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It feels a lot like a Final Destination clone but with quite serious issues with its tone. It's very slapstick in some places but we're clearly supposed to care about the characters which the film discards at will in increasingly ostentatious ways. It's just hard to know exactly what this is supposed to be. I'm guessing comedy horror but the comedy kills any sense of the latter while the constant jokes in the form of the over the top deaths just kill any sense of fun given the tone of the rest of the film.
It's clearly a story about the difficult bond between the two brothers. I don't understand the motivation of one but it's hard to get too involved because of the film's obsession with extravagant and gratuitous kills that border on something I'd expect from South Park.
It's functional, I suppose. I didn't recognise Theo James or Elijah Wood so that was a nice surprise but that's about it. Perkins was behind Longlegs and this feels like a weaker fusion of that and Final Destination.
The foreigner residing among you must be treated as your native-born. Love them as yourself, for you were foreigners in Egypt. I am the LORD your God.
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Didn't come together for me, alas. I think there are plenty of funny, absurd moments in it, most of which involve some outrageous death (though, for all its graphic effects work, two crash cuts were the best punchlines). But the whole thing really came across as scattershot, messy and tonally unsteady IMO.
What I think makes it suffer compared to something like Final Destination is that series really takes time to wind up its elaborate death sequences to make the most out of them. Here, the deaths - even with various Rube Goldberg machinations - just kinda happen without much in the way of pace or tension. It definitely comes across as a short story concept artificially inflated out to feature length, and I really didn't warm to any of the characters on screen
(both Theo James characters are varying degrees of abrasive and irritating, and the usually excellent Tatiana Maslany is dispatched too swiftly to make much of an impact)
Again, good for a few laughs, but really quite insubstantial. I wish I liked it more, as I do enjoy a good horror-comedy. This one's just too haphazard.
Didn't come together for me, alas. I think there are plenty of funny, absurd moments in it, most of which involve some outrageous death (though, for all its graphic effects work, two crash cuts were the best punchlines). But the whole thing really came across as scattershot, messy and tonally unsteady IMO.
What I think makes it suffer compared to something like Final Destination is that series really takes time to wind up its elaborate death sequences to make the most out of them. Here, the deaths - even with various Rube Goldberg machinations - just kinda happen without much in the way of pace or tension. It definitely comes across as a short story concept artificially inflated out to feature length, and I really didn't warm to any of the characters on screen
(both Theo James characters are varying degrees of abrasive and irritating, and the usually excellent Tatiana Maslany is dispatched too swiftly to make much of an impact)
Again, good for a few laughs, but really quite insubstantial. I wish I liked it more, as I do enjoy a good horror-comedy. This one's just too haphazard.
I do enjoy horror comedy, rather than just horror. Any good recommendations, just in case I missed any good ones
I loved Longlegs, but this was a let down. Funny in parts but mostly just stupid. Comparing this to Longkegs is a bit like comparing Renfeld to recent Nosferatu or the Coppola version of Dracula from 30 years ago.
Very entertaining film. What I really liked about it was the oddball characters and weird dialogue, it reminded me of some Coen brothers movies like Raising Arizona or a touch of David Lynch. The monkey itself was creepy as heck too.
Very entertaining film. What I really liked about it was the oddball characters and weird dialogue, it reminded me of some Coen brothers movies like Raising Arizona or a touch of David Lynch. The monkey itself was creepy as heck too.
Agreed. Very entertaining, and it didn't overstay it's welcome (if anything it was too short). It wasn't scary at all, but it looked great and it was very funny. Very good casting throughout, especially Corey from Halloween Ends wearing a ridiculous wig :)
The Monkey is a totemic item that brings with it a curse that unleashes Final Destination style powers on unsuspecting victims.
Reviews for this one have been mixed to the extreme, with some publications (The Observer) giving it the full 5-star treatment while others were much more scathing. It all hinges on how well it rides that line between black comedy and gory splatter-fest and whether the big moments land for you or not.
There have been a lot of comparisons with the Final Destination franchise but for me it doesn’t come close to that level of fun. There’s Hitchcockian craft in the way the Final Destination films build suspense before the death scenes. Here, they just sort of blurt out from nowhere. Sometimes it works, but in my screening, there were a lot of misfires. The same problems that we saw with Longlegs are apparent again here. Perkins approach is scattergun, with too many tonally contrasting elements fighting against each other.
I think it might be time for him to try directing a script written by someone else.
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