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precise compressor

  • 23-10-2008 9:01pm
    #1
    Closed Accounts Posts: 5,277 ✭✭✭


    i have a multi track guitar to do here and im trying to get the comp right. without compression it doesnt sound right at all but with an api2500 its a touch too much. since im not about to run out and buy a new comp tonight can anyone recomend my a very precise plug in compressor thats a good price too?


Comments

  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    sorry, shoulda been clearer on the sound

    its a rhythm part on an overdriven les paul, quite bassy, thru a marshall stack.


  • Registered Users, Registered Users 2 Posts: 308 ✭✭tweeky


    Roll off "some" bottom as the boom on a marshall drives compressors nuts.


  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    have done, it was a mixture of that and the stepped knobs on the API not being precise enough. sorted it with the sonalksis plug-in comp. cheers.


  • Registered Users, Registered Users 2 Posts: 440 ✭✭teamdresch


    Is that the Waves API2500?
    Man, I made the mistake of demoing the API Bundle, and now I think I'm gonna have to buy the bastard.
    That compressor really is pretty cool.


  • Registered Users, Registered Users 2 Posts: 843 ✭✭✭trackmixstudio


    The should be the solution to your problem:
    Use a multiband compressor with just one active band from 100 to 500 Hz centred on 250Hz. Fast attack and release with about 4:1 ratio and threshold to about 5db reduction. This will take the mud out without sucking the high end attack.
    Sometimes this is the only processing I will use on distorted guitar. It keeps the low end punch and high end clarity/attack but leaves space for the bass guitar and kick drum.


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  • Registered Users, Registered Users 2 Posts: 1,180 ✭✭✭Seziertisch


    Using a de-esser to tone down some of the problem frequencies before hitting the comp might work ok as well.


  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    The should be the solution to your problem:
    Use a multiband compressor with just one active band from 100 to 500 Hz centred on 250Hz. Fast attack and release with about 4:1 ratio and threshold to about 5db reduction. This will take the mud out without sucking the high end attack.
    Sometimes this is the only processing I will use on distorted guitar. It keeps the low end punch and high end clarity/attack but leaves space for the bass guitar and kick drum.

    thanks. tried this and it now sounds awesome. great advice.


  • Registered Users, Registered Users 2 Posts: 843 ✭✭✭trackmixstudio


    Glad that worked for you. It is a great way to get distorted guitars to fit in a mix without messing with the pick attack.
    Now don't forget to mention me in the "best producer/engineer you've worked with?" thread:D:p


  • Posts: 0 [Deleted User]


    The should be the solution to your problem:
    Use a multiband compressor with just one active band from 100 to 500 Hz centred on 250Hz. Fast attack and release with about 4:1 ratio and threshold to about 5db reduction. This will take the mud out without sucking the high end attack.
    Sometimes this is the only processing I will use on distorted guitar. It keeps the low end punch and high end clarity/attack but leaves space for the bass guitar and kick drum.

    Yeah, nice tip..ill be giving this a go myself at some stage..


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