21st March Sat Jay D supps LEE COOMBS supps KIKO @ Andrews Lane

Weird Scientist

This just in!!!

French superstar producer and dj KIKO will be headlining the night!!

French dance star Kiko releases his incredible second album, Slave Of My
Mind, in April. Second album? It's probably news to you that he released
his debut, Midnight Magic, back in 2001. In fact, Kiko will be a brand new
name to many. But to those who've avidly tracked the fortunes of the dance
scene over the past decade, this debonair producer requires no introduction
– but we'll provide one, anyway.

Based in Grenoble, Kiko made his name crafting slick, melodic techno for
local labels like Goodlife and Ozone in the late 1990s. At the time, his
contemporaries included The Hacker, Oxia, Vitalic and Miss Kittin. Together
they formed a kind of informal Gallic techno alliance that operated outside
chi-chi Paris, and Grenoble briefly became known as the Detroit of France.

After a number of EPs, Kiko changed tack and released the hot electronic
thrust of "Monique", a taster for the excellent Midnight Magic, just as
electroclash blossomed across Europe.
Inspired by Italo-disco, new wave and long summer nights, Midnight Magic
received glowing reviews in UK rags such as NME and Mixmag and paved the
way for his next project, Sinema. Pre-empting a resurgence of interest in
Italo-disco and all things pastel-hued and 80s, this glossy electro-pop
collaboration with Stéphane Deschezeaux produced the ecstatic album Love
Emulator in 2002 and they had a degree of success with the hard romance of
"In My Eyes".

And then nothing of note from Kiko for a few years. But that's okay because
in many ways “Slave Of My Mind” marks a fresh start.

"I went much further in term of composition with this album," he says. "I
spent hours to fine tune different layers of sounds, blending them to try
to create something that sounds simple and unique. It's a total different
approach from my previous album that I did in a rush."

Listening to Slave Of My Mind, you can hear what he means. This remarkable
record blends rave euphoria with an elegant, almost minimal approach, one
that's markedly different from the disco clatter that characterized his
earlier work. Here, on tracks such as "Alone In The Dark" and the blissful
"Preludia", the melodies are sinuous and graceful, the highs hazy and
intoxicating. The pretty interludes, "Shanel 78" and "Science Naturel",
too, are delightfully cosmic. Into the mix on tougher tracks such as "World
End Rock Up" and "So Time" Kiko introduces elements of Belgian new beat.
This is the sound of a producer at the top of his game, who happens to be
mapping out the zone somewhere between James Holden, Vitalic and Rekid.

A serious guy with a young family, Kiko doesn't give too many interviews.
For him, he says, Slave Of My Mind is profoundly personal statement – a
release, in both senses.
"I'm making music every day and that my last album is already six years
old," he says when asked why he has put out the record. "It's also about
me translating my emotions and feelings after my mother passed away and all
the close people I lost over these last years – my father, my grandparents.
It's sometimes a musical therapy and at the same time something very
positive as I want to leave a musical trace for my daughter."
He adds: "I think I reached a new step in my career with this album so I'm
very curious to see how it will be perceived internationally."
Considering it's already being talked about as one of the finest dance
records in years, it looks like Slave Of My Mind will go down pretty well
wherever it's played.

LEE COOMBS
Bending boundaries and ignoring the status quo – where would the Breakbeat scene be today without Lee Coombs. For over a decade this British producer has been at the forefront of it all; releasing groundbreaking mix CDs, remixing the world’s most acclaimed artists and knocking out dancefloor destroying productions that are considered classics years after their release.

A seasoned veteran, Coombs first hit the DJ slopes in 1989, bathing himself in the acid house scene at parties around London and Cambridge. Crucial in shaping his all-encompassing approach to DJing and production, this boundary-less approach would become Coombs’ trademark, mixing up breaks, house, electro, techno and acid with dexterous assurance.

In 1998 Coombs made his first massive strike on the breaks scene as the prized recruit of then ‘up and coming’ label Finger Lickin’, with the man’s acclaimed album of 2001 ‘Future Sound of Retro’ signalling his arrival on the world stage. Such was the impressive nature of Coombs’ debut that respected industry figurehead Pete Tong noted him as the ‘man to watch’. An ‘Essential New Tune’ accolade soon followed courtesy of Tong, with Coombs’ re-rub of Quivver’s ‘One Last Time’ making dance fans weak at the knees the world over.

Such was the demand for Coombs, that luminary Paul Oakenfold was soon knocking at his door, resulting in the critically acclaimed Perfecto Breaks album of 2002. After landing the job of remixing Oakenfold’s ‘Time of your Life’ and then further re-rubs for world class acts such as Moby, New Order, Lamb and Planet Funk, Coombs’ status as one of the industry’s most in-demand artists quickly developed. Even the BBC was under the Coombs spell with them flying him over to Prague in the summer of 2003 to record the theme music for the television program ‘Born to Win’ with the Czech Philharmonic Orchestra.

Ever the musical innovator, Lee Coombs’ 2004 album release ‘Breakfast of Champions’ signalled a significant evolution in his sound. Collaborating with some of the most respected artists in his field – from Dylan Rhymes to Christian J, Andy Gardner (Plump DJs) and Jem Panufnik (Soul of Man), the album charted the ambitious new territory of Tech Funk, injecting the Breaks sound with butt-shaking elements of House, Electro and Techno. It was a style Coombs would make his own, alongside fellow innovators Meat Katie, Elite Force and Dylan Rhymes. Featured on the acclaimed album was the cracking single ‘Shiver’ (feat. Katherine Ellis) which was snapped up by classic house imprint Azuli and became one of the biggest vocal house anthems of 2005, whilst the ‘Alright All-Night/Dubhead’ and ‘Obsessional Rhythm’ singles went straight to no.1 in the DJ Mag Beats & Breaks Chart.

Departing Finger Lickin’ for new pastures in 2005, Coombs’ focus shifted to releasing music through his own Thrust Recordings imprint as well as Adrift and Meat Katie’s Lot49 (then Whole9Yards). It was at this time that he started his Thrust club nights in San Francisco, with the quarterly events becoming one of the hottest tickets on the West Coast.

Change has further characterised Coombs in recent times. Not only has the recently married Brit relocated to the USA to settle with his new wife, but he also formally joined the Lot49 team and is set to mix the label’s latest compilation due out in February 2008.

If that’s not enough, a groundbreaking new artist album is also on the way. While still dancefloor focused, Coombs views this as his most ambitious project yet with a range of tempo from 100 – 128 bpm and collaborations with the likes of Longrange (Phil Hartnoll from Orbital’s new band), Meat Katie, Seasunz, Katherine Ellis and many others.

When he is not in the producers chair, Coombs regularly tours all corners of the globe and is a bona-fide fans favourite throughout Europe, the USA, Australia, Asia and of course the UK. His popularity has also ensured his repeat appearance at infamous festival ‘The Burning Man’ in the Black Rock Desert of Nevada.

In an industry that’s so often governed by trends and fads, Coombs’ unwavering ability to simultaneously destroy dancefloors and push musical boundaries almost 20 years since he first touched a pair of turntables is a remarkable achievement in itself. With plans to further spread his production wings to writing music for film and TV, as well as producing bands, there’s little doubt that his impressive sonic skills will be rocking ears for many years to come.

JAY D.
Jay D is a local Dublin dj that has been making a name for himself with complete disregard to any musical boundries and has been earning the utmost respect and quite a large fanbase as a direct result.
With experience playing in nearly all of Dublins venues and nights lately he has been known for being a resident at the Weird Scientist gigs in McGruders and Andrews Lane Theatre.
Looking to get a party started? You'd better get strapped in as JAY D. is the man for the job!!

Doors: 11pm
Admission: €15

Hope to see you on the Dance Floor!