Advertisement
If you have a new account but are having problems posting or verifying your account, please email us on hello@boards.ie for help. Thanks :)
Hello all! Please ensure that you are posting a new thread or question in the appropriate forum. The Feedback forum is overwhelmed with questions that are having to be moved elsewhere. If you need help to verify your account contact hello@boards.ie
Hi all! We have been experiencing an issue on site where threads have been missing the latest postings. The platform host Vanilla are working on this issue. A workaround that has been used by some is to navigate back from 1 to 10+ pages to re-sync the thread and this will then show the latest posts. Thanks, Mike.
Hi there,
There is an issue with role permissions that is being worked on at the moment.
If you are having trouble with access or permissions on regional forums please post here to get access: https://www.boards.ie/discussion/2058365403/you-do-not-have-permission-for-that#latest

What have you watched recently? 3D!

1141517192068

Comments

  • Registered Users, Registered Users 2 Posts: 5,367 ✭✭✭JimmyVik


    pretty crap , could have been very good .


    The last 10 minutes really, really let this movie down.


  • Registered Users Posts: 890 ✭✭✭El Duda


    The Road – 9/10

    Not to get all ‘Kermode’ on your arses but this got me thinking about the Exorcist. If you take a genre, in this case the Armageddon/end of days genre and play it out as a drama, it makes for a much better film. We are used to films like this being action/horror with cliché stock characters and predictable structure. It is so refreshing to see it tackled in such a tender and sombre manner.

    I have not read the much-revered novel that this is based on, but I can tell that it must be one hell of a piece of work. The attention to detail and the thought that has gone into it is phenomenal. It throws scenarios in your face that you would never contemplate. The bleakness of the situation is laid bare and it never tries to dress it up in sentimentality. There is no attempt to make the relationship between Father and Son heart-warming, so everything remains extremely raw. Viggo Mortensen and Kody Smit-Mcphee both put in award worthy performances. I am shocked that they were snubbed for Oscar nominations.

    An incredibly touching and emotional movie that seems perfect for these times. After the film, my other half and I felt extremely grateful for our lives and it made lockdown feel like luxury. Those lingering shots of desolate landscape will stay with me for a while. This is the exact reason why I love cinema. Why does it only have a 68% audience score on Rotten Tomatoes?


  • Registered Users, Registered Users 2 Posts: 3,862 ✭✭✭mikhail


    El Duda wrote: »
    Why does it only have a 68% audience score on Rotten Tomatoes?
    Because it's not fun. Audiences don't rate based on quality.


  • Registered Users, Registered Users 2 Posts: 19,544 ✭✭✭✭Tony EH


    'Soylent Green'

    A sci-fi yarn who's reveal is probably known by all and sundry at this stage, but still retains that special something that keeps me coming back to it since I first saw it on BBC2 as a boy. It's dated now, for sure, but that feeling doesn't really last beyond it's opening shots. The story draws you in and keeps you there til Sol's (Edward G. Robinson in his final role) fateful decision.

    'Soylent Green' is a film that has much to say about the trajectory of our planet and how we run it and it that respect it was quite prescient, especially so, since it was made in 1973. Regarding global environmental weather conditions, overcrowding, income inequality and corporate interference into the running of society, it's warnings are very clear and may well be accurate, according to some people.

    It's very good sci-fi, while not being a terribly fascinating gumshoe story. But, it's the state of the society that's Soylent Green's biggest attraction.

    Remember Tuesday is Soylent Green day.

    8/10



    'Calvary'

    A priest (Brendan Gleeson) is threatened with death by one of his parishioners and we follow his actions in the week leading up to his meeting with his would be killer. 'Calvary' is a decent little Irish flick that isn't spectacular in any way, but it's relatively entertaining and littered with a who's who of current Irish faces, including Gleeson's son. A good character focused drama, that throws up some questions about the financial crisis and clerical abuse, without being overwrought about such issues.

    9/10



    'Sea Fever'

    A low budget affair with a mish-mash of "Irish" accents on a trawler off the coast that doesn't really amount to a truly satisfying whole. A decent, in parts, story about a group of people dealing with a virus brought on by contact with an unknown sea species and their attempts to deal with the problem. But it's just not that good in the end (with a couple of questionable character decisions) and it's hampered by its lack of budget, although not as severely as in a lot of other cases.

    5/10


  • Banned (with Prison Access) Posts: 442 ✭✭freak scence


    JimmyVik wrote: »
    The last 10 minutes really, really let this movie down.

    yes very poor , it could have being excellent . Way too dark


  • Posts: 0 [Deleted User]


    Tony EH wrote: »
    'Soylent Green'

    A sci-fi yarn who's reveal is probably known by all and sundry at this stage, but still retains that special something that keeps me coming back to it since I first saw it on BBC2 as a boy. It's dated now, for sure, but that feeling doesn't really last beyond it's opening shots. The story draws you in and keeps you there til Sol's (Edward G. Robinson in his final role) fateful decision.

    'Soylent Green' is a film that has much to say about the trajectory of our planet and how we run it and it that respect it was quite prescient, especially so, since it was made in 1973. Regarding global environmental weather conditions, overcrowding, income inequality and corporate interference into the running of society, it's warnings are very clear and may well be accurate, according to some people.

    It's very good sci-fi, while not being a terribly fascinating gumshoe story. But, it's the state of the society that's Soylent Green's biggest attraction.

    Remember Tuesday is Soylent Green day.

    8/10

    Watched it again recently myself. Brilliant film. I have no doubt the planet faces this same problem one day!!!
    Think The Omega man will have to be watched again soon too...


  • Registered Users, Registered Users 2 Posts: 1,236 ✭✭✭Decuc500


    Trespass

    Walter Hill film from the early 90’s. I think when I watched this originally back in the day I was disappointed. It wasn’t as good as Southern Comfort, 48 Hours, The Long Riders, The Warriors etc. so I didn’t really rate it. But it’s actually a really lean action movie that has fun with not taking itself too seriously.

    Two firemen discover a map to hidden treasure in a derelict area of East St Louis but when they arrive to search for it witness a murder involving a local gang. They get trapped in an abandoned warehouse surrounded by the gang and the film turns into a Howard Hawks/John Carpenter type siege movie.

    The firemen are white and the gang are all black and the cynical part of me thinks that this would be a very different film if it was made in 2020. It would probably be an uncomfortable study on race and ‘toxic masculinity’ (and would be unbearable and preachy) but back in the 90’s it was possible to make films where the ‘baddies’ are a black street gang and the ‘goodies’ white firemen. Of course there are different shades of grey and the prospect of hidden treasure brings out the worst in people and blurs the line between good and bad.

    Ice T and Ice Cube bring their pop culture charisma as the leaders of the gang. The much missed “Wild Bill” Paxton is the decent fireman who only wants to do the right thing.


  • Registered Users, Registered Users 2 Posts: 13,031 ✭✭✭✭bnt


    Finally got to watch Star Wars Episode IX: Rise of Skywalker last night. Of the last three SW films, I definitely enjoyed this the most, and think the writers and director did a great job with the material. It's not perfect, and I'm aware of criticisms such as pandering to the audience a bit, but I don't think it was too much.

    I thought the ending was handled very well (mild spoiler): no big parties or parades as in previous films, but more relief and sombre reflection on the people that had been lost in the wars.
    Rey needing to use both Luke's and Leia's lightsabers to defeat Palpatine, burying the lightsabers together back on Tatooine, and adopting the Skywalker name herself.

    Death has this much to be said for it:
    You don’t have to get out of bed for it.
    Wherever you happen to be
    They bring it to you—free.

    — Kingsley Amis



  • Registered Users Posts: 628 ✭✭✭Fuascailteoir


    El Duda wrote: »
    The Road – 9/10

    Not to get all ‘Kermode’ on your arses but this got me thinking about the Exorcist. If you take a genre, in this case the Armageddon/end of days genre and play it out as a drama, it makes for a much better film. We are used to films like this being action/horror with cliché stock characters and predictable structure. It is so refreshing to see it tackled in such a tender and sombre manner.

    I have not read the much-revered novel that this is based on, but I can tell that it must be one hell of a piece of work. The attention to detail and the thought that has gone into it is phenomenal. It throws scenarios in your face that you would never contemplate. The bleakness of the situation is laid bare and it never tries to dress it up in sentimentality. There is no attempt to make the relationship between Father and Son heart-warming, so everything remains extremely raw. Viggo Mortensen and Kody Smit-Mcphee both put in award worthy performances. I am shocked that they were snubbed for Oscar nominations.

    An incredibly touching and emotional movie that seems perfect for these times. After the film, my other half and I felt extremely grateful for our lives and it made lockdown feel like luxury. Those lingering shots of desolate landscape will stay with me for a while. This is the exact reason why I love cinema. Why does it only have a 68% audience score on Rotten Tomatoes?
    The book is terrific and is not as onerous a task as some of his others. Would easily read it in a day


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 1,324 ✭✭✭Tilikum17


    MV5BODcyMDc4OTMtNDBkMS00YjRkLTllYjQtNTIyOWEyNzM5YzQwXkEyXkFqcGdeQXVyODA5NDE0Nw@@._V1_SY1000_CR0,0,666,1000_AL_.jpg

    pretty crap , could have been very good .

    Watched it last night. I thought it was pure ****e tbh. Don’t know what was worse, the storyline or the horrendous galway accents.

    No, it was defiantly the accents. Sounded nothing like someone from Galway.


  • Banned (with Prison Access) Posts: 442 ✭✭freak scence


    yep it was pretty dire alright , thought it was just me


  • Registered Users, Registered Users 2 Posts: 33,995 ✭✭✭✭NIMAN


    BK usually puts me off wanting to watch anything with him in it.

    Can't warm to the lad at all.
    Did I miss the performance he gave that turned him into a superstar?
    Cos everything I have seen him in, he's nothing special.


  • Registered Users, Registered Users 2 Posts: 1,585 ✭✭✭cmac2009


    NIMAN wrote: »
    BK usually puts me off wanting to watch anything with him in it.

    Can't warm to the lad at all.
    Did I miss the performance he gave that turned him into a superstar?
    Cos everything I have seen him in, he's nothing special.

    Suspect there's a lot of cat haters in Hollywood.


  • Registered Users, Registered Users 2 Posts: 10,305 ✭✭✭✭branie2


    Vicky Cristina Barcelona on Blu-ray


  • Moderators, Category Moderators, Entertainment Moderators, Science, Health & Environment Moderators, Regional East Moderators Posts: 18,509 CMod ✭✭✭✭The Black Oil


    The Last Thing He Wanted

    Recent Netflix picture that, whilst I could see what it was trying to do, didn't appear to know its arse from its elbow.

    Firewall

    Mid 2000s thing with Harrison Ford and a few other known faces. Don't think it even reaches the level of solid and I wouldn't blame you for falling asleep towards the end. Unsatisfactory.


  • Advertisement
  • Posts: 0 [Deleted User]


    Fish Tank 2009 This is about a 15 year old girl from a council estate in the chaviest of the chav estates in England. Her Mum is a single Mum, and a wretched one at that and Michael Fassbender is the new boyfriend coming round who strikes up a strange relationship the the girl.
    This is a very powerful piece of work, getting into the mind of a 15 year old girl growing up in those circumstances. It brutal, and scary and incredibly real. Some scenes are so simple, but just perfect. A very exceptional piece of work that is engaging and well worth a watch.


  • Registered Users, Registered Users 2 Posts: 1,966 ✭✭✭cdgalwegian


    Fish Tank 2009 This is about a 15 year old girl from a council estate in the chaviest of the chav estates in England. Her Mum is a single Mum, and a wretched one at that and Michael Fassbender is the new boyfriend coming round who strikes up a strange relationship the the girl.
    This is a very powerful piece of work, getting into the mind of a 15 year old girl growing up in those circumstances. It brutal, and scary and incredibly real. Some scenes are so simple, but just perfect. A very exceptional piece of work that is engaging and well worth a watch.
    Love this film; simple, yet powerful, with great performances all round.


  • Registered Users, Registered Users 2 Posts: 3,120 ✭✭✭shrapnel222


    Love this film; simple, yet powerful, with great performances all round.

    +1. Loved it


  • Registered Users, Registered Users 2 Posts: 33,995 ✭✭✭✭NIMAN


    Watched Solo for the 2nd time the other night, having seen it in the cinema.

    I'd say probably the weakest of all the Star Wars films of the last decade?


  • Registered Users, Registered Users 2 Posts: 3,120 ✭✭✭shrapnel222


    NIMAN wrote: »
    Watched Solo for the 2nd time the other night, having seen it in the cinema.

    I'd say probably the weakest of all the Star Wars films of the last decade?

    i actually thought it was one of the more entertaining ones, of all the sh itty new ones which have come out since the original 3


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 19,544 ✭✭✭✭Tony EH


    NIMAN wrote: »
    Watched Solo for the 2nd time the other night, having seen it in the cinema.

    I'd say probably the weakest of all the Star Wars films of the last decade?

    It's definitely a meh effort and probably a film that should have been struck off before the camera even rolled.

    But I'd take it over any of the prequels/sequels.


  • Registered Users, Registered Users 2 Posts: 4,065 ✭✭✭otnomart


    Fish Tank 2009
    Have seen it at the cinema when it came out.
    Very strong movie, not an easy watch though.


  • Registered Users, Registered Users 2 Posts: 19,544 ✭✭✭✭Tony EH


    Fish Tank 2009 This is about a 15 year old girl from a council estate in the chaviest of the chav estates in England. Her Mum is a single Mum, and a wretched one at that and Michael Fassbender is the new boyfriend coming round who strikes up a strange relationship the the girl.
    This is a very powerful piece of work, getting into the mind of a 15 year old girl growing up in those circumstances. It brutal, and scary and incredibly real. Some scenes are so simple, but just perfect. A very exceptional piece of work that is engaging and well worth a watch.

    If you liked that, you should check out Andrea Arnold's previous effort, 'Red Road'.


  • Registered Users Posts: 2,972 ✭✭✭mikemac2


    12 Strong

    After 9/11 a US special forces team are inserted into Afghanistan to hook up with the local fighters and tackle the Taliban

    The Afghani fighters are brave but constantly fight among themselves so diplomacy is needed.

    Some of the fighting scenes are spectacular such as the cavalry charge but this film felt very average to me.

    Rambo-like body counts as a US solider can charge into action and shoot 30 enemies without a scratch.

    The loyal comrade with the wife and child at home gets grievously wounded and is told to hang on and not die :( Most every war movie has this guy

    I give it 2/5. Great for a bit of light entertainment but very forgettable


  • Registered Users Posts: 2,972 ✭✭✭mikemac2


    Edge of Tomorrow

    Tom Cruise, Emily Blunt

    Humans must fight off alien invaders but it's much more than a simple Independence day plot line

    The main character must repeat each day and learn how to destroy the main alien. Sort of like a computer game in how it works

    My writeup and this post sucks but this movie didn't. I loved it - 4.5/5


  • Moderators, Category Moderators, Entertainment Moderators, Science, Health & Environment Moderators, Regional East Moderators Posts: 18,509 CMod ✭✭✭✭The Black Oil


    A Private War

    This is probably the strongest piece I've watched recently, both in Pike's performance and the film itself, though still 3/5. War correspondent Marie Colvin is formidable journalist, relentless. It captures this both in her work and personal life - a drinker, PTSD and her core character too. The film doesn't seem terribly interested in making an overt political statement, despite its sobering nature. It very much escalates as we move from Afghanistan and Iraq to Syria. Syria is particularly difficult, the scene with the child, the intensity of the bombing. Assad is butcher and a monster.
    I wasn't aware of her, I must admit, and ultimately the film's end is no surprise - the location/date stamps mean you know we're building to something tragic. A real loss to journalism, let more of them make governments uncomfortable.


  • Registered Users, Registered Users 2 Posts: 19,306 ✭✭✭✭Drumpot


    Logan

    Hadn’t watched it in years but it’s been on my mind to revisit for awhile now.

    My long lasting memory from it has always been “beautifully horrible and a difficult watch” because I’ve loved watching the main characters in the movie in the X men franchise and I was invested in their welfare from the first minute of the movie.

    I find this movie heartbreaking and possibly the best comicbook movie made ever, certainly up there. Feels like a movie that could be watched on its own (would love to know how people unfamiliar with x men franchise found it as a one off).

    The basic premise is that Logan and Professor X are hiding out from authorities for reasons that are only revealed as the story unfolds. There’s some twists along the way but what makes this movie so special (asides from being an adult movie for adults who would of grown up watching Jackmans wolverine) is that the entire movie is about the characters. And it ends with one of the most beautiful lines that really resonate “
    so that’s how that feels
    ”For anybody family with the painful struggles of
    Logan’s
    life, it’s just a heartbreaking moment for numerous reasons. Honestly, I can’t think of too many other moments in a movie that had me with dust in my eyes long after the credits have rolled.

    A film for the ages

    10/10


  • Registered Users, Registered Users 2 Posts: 10,305 ✭✭✭✭branie2


    The Miracle of Our Lady of Fatima on Wednesday, as it was the feast of Our Lady of Fatima that day.


  • Closed Accounts Posts: 100 ✭✭playonplayette


    See No Evil, Hear No Evil

    I'd heard of it for years and thought it was a horror. Old school comedy and dated but still had a few laughs. I really enjoyed it. :)


  • Registered Users, Registered Users 2 Posts: 9,059 ✭✭✭Doge


    Today was my first time discovering this thread and I was all excited to discuss 3D movies which are best viewed in VR (some would claim that's a gimmick also ;)),
    only to read further into the OP and realise that the title was a parody!

    Damn you Johnny Ultimate, as you can see from my avatar I had my 3D glasses ready and all! :(


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 3,862 ✭✭✭mikhail


    So go make that thread. Hopefully, it'll be an interesting discussion.


  • Registered Users, Registered Users 2 Posts: 5,367 ✭✭✭JimmyVik


    Doge wrote: »
    Today was my first time discovering this thread and I was all excited to discuss 3D movies which are best viewed in VR (some would claim that's a gimmick also ;)),
    only to read further into the OP and realise that the title was a parody!

    Damn you Johnny Ultimate, as you can see from my avatar I had my 3D glasses ready and all! :(


    I thought it was that too.


  • Registered Users, Registered Users 2 Posts: 19,544 ✭✭✭✭Tony EH


    *spoilers*

    'Vivarium'

    Lorcan Finnegan's film seems to be largely a Marmite experience for a lot of viewers. Many people have simply rejected it due to it's surrealist nature and sheer lack of answers that some of it's audience appear to have wanted. But 'Vivarium' isn't a film that will give you any answers and that's probably one of its strengths, because any answer it could have come up with would have been deeply unsatisfying, more than likely.

    Without going into too much depth, the film deals with a young couple, Tom (Jessie Eisenberg) and Gemma (Imogen Poots), who are interested in seeking a new home. They head to an estate agents, where they are greeted by the toe curlingly creepy Martin (Jonathan Aris) who fills them up with bland agency patter and tells them that he has homes available in an estate called Yonder, which is both "near enough" and "far enough" and Tom and Gemma agree to accompany him to a viewing.

    Yonder turns out to be a, literal, maze of identikit green houses against the backdrop of a Rene Magritte sky and is immediately uncomfortable in its blandness and uniformity. Tom and Gemma are shown around by Martin who subsequently disappears during the viewing, leaving the couple to try an escape from the estate, which they find impossible to do.

    One could take 'Vivarium' as a commentary on the trappings of social norms and the labels that we place upon ourselves and have placed upon us. Tom and Gemma are a normal young couple at the beginning of the film, they are "unmarried" and therefore "boyfriend" and "girlfriend". They are looking to buy a "home", but end up trapped in a "property" that they don't want. They are presented with a child, who expects them to act as "parents" to it, and become "mother" and "father". Tom and Gemma continually reject their new labels, but also continue to act according to them, by feeding the child, who's growth is accelerated by a considerable amount. The "boy" is a source of constant torment and at times, outright scary, and Tom refers to him only as "it". The "boy" grows up quickly and becomes a "man", informing his reluctant "mother" that her role was to prepare her "son" for the world. This "man" then leaves Yonder to replace Martin, who we see dying in his "job" in the Estate Agents office and, presumably, the cycle starts over as a new couple enter.

    Elsewhere 'Vivarium' also appears to be commenting on other aspects of modern life. Tom's labours every day involve "working" himself into his own grave, which he dutifully digs in the front garden and everything Tom and Gemma need is delivered to their house in boxed packaging. All that's missing from them is the Amazon logo on the side. Tom and Gemma surrender themselves to routine and their house has all the mod cons that they need, but they miss the simple and natural things like taste, smell and the wind.

    Whatever 'Vivarium' is trying to say may depend on what the viewer takes to and away from it themselves. There's no conventional story or plot and base logic doesn't really apply, as like with most surrealist exercises, the mundane is placed next to the extraordinary to produce odd results. It's a very creepy, but hypnotic film that draws you in from the opening and leaves you with many thoughts at its end.

    8/10


  • Registered Users, Registered Users 2 Posts: 1,236 ✭✭✭Decuc500


    I had high hopes for Vivarium as I have enjoyed Lorcan Finnegan’s previous stuff but I really took a dislike to it.

    This was a tough watch, too bleak for my tastes. Right from the opening footage of a cuckoo taking over another birds nest to
    that brutal, hopeless ending, it’s a nightmare vision without relief.

    If this is Finnegan’s response to being in his thirties and the horrors of house buying and starting a family, what’s his mid-life crisis movie going to be like???


  • Registered Users, Registered Users 2 Posts: 19,544 ✭✭✭✭Tony EH


    Decuc500 wrote: »
    If this is Finnegan’s response to being in his thirties and the horrors of house buying and starting a family, what’s his mid-life crisis movie going to be like???

    The Mrs. said pretty much the same thing. :D

    On it's ending, I think if it had ended any other way, I would have found that disappointing TBH. The whole film is designed to be uncomfortable, so a happy ending would have felt out of place.

    I haven't seen any of Finnegan's other stuff before and I avoided anything to do with 'Vivarium'. So I went in not knowing much about it, other than it had either love it or hate it feedback, which I supposed piqued my interest.


  • Registered Users, Registered Users 2 Posts: 5,367 ✭✭✭JimmyVik


    Neon Demon.

    Weird movie and I dont know what it was about or why i liked it but I did.


  • Registered Users, Registered Users 2 Posts: 247 ✭✭j.s. pill II


    Fish Tank 2009 This is about a 15 year old girl from a council estate in the chaviest of the chav estates in England. Her Mum is a single Mum, and a wretched one at that and Michael Fassbender is the new boyfriend coming round who strikes up a strange relationship the the girl.
    This is a very powerful piece of work, getting into the mind of a 15 year old girl growing up in those circumstances. It brutal, and scary and incredibly real. Some scenes are so simple, but just perfect. A very exceptional piece of work that is engaging and well worth a watch.

    This is really suberb. An absolute must watch for fans of kitchen sink.

    Some director Andrea Arnold's other work worth checking out includes Red Road and American Honey

    Re American Honey, I was a bit sceptical about how the kitchen sink style would translate to an American setting. It did, very effectively.


  • Registered Users, Registered Users 2 Posts: 10,305 ✭✭✭✭branie2


    Trainspotting on Blu-Ray


  • Registered Users, Registered Users 2 Posts: 4,065 ✭✭✭otnomart


    This is really suberb. An absolute must watch for fans of kitchen sink.

    Some director Andrea Arnold's other work worth checking out includes Red Road and American Honey

    Re American Honey, I was a bit sceptical about how the kitchen sink style would translate to an American setting. It did, very effectively.


    +1 on Red Road.
    I believe it is a movie shot with the Dogma rules, actually.


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 303 ✭✭Metroid diorteM


    Avengers Endgame was pretty cool in 3d on PSVR
    8^)

    I've terminator 2 3d on the way. Hopefully good.


  • Posts: 0 [Deleted User]


    Did Red Road last night. A little too high on the bleak scale for me. Good film, but lacked the rays of hope in Fish Tank that gave it the range of emotions to elevate it into outstanding. Much harder to connect with the characters also.


  • Registered Users, Registered Users 2 Posts: 247 ✭✭j.s. pill II


    Did Red Road last night. A little too high on the bleak scale for me. Good film, but lacked the rays of hope in Fish Tank that gave it the range of emotions to elevate it into outstanding. Much harder to connect with the characters also.

    Vastly different subject matter from Fish Tank - bleak it is ;).


  • Registered Users Posts: 548 ✭✭✭barrymanilow


    A Beautiful Day in the Neighborhood



    Very nice uplifting and heart warming film , based loosely on Lyod Vogels research for his for Esquire Magazine article on Children's TV Presenter Fred Rodgers aka " Mr Rodgers" . Very human and touching film about human imperfection , forgiveness and connection. Tom Hanks knocks it out of the park again in the lead roll. A refreshing watch after some of the bleaker , heavy stuff I have been watching.


    8/10


  • Moderators, Category Moderators, Entertainment Moderators Posts: 36,711 CMod ✭✭✭✭pixelburp


    Le Mans '66 (Ford v. Ferrari) (2019)

    It skirted dangerously into "plucky Anglophones put one up on greasy foreigners" territory without ever falling in - though neither CEO came off well in fairness - instead being a genuinely entertaining ride. Not least for the racing scenes: obviously any sport film that focuses on events on the track or field needs to nail that action - and thankfully Mangold got it right. The driving set-pieces had heft, physicality and that sense of barely restrained danger inherent in fast cars, with only a couple of moments of suspected CGI instead of cars driven by stunt-drivers.

    The off track material was affecting too, and I can see why the film has been cheerfully called a quintessential "Dad Flick": its two male leads were so thoroughly decent, competent and emotionally reliable, they almost derailed the narrative with their impeccable morality. I could easily imagine an alternative version of this film: one where Christian Bale's mercurial Ken Miles had his prickliness dialled up to 11, his home life a disaster zone 'cos his wife just doesn't "get" his genius. Instead, Miles was a loving father to his son & wife, they loving him back, with no contrived conflict or friction. Honestly, it made a refreshing change to see the Eccentric Genius character function normally in life. 

    Now, I'm off to buy a cardigan, a pipe & some slippers. Maybe take up gardening, listen to Radio 4. Or whatever else counts as "stereotypically Dad".


  • Registered Users Posts: 2,972 ✭✭✭mikemac2


    Once upon a time in London

    It's on Netflix. Traces organised crime from the Sabini and White families in the 20´s & 30´s to a Jewish gangster and his turf war during the WWII years. Finishes in the 60´s with the Krays

    I thought this was awful.

    There was a lot of decades to cover but it was a mess. A few 3-4 minute sequences using period music from the time but this is no Goodfellas, it just doesn't work

    There is a plenty of violence for sure but then a second later a couple embracing in the sun filled stairway awwww. This film didn't know what it wanted to be with the constant changing of scenes.

    There is an Irish actress too named Nadia Forde and it seems she did some reality TV stuff for TV3. This film won't be advancing her career. A few other actors you would recognise from the likes of Green Street and The Football Factory


  • Advertisement
  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 29,724 CMod ✭✭✭✭johnny_ultimate


    Mad Max: Fury Road - the 2010s were really the decade when endless sequels and franchise films came to dominate mainstream film to an overwhelming degree. And yet only a handful of them IMO had lasting worth beyond (at best) a fun, forgettable night at the cinema. There's Toy Story 3. Mission Impossible Fallout. The Last Jedi. Kinda start running out quickly after that. But, above all of them, towers Fury Road.

    I remember being slightly underwhelmed when I first watched it - I mean very slightly, but still that tad less gushingly enthusiastic than others. That said, I think I've watched it four times now, and it just gets better and better. To see those hundreds of millions pumped into a wildly idiosyncratic vision of next-generation action movie carnage... it pretty much stands alone in that sense. As great and hypnotic as the endless action is, it would mean little if the storytelling wasn't so blissfully economical. The world and ideas and characters are rich here, but they simply exist naturally in the post-apocalyptic fever dream: exposition is at a bare minimum, and the sheer pace of the chase is reflected in its zero-nonsense storytelling.

    THE greatest, most blistering aberration in recent mainstream cinema history.

    The Lost World: Jurassic Park - if I were to choose my two favourite popcorn flicks, it'd probably boil down to Fury Road and Jurassic Park. But as a kid The Lost World was the one I got to see in the cinema, having only caught up with the original on VHS. Saw this sequel twice at the time, but pretty sure I hadn't seen it since the big screen release (maybe on ITV or something one quiet schoolnight).

    Oh boy. Spielberg definitely didn't capture the magic twice. I mean, in some ways, that was inevitable. Part of the magic of JP is how it waits patiently to show you what everyone's there for. But once you've seen a raptor or t-rex, that trick can't be repeated. Sequels, in a sense, are doomed by that inability to pull off the same reveals, so perfectly realised in 1993. Maybe that's built into the franchise - the idea of a dinosaur theme park is an amazing one, but hardly robust or complex enough to count the four and counting sequels it has spawned.

    But I think this fails in ways beyond that too. The middle act is the strongest: the action scenes are pretty well-crafted, and supporting characters are dutifully picked off in fun, dino-tastic ways. But it's the final act where all falls apart. It's clearly tacked on, but worse it's so terribly contrived. I'm no fan of plot hole nitpicking, but this just descends into ill-explained nonsense (
    what in the name of hell happened on the ship?!
    ) to justify its big dramatic dino-rampage at the end. Main characters just disappear, and even the primal thrill of a t-rex rampaging through an American city feels hollow and poorly realised. Spielberg, at his best, is one of the smartest of blockbuster filmmakers - but this sequel is just dumb.

    Le Corbeau - recent Mubi watch, and a fascinating one. Henri-Georges Clouzot's is a valuable relic of occupied France - even down to the morally-murky production history of the movie. But the film itself is a great exercise in the cinema of mid-century paranoia: a small town's social fabric being torn asunder by anonymous letters revealing secrets and making wild allegations. The final reveal is barely significant: the damage the eponymous raven does is what drives the film forward, and the motivations are secondary. It remains a straight-talking, provocative film to this day - tackling the kind of taboo social issues other countries wouldn't get around to cinematically for decades.


  • Closed Accounts Posts: 40,061 ✭✭✭✭Harry Palmr


    Castle Keep 1969 Dir Sydney Pollock

    A curious but absorbing mordant story about fatalism and the almost cosmically inevitable. During the Battle of the Bulge a small group of retreating US soldiers alight on an ancient snowy castle as a place to take refuge and take a stand. Great cast, striking visuals, a fiery climax and plenty of witty darkly comic dialogue pointing up the absurdity of the circumstances to new world Americans in a corner of olde world Europe. This film is part of Burt Lancaster's fatalist/philosophical strand - see The Swimmer, The Gypsy Moths, Ulzana's Raid, Twilight's Last Gleaming and The Train which shares a theme with this film about the value of art in culture and why it's fought over.


  • Registered Users Posts: 548 ✭✭✭barrymanilow


    Beautiful Boy

    There are a few films that I think have really captured the hell of addiction. The Basketball Diaries , Trainspotting , Requiem for a Dream and the Haunting of Hill House stand out for me but Beautiful Boy might be the most harrowing , not particularly because its as gritty , graphic or intense as those others but in that it more very vividly portrays the pain and anguish that the family and loved ones of addicts go through as they watch someone they care for become engulfed and lost to them through substance abuse.


    The Soundtrack for this is smashing , all independent artists , but the songs are very well chosen and play a major role.


    Steve Carrell and Tim Chalamet are both outstanding in this. Steve Carrell has such great range as an actor and Tim Chalamet is just bloody good.


    9/10 for me


  • Moderators, Arts Moderators, Regional Abroad Moderators Posts: 11,076 Mod ✭✭✭✭Fysh


    I watched my DVD copy of Night Watch. I was disappointed to notice that unlike the theatrical release's very clever use of hard-coded animated subtitles, the DVD version just has normal subtitles, but otherwise still enjoyed the film as a frenetic action film with a distinct sense of identity. I haven't watched it in absolutely ages, but I'm glad I did and still think it's a pity that the planned trilogy closer never materialised (particularly since that meant Bekmambetov went off to make the two-flusher that was Wanted, although given that the comic is in my opinion some desperate edgelord bollox that was pretty much a given...). I'll probably stick on Daywatch in the next few days, though I recall not enjoying that as much.


  • Registered Users, Registered Users 2 Posts: 1,966 ✭✭✭cdgalwegian


    Fysh wrote: »
    I watched my DVD copy of Night Watch. I was disappointed to notice that unlike the theatrical release's very clever use of hard-coded animated subtitles, the DVD version just has normal subtitles, but otherwise still enjoyed the film as a frenetic action film with a distinct sense of identity. I haven't watched it in absolutely ages, but I'm glad I did and still think it's a pity that the planned trilogy closer never materialised (particularly since that meant Bekmambetov went off to make the two-flusher that was Wanted, although given that the comic is in my opinion some desperate edgelord bollox that was pretty much a given...). I'll probably stick on Daywatch in the next few days, though I recall not enjoying that as much.
    I remember Night Watch pushing the envelope of what subtitles can do when I saw it in the pictures, as it adds to the visuals, but also the feel of the film, and reading after that how it had influenced tv and film which folllowed it (many series and films now have interesting cleverly animated titles)
    I searched "Nightwatch", "subtitles" and "innovative", and got this interesting piece about the subtitles in Nightwatch:
    https://readingsounds.net/subtitles-as-art/
    The film is visually interesting, and the story ok, but I wouldn't bother retreading Daywatch. You know you shouldn't. :(


  • Advertisement
Advertisement