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  • 08-01-2020 9:26pm
    Registered Users Posts: 26,745 ✭✭✭✭ gmisk

    Saw this tonight in the lighthouse.
    Beautifully shot and acted (the two leads especially) with an outstanding use of music (Trent reznor and Atticus Ross).
    I went in pretty much blind to story etc and it was all the better for it. Definitely a little over long and with a simple enough story, but still recommend it. I can't see it having a wide audience but it's a bit of a gem.

    Brief overview below
    The epic emotional journey of a suburban African American family as they navigate love, forgiveness and coming together in the wake of a tragic loss.


  • Moderators, Category Moderators, Arts Moderators, Computer Games Moderators, Entertainment Moderators Posts: 27,020 CMod ✭✭✭✭ johnny_ultimate

    It reminded me a lot of The Place Between the Pines - not just the structural similarity, but also a filmmaker going all in on a serious melodrama that isn’t as emotional or profound as they hope it is.

    I do admire the presentation here. It’s sweeping, in-your-face and audacious - don’t ever recall seeing quite so many overt aspect ratio changes in a film before. It’s Malickian by way of Moonlight (although not up to the very high standards of those lofty inspirations), and full of impressive, expressive visual choices and needle drops (original and borrowed). The structure itself is a thing to behold, like a wave itself with crests and troughs. Emotions and images echo and recur to interesting effect. The shape of the screen -
    the full-screen euphoria of the opening to the narrow, restrictive 4:3 when things go badly wrong
    - is a key element in how the film communicates itself.

    The story underneath it all is at its best when Shults and Daniels let the images do the talking. But it’s straightforward family drama stuff even with
    the shift in perspective after the mid-film tragedy
    . Couldn’t help feeling it was the easy way through the material, though, and it was easy enough to have a good idea what was going to happen from very early on. Predictability isn’t enough to kill a film, but Waves just sort of fizzles out when it really needs to be crashing into the shore. It’s shallow storytelling that can appeal to the senses for sure, but doesn’t have much else going on.