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One Battle After Another

«13

Comments

  • Moderators, Category Moderators, Entertainment Moderators, Science, Health & Environment Moderators, Regional East Moderators, Paid Member Posts: 19,414 CMod ✭✭✭✭The Black Oil




  • Registered Users, Registered Users 2 Posts: 433 ✭✭Iguarantee


    This does not look entertaining.



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 31,023 CMod ✭✭✭✭johnny_ultimate


    LOL not sure how Paul Thomas Anderson convinced a studio to part with a $140 million budget based on the entirety of his career to date, but I am extremely grateful that he did. Always exciting to get to see a new PTA, even if the finances involved are insane.



  • Registered Users, Registered Users 2 Posts: 59 ✭✭Romario11


    Why do you say that? He has directed a good few very successful films. Surely the man who wrote and directed There will be Blood and Phantom Thread would be worthy of a mere 140 mil from a studio!



  • Registered Users, Registered Users 2, Paid Member Posts: 34,742 ✭✭✭✭~Rebel~


    He's well worth it, but it is about 3 or 4 times his usual budgets, and his films tend not to make big box offices — There Will be Blood earned about 75m worldwide, while Phantom Thread got just under 50m worldwide. Still though, this one does look to be maybe aiming for a wider audience, and in the context of an awful lot of other recent big releases 140m isn't too bad.

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  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 31,023 CMod ✭✭✭✭johnny_ultimate


    I mean, he's one of the best American filmmakers working today, and as a cinephile I'm very keen to see what he does with a much bigger budget than he's ever had before. But a quick glance at how much PTA films usually make show it's an objectivly insane bet from Warner Bros if they expect to make any money back :)



  • Registered Users, Registered Users 2 Posts: 59 ✭✭Romario11


    Ah I wasn't aware this was his biggest budget. Its amazing how it works in film these days with multiples of that being spent on garbage but one of the top filmmakers who will likely give produce of great substance and critical acclaim, is a high risk for half the budget of the garbage!

    It will be interesting to see what he's able to do with the extra cash.



  • Registered Users, Registered Users 2 Posts: 888 ✭✭✭Xofpod


    Hadn't heard anything about this till I saw the trailer in the cinema during the week. His movies are always worth watching but I'm similarly scratching my head re the budget. Can they realistically expect to even make their budget back or are they chasing awards, for whatever reason? Kind of seems like a streamer move to make, not a studio that's relying on box office. Or am I missing something?

    Also, while I like the look of the trailer, hard to see where 140m is going. Although I suppose Leo's 20m takes a fair chunk of that… Shades of Joker 2 here.



  • Registered Users, Registered Users 2 Posts: 5,847 ✭✭✭speedboatchase


    To be fair, Warner Bros took a lot of big punts on original or new-to-cinema IP this year, and Minecraft and Sinners have already paid off. So even if this isn't a blockbuster, maybe they won't be deterred from investing in great filmmakers over the next few years.



  • Moderators, Category Moderators, Entertainment Moderators, Science, Health & Environment Moderators, Regional East Moderators, Paid Member Posts: 19,414 CMod ✭✭✭✭The Black Oil




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  • Moderators, Category Moderators, Entertainment Moderators, Science, Health & Environment Moderators, Regional East Moderators, Paid Member Posts: 19,414 CMod ✭✭✭✭The Black Oil


    5 stars across the Guardian, Empire and BBC.



  • Registered Users, Registered Users 2 Posts: 962 ✭✭✭El Duda




  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 31,023 CMod ✭✭✭✭johnny_ultimate


    FYI for anyone looking to see this in Dublin: the IFI has a 70mm print. Don’t see any other film versions screening anywhere in Ireland, though alas not many cinemas left with film projectors.

    Roll on Friday.



  • Registered Users, Registered Users 2 Posts: 73 ✭✭howdydoo83


    Approved. Surprised at people laughing so much during my viewing.



  • Registered Users, Registered Users 2 Posts: 881 ✭✭✭Vudgie


    I liked it a lot, far from perfect and some strange pacing. Saying that, some of the set pieces are great and there’s incredible cinematography at times.

    It definitely won’t be for everyone, and it’s long!



  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 31,023 CMod ✭✭✭✭johnny_ultimate


    Anderson absolutely nailed this one. I mean, he usually does nail pretty much everything he tries, but to make such a textually dense film that flows like a dream and overflows with laugh out loud moments, imaginative setpieces and biting satire (without ever descending to glibness) is really an achievement.

    Just a film where you can soak in the filmmaking prowess. The editing - driven by Greenwood’s inspired score and perfectly pitched needle drops - manages to bring together lots of characters, subplots and tonal swings into a pacy, dynamic wonder. It moves in weird little movements and chapters, some with bold swings, but never feels inconsistent. So many smart framing choices, from Anderson’s trademark long tracking shots (one particular sequence as del Toro walks DiCaprio through an apartment complex really highlights that ability to create a long, flowing stretch of visual storytelling) to two of the more creatively staged car chases I’ve seen - all singing in VistaVision. The performances from DiCaprio and Penn manage to be funny and tragic (or, more accurately, despicable in Penn’s case), del Toro is hilarious, while Infiniti and Taylor are well up to what’s asked for them in less ‘big’ performances.

    A perfect film for this moment in American history too. Its world of disillusioned revolutionaries and pathetic, rich white supremacists (‘Christmas Adventurers Club’ made me laugh almost every time they said it) feels very well tuned to 2025, despite a script that would have originated a few years ago and a source novel inspiration from decades ago. But despite (or because of) that sharp relevance and satire, this is Anderson’s most crowdpleasing film yet: full of action, laughs, setpieces and many feats of audacious filmmaking. Honestly, it might just be his best yet - no small thing from the director of There Will Be Blood and (a personal favourite) Punch Drunk Love. A triumph.

    Post edited by johnny_ultimate on


  • Registered Users, Registered Users 2 Posts: 50 ✭✭GreatScott2024


    Went to see it in the new Nutrgrove cinema, which was great.

    The film itself was brilliant in IMO. The review above is pretty much nail on the head stuff.

    DiCaprio and Penn were excellent in it, Del Toro too even though he's not in it as much as the other two.

    Highly recommend seeing this one in the cinema. Might even go again.



  • Registered Users, Registered Users 2 Posts: 922 ✭✭✭RickBlaine


    Millions of car chases have been filmed over the decades, but this movie features one that is really innovative in how its cinematography makes use of the landscape. I think it will become a permanent entry in future lists of best movie car chases along with Bullitt, The French Connection, and Ronin.



  • Registered Users, Registered Users 2 Posts: 1,381 ✭✭✭santana75


    Saw this earlier and I'm at a loss to understand the rave reviews. I found myself nodding off at times and the score by jonny greenwood is simply awful. It's just someone playing the bongos and smashing the keys on a piano. LDC is great, as he always is. He seems to be looking more and more like jack Nicholson with every movie. Benico del Toro is also great, I think it would've been a way better film had he been in it more. Sean penn is solid, but again, everyone raving about his performance is a bit OTT. The character who plays LDCs missus is obnoxious and very annoying, just all round unlikeable. I've come to the conclusion that whenever Mark kermode raves about a movie(as he did about this one) it means I should either avoid it altogether or go in with low expectations. In a way he's becoming a very reliable gauge for me as to the calibre of a movie, proof by contradiction in a way. The last 20 minutes is good though, but I honestly thought licorice pizza was the better movie, by a long way. PTA, for me, is very hit and miss and this was a miss.



  • Registered Users, Registered Users 2 Posts: 73 ✭✭howdydoo83


    Please record yourself playing the drums and smashing keys on a piano. Can't wait to hear your genius



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  • Registered Users, Registered Users 2 Posts: 1,381 ✭✭✭santana75




  • Registered Users, Registered Users 2 Posts: 888 ✭✭✭Xofpod


    Saw it at the weekend, loved it. The tone can be strange - the Big Lebowski dropped into the middle of Traffic - but the humour never undercuts the tension and the drama. All the cast were great and I loved that score, really ratcheting up the pressure. As noted above, the perfect film for the current American moment.



  • Registered Users, Registered Users 2 Posts: 21,199 ✭✭✭✭Osmosis Jones


    Saw this in 70mm the IFI yesterday, gorgeous movie, packed crowd, great energy. The way car chase along the hills was shot made my stomach feel like I was on the road with them. The "Christmas Adventurers" stuff is hysterically accurate to modern times, down to the cold-blooded assassin in the Lacoste polo. They need to invent a new term for whatever Sean Penn was doing with his teeth in this movie. Lots of great laughs in the theatre, Benicio Del Toro stole the show in that regard ("a few small beers", the selfie, "it's 8:15"). Leo continues to choose fantastic roles, Chase Infiniti is a star, some moments in this that give me the impression PTA is speaking from his own experience through Bob.

    Will be seeing this one again. And again.



  • Registered Users, Registered Users 2 Posts: 962 ✭✭✭El Duda


    One Battle After Another (BFI iMax 70mm) - 9/10

    It was an absolute privilege to see it in full glorious 70mm iMax VistaVision. This had been my most eagerly anticipated film every since it was announced and it didn’t disappoint at all. I’ll be going to see it again at some point as there’s so much to take in.

    The main thing I will say for now is that there is a big sequence in the middle where Paul Thomas Anderson fires on all cylinders. You have DiCaprio and Benicio del Toro bouncing off each other with their performances, PTA’s frenetic direction fizzing, and Johnny Greenwood’s superb score plink-plonking away in the background. It’s pure chaos. A directorial masterclass, and that's without getting into the other 4 or 5 'scene of the year' contenders.  

    It has cemented my opinion that PTA is the best person making films today. This is a master work from a directorial genius who is operating at the very at the top of their game. Can easily see it being upgraded to a 10 upon a second viewing.  

    Sean Penn puts in a generational villain performance. What a funky looking dude. 



  • Registered Users, Registered Users 2 Posts: 1,276 ✭✭✭fitzparker


    I'm not a movie buff, honestly knew nothing of this movie before seeing it, my wife booked it because she saw Leo in it "so it must be good"

    Usually with all movies something would annoy me, but this to me was brilliant. Cinematography was fantastic some scenes reminded me of the "projects raid" in true detective, which I thought was one of the greatest scenes I have watched.

    As above stated the landscape scene at the end made you think you were in 4D, the 3 hours didn't feel boring as there were some laugh out loud moments to bring it back from the suspense.

    It came at a perfect time, as everything in it is believable with Modern America

    The Teyana Taylor character was handled perfect, a build up, then where less was better

    I didn't even recognise Sean Penn until I googled the cast after the movie (shows what I know)

    The only criticism I would have is Sean Penns final scene (maybe no need for it)



  • Registered Users, Registered Users 2 Posts: 3,901 ✭✭✭horse7


    Well worth watching, Sean Penn is top star, and I would watch it again just to see the lead lady actor,wow.



  • Registered Users, Registered Users 2 Posts: 16,008 ✭✭✭✭Thelonious Monk


    Just saw it. Excellent. A long film which I can struggle with but I wasn't bored at all. Leo hilarious and SP creepy af. Loved Benico and Charlene too.



  • Registered Users, Registered Users 2 Posts: 1,984 ✭✭✭Banjaxed82


    I don't understand the level of praise this is getting. Definitely elements of the film I loved, and the general ballsiness of PTA in his storytelling. It was enjoyable as a first time watch but I'd genuinely struggle to sit through that again.



  • Registered Users, Registered Users 2 Posts: 2,392 ✭✭✭p to the e


    Stayed away from trailers and reviews so went in blind and it was quite the pleasure. Me and Mr. Anderson have a checkered past as I've gone from high praise (Magnolia, Boogie Nights), to head in hands disappointment (The Master). This was definitely in the former.

    There's just a great blend of tension and comedy throughout. I came out thinking that the last time I was brought on such an emotional roller-coaster with a perfect combination of themes was Bong Joon Ho's "Parasite".

    There's so many great characters and over the top scenes, with anything involving the Christmas Adventurers club being a favourite, but Penn seems to be having the time of his life. His walk alone had me in stitches. Regina Hall and Teyana Taylor were also both very impressive with Taylor oozing confidence and sex appeal. Chase Infiniti seems to be gearing up for the stardom that she's so fairly obviously being groomed for. And I really liked Leo just doing his thing and moving the story along.

    There was definitely some bits that could have been removed. As someone else mentioned, the last five minutes of Lockjaw's story was unnecessary and I was surprised that some characters didn't return like

    Perfidia Beverly Hills just disappearing from the screen.

    I'm not confident it will make it's ludicrous budget back but I hope it does so we can get more like it. Hail St. Nick! 8/10



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  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 31,023 CMod ✭✭✭✭johnny_ultimate


    Oh I loved Lockjaw's final act resolution.

    It was such a funny, deservedly miserable end for him. Coming back from seeming death like the Terminator to briefly achieve his dream - which turns out to be a **** side office - before being gassed to death for being too ineffectual to join a dumb racist club. He may have died satisfied with his hilariously grim lot, but for the audience it was a suitably pathetic end for a pathetic man - a well-earned insult on top of his 'first' death. Plus it's one of the funniest sequences in the film.

    While it's a rare enough experience to come out of a film saying 'oh that was an undeniable instant classic', it's even rarer to hit that mark with a big budget Hollywood production like. Many auteurs fumble when handed their blank check. And while I still think it was demented for Warner Bros to fund this (though it seems to be doing absolutely fine box office wise), I am delighted to have come out of this thinking: 'Undeniable'.



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