frustrates Neytiri, who is sidelined as "the mother" yet clearly believes that they need to take risks and confront the threat they face head on. Both are afraid for their family, and both are right/wrong. There is no easy answer, but the film does take a position.

    As the film progresses, Jake offers to make the ultimate sacrifice in order to protect his family. This goes against Neytiri's instincts, and she finally snaps. The situation escalates and the audience absolutely gets what they have been "missing" from the film up until that point. The "fight" ensues and while it's the right call, everything comes at a price...

    This theme is explicitly reinforced by the final line and shot of the film. The film is ultimately saying that you can't run and hide forever, and you have to fight for your family - safety isn't guaranteed either way.

    IMO Cameron is a much smarter screenwriter than people give him credit for. On the surface, his films appear to have a very basic plot structure, but on reflection they are very sharp thematically.

    I should note that he also wisely recruited the writers of the Planet of the Apes films to assist.

    Post edited by sherrupyew on


  • Registered Users, Registered Users 2 Posts: 18,676 ✭✭✭✭silverharp


    Cameron said he misspoke about the film needing to be in the top 3 or 4 to breakeven, he now says top 10, so would put it at ~1.5bn, it will easily get there at this stage.


    Interesting observation about Avatar , seems true enough



    A belief in gender identity involves a level of faith as there is nothing tangible to prove its existence which, as something divorced from the physical body, is similar to the idea of a soul. - Colette Colfer



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  • Registered Users Posts: 23 sherrupyew


    I don't think that's a break even figure, but rather a "success" threshold. That said I imagine break even is success in this case, as it can make a lot more on streaming and future films will be cheaper to produce.

    Search Twitter and you'll find lots of people passionately insisting that they won't be watching Avatar, that they don't care about its box office and that it has no cultural impact due to a lack of memes. It's a bizarre reaction, and not something you see with other films. Titanic had similar treatment in the years following it's release, suddenly it was "the worst film ever made".

    Only a tiny percentage of the population uses Twitter, and its users can have a really distorted view of what's actually happening with something like this. The Glass Onion comparison isn't reasonable. That film was released on Netflix worldwide on the same day, causing a spike in viral mentions. I doubt it had much social media activity while it was in the cinema last month.

    The box office figures do prove that people are talking about it and recommending it. Most big films released these days experience front-loaded opening weekends and then heavy drop off. A slow drop off is rare and means strong word of mouth. This is what happened with Titanic and Avatar and it is now happening with Avatar 2.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    I think Maverick and this are showing a very simple formula: create a movie with craft, precision and detail; show people something or somewhere only a cinema can truly do justice to the images, and people will arrive in droves.

    Is a great shame Glass Onion couldn't stay longer in the cinema but something like a comedy is always going to cause more of a cultural impact given the repeatability of gags and jokes. Avatar 2 has been a visual experience, one best enjoyed in a cinema.



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    We can criticise Avatar all we want (although I‘m much warmer on Way of Water than I was with the original) but it has once again been proven that Cameron knows what the **** he’s doing. This film is a gargantuan hit by any standards, even if they did spend a small fortune making it. Even if it doesn’t hit the first film’s unprecedented levels it is still a massive, massive success.

    Part of me wonders whether the novelty will have worn off when we get a third film in a mere 24 months (as opposed to 13 years or whatever), but there’s clearly a a massive audience for these films and no amount of internet snark or skepticism can overwrite that. Cameron bet big, and it has paid off once again. The man has the sharpest commercial senses of pretty much any working director… and it doesn’t hurt that he also makes pretty damn good films most of the time too.



  • Registered Users, Registered Users 2 Posts: 18,676 ✭✭✭✭silverharp


    I wouldnt say Titanic reinforces your point, I still see tickok videos of people reenacting the bow scene, its a reference movie in stand up comedy and there has been all kinds of discussions over various bits of the movie.

    A belief in gender identity involves a level of faith as there is nothing tangible to prove its existence which, as something divorced from the physical body, is similar to the idea of a soul. - Colette Colfer



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    So what if people aren't talking about the film on Film Twitter? Twitter is bollix.

    I openly admit to really doubting the likelihood of this film succeeding; had a whole segue with someone pages back about it, but money doesn't lie. 1 billion bucks and once again we have completely underestimated Cameron.

    James Cameron will deliver and audiences, the people who count, will arrive to reward something that astounds. Now, if the numbers drop off sharply in the new year then maybe that's the lack of viral traction - but as Top Gun Maverick showed there's still space for a film to run and run, slowly chip away at the numbers.



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  • Registered Users, Registered Users 2 Posts: 18,676 ✭✭✭✭silverharp


    I dont think the point was about Twitter as such apart from the guy making his point Twitter. It seemed a reasonable assertion though , that these Avatar movies will come and go but not leave an impression "culturally"

    A belief in gender identity involves a level of faith as there is nothing tangible to prove its existence which, as something divorced from the physical body, is similar to the idea of a soul. - Colette Colfer



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    The point was to push her into the background? I get it can be seen as a driver to send her over the edge but there are plenty of times she's in the background and seems perfectly fine with it.

    In the first movie she is a strong character who has grown up in a royal family but pushes back on expectations to make her own decisions, has a great knowledge of everything on Pandora, and a great warrior too. This sequel she is completely subservient to Jake throughout the movie even in situations where it should be much more natural for her to take some form of the lead, like when arriving meet the ocean tribe leaders having spent all her life on the planet.

    It cant even be seen as an alien cultural thing once they find a mate, the ocean tribe queen is portrayed as much stronger in her relationship.



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    You've left out the whole 'member berries' aspect of both Maverick and Avatar 2 which is heavily relied on in their success.

    Both rip off plot points, themes etc of the original movies in as bad or even worse ways than other recent sequels that got absolutely slated for it.

    It works for these long awaited sequels which is fine but they are really one off event/experience movies but there is nothing really beyond that.



  • Registered Users, Registered Users 2 Posts: 4,427 ✭✭✭silliussoddius


    On Twitter everything is the biggest thing ever until the biggest thing ever comes along the next day. I’m still waiting for the Tiger King film.



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    I don’t think you can really accuse Avatar 2 of being a nostalgia bait ‘member berries’ sequel. It’s similar to the first and regurgitates some plot points / characters, but only in the ways sequels naturally are going to be broadly similar to the original. A nostalgia bait sequel is where the whole thing relies on callbacks and ‘hey, remember this!!!’ moments. That’s things like The Force Awakens or, even worse, Ghostbusters Afterlife.

    You can certainly accuse Avatar 2 of relying a bit too much on the basic formula of the first film (especially with its main antagonist being resurrected for… reasons?). But it moves the story / characters on, has fresh storytelling / thematic interests, and plenty of new locations and ideas to explore. I mean, it’s a sequel to Avatar at the end of the day so ain’t exactly a departure… but I definitely don’t think it’s the sort of nostalgia-dependent filmmaking a lot of modern ‘legacy sequels’ over-indulge in.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    How is 2009 memberberries? I think that's selling both films short TBH and what it was that both films did.

    Blockbuster film has been starved of the exact kind of thrills and spectacle both films delivered. No doubt Top Gun traded on some nostalgia but the final film was of a quality far past a cheap nostalgic cash in.



  • Registered Users, Registered Users 2 Posts: 7,372 ✭✭✭SuperBowserWorld


    Being stereoscopically challenged, I saw this in 2D HFR just now.

    The action sequences are magnificent. Nobody comes close to Cameron. He has put down the gauntlet to wannabe CGI action jockeys out there. Hands down the best CGI action scenes I've seen.

    There is one long brutal section that is actually quite painful to watch with a huge payoff. Brilliant.

    The HFR really worked for me. I felt I could process the action sequences more easily, or maybe they were just so well done anyway.

    It's too long and story wise not up to much. But THAT DOESN'T MATTER. It's pure escapism. Definitely a movie to see in the Cinema Vs at home.

    Post edited by SuperBowserWorld on


  • Registered Users, Registered Users 2 Posts: 18,676 ✭✭✭✭silverharp


    yeah, its the nature of the film to a certain extent, it is what it is, that commentor is over defending though suggesting its a bad thing for a film to enter the cultural memory, by implication shading films like Star Wars.

    A belief in gender identity involves a level of faith as there is nothing tangible to prove its existence which, as something divorced from the physical body, is similar to the idea of a soul. - Colette Colfer



  • Registered Users, Registered Users 2 Posts: 7,372 ✭✭✭SuperBowserWorld


    Avatar 3: Dances with Wolves ☺️



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  • Registered Users, Registered Users 2 Posts: 5,797 ✭✭✭speedboatchase




  • Registered Users, Registered Users 2 Posts: 19,306 ✭✭✭✭Drumpot



    Twitter…. What a load of hysterical narcissistic bollox. The only time I read sh*t from it is when others send me links or on here.

    I hope Elon destroys it and then moves onto Facebook. What a pox those things are, future generations will look back at how damaging they were (how much damage they will cause is yet to be realised) and how nefarious characters used them to sow discord.

    Humans corrupt everything, we are just the worst.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    If it weren't such a dumping ground I'd feel sorry for any film scheduled for January and February.

    More fool me for ever doubting Cameron.



  • Registered Users Posts: 23 sherrupyew


    I have to laugh at tweets like this and some of the responses. There is an obsessive regurgitation of "nobody cares" talking points from some corners of the internet. Avatarophobia.

    These people are weirdly desperate to insist that the film is not succeeding, or that they somehow know an objective truth regarding people's feelings about the film. Why are some folks so triggered by the success of these films? So interesting.

    The tremendous box office performance is fascinating, particularly given the post-covid/streaming-era context. It is undeniably a global phenomenon. At this point, it is quite clear it will surpass the $2 billion mark. The only question is by how much.



  • Moderators, Entertainment Moderators Posts: 17,994 Mod ✭✭✭✭ixoy


    Before today, the last time I was in the cinema was in July. I've not felt a need to - I've got a great entertainment set up at home and I don't have to suffer other people.

    Today though, I went back to the cinema for 'Avatar: The Way of Water' because it's that rare beast that I can (short of a few million euro) never re-create at home. It doesn't matter hugely if there's no meat on the script (which there isn't) and it's not a slight to say it's largely about the spectacle when the spectacle is so very sumptuous. Studios rightly love the idea that this visual feast is powerful enough to get people into the cinema, away from home and I'll also go back to the IMAX, or suitably large screen, for the next film. And there's very few other films coming out that I'd even think would entice me out (although the next Mission Impossible film might!).



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    There are no justifiable arguments against it being a spectacle or having thrills, it is most else that is lacking.

    The only thing that is stopping Avatar from being called out more for cheap nostalgia is the fact that the first movie had so very little impact that most people don't even remember key moments of it. For example, bad guy v2 taming the flying creature in the same spot as the first movie, which even included one of the crigiest attempts at comedic one liners of the year.

    If the movie isnt full of nostalgic call backs then it is filled with pure rip offs of the original - just this time some of them are on water. There is a pretty decent argument that this movie is worse than Force Awakens for it.



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    It is a weird thing people do for successful franchises. Most of the movies involved have plenty of actual flaws but some decide to make up things about tangible facts, like box office numbers, to try to add validity to their opinions.

    Happens all the time with Marvel.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    I mean, how can a film be both totally unmemorable but nostalgic at the same time? Reads a little contradictory. Something of a Schrödinger's Blockbuster. Culturally empty but also not?

    Clearly there's something to these movies that has had audiences turning up in droves - 2 billion dollars worth and counting. Flick back through the thread and I was making salty comments about the 2009 films lack of cultural impact, so I do get it. But I'm also wrong. There's some kernel here being missed.

    And maybe it is "just" the spectacle of Pandora and its biosphere; the relatively boilerplate stories within it simple trusses for a world to amaze and astound. It doesn't have to be much more than that.

    TBH that was what the Blockbusters used to tend towards: did people watch and enthuse over ... I dunno, the old Sinbad movies of yore because the lead was such a character - or was it the spectacle of Ray Harryhausen's magical FX? Audiences wondering what monsters and exotic world's they'd visit?

    Christ a far more modern example are the latter-day Mission Impossible movies: they have almost zero plot of note and barely anything resembling characters ... yet they're lauded and financially successful because they entice with the newest death defying stunts by Tom Cruise. Fallout was as close the series got to characterisation and it was like ... Ok? Oh hi Michelle Monaghan, been a while but Who cares. Let's see Cruise halojump.

    Blockbusters have become more character focused, the world's most successful series basically built from a memorable set of Characters (and arguably now struggling to find memorable replacements for its original cast). But those doing it old school clearly still have value.



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    A film being a nostalgia-filled 'member berries' sequel and it being broadly similar to the original are two different things, but they're being conflated here. There's a particular class of sequels whose whole appeal lies in the big reveal of returning characters, familiar needle drops, and other similar tricks aimed primarily at firing up people's nostalgia. Avatar 2 doesn't have that - indeed, most of the characters are reintroduced fairly casually in a pretty rapid succession of exposition-heavy scenes in the first 30 minutes or so and then the film just gets on with telling its own stories. Unlike, say, The Force Awakens where much of the film is built around teasing the audience about the gradual reintroduction of familiar characters - literally right up until its cliffhanger final shot that only works because the audience knows who Luke Skywalker is. To be clear, I like The Force Awakens, but it's an extremely different beast to Avatar 2. As I said earlier, look at Ghostbusters: Afterlife to see a film whose intentions are near-solely about the nostalgic moments, at the expense of any sort of narrative logic or indeed good filmmaking.

    Nobody is arguing Avatar 2 is a radical departure from Avatar 1 story or structure-wise. But like several other great sequels that spring to mind - Evil Dead 2, or Spider-Man 2 - it uses a very similar basic formula to IMO expand and improve on the foundations already laid down. I think this did a much more impressive job of introducing cutting-edge, sharpy-directed spectacle than its predecessor and therefore thought it was a stronger film while happily acknowledging its flaws. And anyway, we're talking two films here, 13 years apart - quite a different proposition than, say, two dozen Marvel films with extremely similar final act battle sequences in the same period of time.



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  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    I don't see any of it as being contradictory or complicated at all.

    No one claimed they don't remember seeing the original or how they felt when they watched it in the cinema, it is that the characters and plot weren't memorable.

    There are plenty of things in life that you remember the experience more than the specific details of the events. You can still pull on strings of nostalgia in those situations.

    No one claimed it is 'just' the spectacle of Pandora - it is the entire spectacle of all elements of the movie. The movie, like the original, is an experience.



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    They billed the movie as 'Return to Pandora' in nearly every piece of the marketing, so there is no way to reasonably claim they weren't at least attempting to pull on nostalgia.

    You're being very kind to say it gets on with telling its own story, there is non stop overlap with with the first one. Off the top of my head:

    • same evil group,
    • same main villain back from the dead,
    • same 'invaders' and 'destroying nature' narrative
    • similar natural macguffin that the bad guys are after,
    • similar scenes of learning to work with the local nature (the villain with the same flying creature and the heroes with the water creatures),
    • previous supporting character brought back from the dead in the form of a child and basically all other previous characters getting their screentime,
    • same sort of situation of the heroes trying to settle in to a new area, discovering the surrounding nature, having small scale conflict with the local people before earning their trust and becoming part of their clan,
    • similar technology of the evil group (now in crab form),
    • similar scenes of a hero getting lost but ending up building relationships because of it,
    • similar giant creature who they bring on their side to help in the final battle,
    • similar final battle sequences,
    • hero ends up with the same realisation that they need to fight

    I don't get your final point at all. If a writer has a 13 year gap between their first and second movie there is absolutely no excuse to basically regurgitate so many elements of the first movie. It is far more understandable when you have more than 100 hours in a franchise during the same time period that there will be overlap, especially with the comic book material they are working with. Even ignoring the previous Avatar movies, it isn't like Cameron has been churning out movies over his career yet he still manages to rethread several plot points and action scenes from his earlier works in Avatar 2.



  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators, Technology & Internet Moderators Posts: 22,680 CMod ✭✭✭✭Sad Professor




  • Registered Users Posts: 23 sherrupyew


    These are fairly superficial observations. It's a blockbuster sequel and there are certain elements that are naturally going to be present again. It gives the audience what they want. No studio in their right mind is going to greenlight a movie of this scale without such basic considerations. In fact, I'm sure the first Avatar would never had existed had it not committed to a tried and tested plot formula.

    The story of WoW is simple but still deeper than the first. This is by design and is clearly a progression of the first film. There are certainly echoes, particularly as you see the children's journeys reflecting those of their parents (as in life). But it's hardly a problem.

    Thematically, the film is exploring different (and more) ideas here. The character of Jake Sully, now a father, is very different to the first. The villain has somehow become surprisingly compelling. Fight or flight, the pull of family, respect for nature, being an outsider etc. These are all themes that are well executed and resonate with most people.

    Yes there's a macguffin, and the film makes almost no effort to pretend it is anything other than that. Because the focus is on the themes, spectacle, visual storytelling and the overall emotional experience. Evidently, JC knows what he's doing.

    This isn't Memento.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    I think you're being unfairly critical of a sequel retooling similar themes or points. That's what Hollywood sequels do by and large; and it's obviously not this series' core strength. As another poster has said, the sequel has its own ideas, not least in the fairly overt angle over fatherhood. Or parenting in general if we extend it out to the whales, or the fact Kate Winslet's character was pregnant. This film hung a very big sign marked "legacy!" that set it apart. The finale literally hinged around the respective children's fates. Schlocky as hell but not the worse for it.

    It's easy to pull apart a film's plot as simplistic or not especially interesting if we reduce it to glib reduction. As I said before Mad Max Fury Road is about some people who drive in a straight line for a bit, then turn around and come straight back.

    Honestly I'm not sure what you're point is either. This film's doing well because nostalgia? Yes it's plot isn't great, its characters paper thin but there's a weird insistence upon this point that makes no sense in a broader scale. This is hardly a phenomenon unique to Hollywood - it's not even a phenomenon unique to James Cameron! He has never been am especially nuanced or layered writer of story or character - why the sudden emphasis with Avatar? The guy has always had 1.5D characters, this series has been no exception. Yet tweets and so on keep banging this drum like he's David Mamet.letting the side down.

    Post edited by pixelburp on


  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    I don’t know, your first argument here seems to be that the marketing department advertised the sequel to Avatar as a sequel to Avatar 😅

    Im not sure what you’re arguing against, to be honest. As I said in my original post on the film, the film clearly does rehash significant elements of the first film - indeed, I was iffy about the film for the first 45 mins as it was so much ‘more of the same’. But as other posters have articulated, the film does very much move things along and has its own clear, new thematic, story and character interests. Yes there are similarities small and large between the films, like another magical element for the humans to suddenly harvest or just having the same bad guy back for some reason. Nobody will be mistaking this to be a particularly original or deep screenplay. It’s a testament to all the other cool stuff Cameron’s doing that I didn’t really care about that.

    Evil Dead 2 is a completely nonsensical remake of the first film and still is one of the most popular sequels of all time - it’s because Raimi revisited the structure and found a new and fresh way to tell the same basic story. Avatar 2 rehashes elements of the first film (and yes some of Cameron’s other films too!), but also feels like a proper artistic extension in the process. Sure my favourite working director is Hong Sang-soo (never thought I’d mention him in a thread about bloody Avatar 😂) who basically makes the same basic film a few times a year. But it’s the nuances and changes and shifts in perspective that makes that a fascinating and worthwhile exercise. James Cameron couldn’t be more different of a filmmaker (making the most expensive films ever made vs a guy making microbudget films about people drinking soju), but it’s nice to see him refining his vision through this sequel. Let’s just see if I feel the same in 23 months when there’s another one :)



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  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    They are far from superficial and it isn't echoes or certain elements, it is the majority of the movie that is copied from the previous one.

    Even the examples of themes that you claim are different are seen in the first. Fight or flight is dealt with in detail when Jake is trying to get the people to leave before the humans come, being an outsider is a huge element of that story with Jake eventually being accepted before they realise he has been leaking information, and respect for nature is a huge part of turn against the humans.

    I'm not saying JC doesn't know what he's doing - this is a good movie and a huge success. Like you noted earlier, lets be honest about what the movie is and isn't.



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    Parenting angle is new but a lot of that is still a rethread of how Jake acted in the first movie - this time being protective of his family rather than the wider tribe and then how the kids acted was very similar to what Jake experienced.

    My point was that for both Maverick and this there is a huge element of nostalgia/copying of the originals that played a part in their success - having agreed with all of the other points you noted as factors like the visuals, spectacle etc.

    As you said, many sequels do this - I don't understand why it seems to be a sore point to call it out specifically for these two movies.



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    Feel your confusion is coming from the fact that I'm not trying to argue anything, I'm just stating my opinion on the movie with examples.

    It is a weird one, as I'm not saying the movie is bad or anything like that - I said it was pretty good but has flaws, which most seem to agree with.

    Seems a few of us have our opinions flipped from what is usual on threads about other franchise blockbusters - with others giving more leeway to this one and/or me giving less.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    Think we've gone in circles a bit but what has been noted already is how this film has drawn particular and vocal criticism for either not being "memorable" or recycling old ideas - like there's some determination to downplay or dismiss the box office success. As I said, the MI series basically reuses the same plot each time and nobody cares or comments.

    So even though sequels do this all the time, Avatar 2 is getting slammed for special criticism. In fact I'd be so cheeky, based on our previous fights chat 🤭, as to suggest were this about a MCU film and folks criticising a sequel repeating itself, you'd be on the thread wrapping our knuckles 🤪



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    Given the continued pace at which thing is making money, it's not out of the question that this will make it into the top five highest-grossing films of all time - just needs to make it a little bit beyond $2 billion. If so, Jim Cameron would have three of the top five spots, which is quite extraordinary.

    I know it's all sort of meaningless when you get to this sort of budget level (apparently the film is just about at the break-even point with $1.4-1.5 bn - LOL) and such absurdly high box office numbers, but it's still a fascinating and unique phenomenon to behold. The man's success is kinda mind-boggling, even allowing for the mega-budget blank cheques he has been afforded.



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  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    Is he THE blank cheque director? Like, is there a director whose career has had so many, the budgets so large, with those subsequent films succeeding. I don't think Cameron has had to compromise his vision once since ... Uhhh. Ever, maybe?



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,731 CMod ✭✭✭✭johnny_ultimate


    I'd say you could count Spielberg - cheques aren't always quite as big there, but he's cashed them in for far more varied projects :) Christopher Nolan would be the only real other candidate.

    As an aside, I see True Lies appears to have been added to Disney+. Delighted, as I haven't seen that since I was very young and it's been frustratingly hard to find in decent quality in recent times.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    I was going to say Spielberg but he has had some notable flops and failures like 1941 and Hook. He certainly has been able to keep getting projects greenlit mind you. Good shout on Nolan, though I'd argue Cameron got his blank chequebook quicker than Nolan managed - even if the latter has been more proficient.



  • Registered Users Posts: 483 ✭✭Fred Astaire


    I saw this in IMAX 3d in BFI. Jesus F*cking Christ. Unbelievable. Omniplex in Cork would be my usual go to and I was dying to see this but then I heard the Maxx screenings were in 2d I decided I'd wait until I was in London.

    I utterly loved it. Pandora is just to easy to get lost in that I could have happily sat there for another three hours. The first act is a little messy as Cameron catches everyone up and sets the scene for this movie. And on rewatch and not in that environment I might think that some time could be shaved off the middle act (because obviously a lot of that underwater exploration is clearly meant for proper IMAX 3D viewing). But when I saw it, that middle act - I wanted as much time as possible there. I'm totally blown away.

    One thing I really appreciated, especially when so many blockbusters are chock full of quips now, is that the movie was so earnest. Thankfully, not every bloody story beat or interaction or line of dialogue was undercut with some cynical quip. Just this refreshing sincerity to the whole thing that was really really appreciated by this viewer anyway. The story isn't the most complex but it doesn't need to be.

    The final act is James Cameron back doing what he is most known for - crafting sensational action set pieces. Unquestionably one of the best action set pieces of the last decade at least. Nobody does them better.



  • Registered Users Posts: 23 sherrupyew


    Completely agree with the poster above regarding the film's unashamed earnestness. There's a romanticism here that is sorely lacking from most modern blockbusters.

    I watched the movie for a second time today. It makes for a great rewatch. Viewing for the first time, the "OMG" nature of the visuals is so overwhelming its a bit distracting at times. That effect disappears during a second viewing. I laughed, I cried. It's an easy movie to love.

    The only negative was the man next to me who kept loudly sucking each of his fingers after every mouthful of popcorn.

    I sincerely hope this standard can be maintained for future Avatar films.



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol


    I was just as 'cheeky' having mentioned the exact same thing in my earlier response to johnny_ultimate.

    If an MCU sequel had even a tiny portion of same copying from the original you and others would be burning the director at the stake for laziness.

    Not sure how we ended up switching our normal viewpoints, maybe it is down to me having higher hope of what could have been possible for the plot with Avatar given there was only one movie in 13 years, with endless narrative routes that could be explored in a sequel, and feeling disappointed with what was 80% reheating version of the original.

    With MCU I am probably generally more understanding because of the 100+ hours of movies and shows that there will be some overlap, especially given that they are somewhat restricted by the source material. It is much harder to do something unique there so 'slamming' those movies when it isn't there always seems to me like complaining that the sky is blue.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    Well, the difference here comes down to how I don't fundamentally believe the sequel is that much of a rehash that the joins showed. When push comes to shove; not to the extent you say, or that it deserves singling out against the rest of the industry. Mostly by dint of the characterisation changes and differences that were, TBH, much more interesting than the original's reheated Dances With Wolves storyline; the A-to-B plotyfila don't bother me so much.

    It was a bit undercooked but the Quaritch & Spider subplot was really interesting, and bordered on nuanced in places. I'm guessing Cameron had been thinking about fatherhood when he sat down and wrote the script 'cos the only way the story could have made it louder was if there were neon signs!

    As to the MCU? Well no I wouldn't burn a director at the stake for a rehashed plot - mostly because we've had sequels recycling already. I think you'll find my complaints about the MCU are fairly consistent at this stage 😉



  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    BTW, this overtook Top Gun: Maverick the other day; now sits at $1.5 billion worldwide. No idea if it's showing any signs of slowdown at the box-office.



  • Registered Users, Registered Users 2 Posts: 18,676 ✭✭✭✭silverharp


    its opening in more screens this week

    A belief in gender identity involves a level of faith as there is nothing tangible to prove its existence which, as something divorced from the physical body, is similar to the idea of a soul. - Colette Colfer



  • Registered Users Posts: 11,156 ✭✭✭✭Foxtrol



    For MCU, the mere presence of a large CGI battle in the finale draws complaints, even though it is an element of practically every blockbuster. Avatar goes far, far beyond that - though it also follows the original Avatar with finales that include a large CGI battle. I'm sure the response will be that 'well Avatar had a good CGI battle' but that isn't the bar that is set for MCU, again the mere inclusion of it is enough to bring on ire.

    I take your statement of your belief in good faith but given what I see as the pernickety standards you and others tend to set for other movies I can only believe there are outside factors that must be impacting your opinion, either being more understanding to this or harsher to MCU. I similarly strongly feel that the rehash here goes far beyond the norm in sequels, I provided a list that ranged from core elements to more minor things, but I've also admitted what there are likely similar outside factors at play for me, impacting my opinion to be opposite to my norm.

    Agree we're going round in circles and not more left to say. Maybe we take this potential newly found self awareness into how we judge the many upcoming movies in the MCU and Avatar franchises.



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