Advertisement
If you have a new account but are having problems posting or verifying your account, please email us on hello@boards.ie for help. Thanks :)
Hello all! Please ensure that you are posting a new thread or question in the appropriate forum. The Feedback forum is overwhelmed with questions that are having to be moved elsewhere. If you need help to verify your account contact hello@boards.ie
Hi there,
There is an issue with role permissions that is being worked on at the moment.
If you are having trouble with access or permissions on regional forums please post here to get access: https://www.boards.ie/discussion/2058365403/you-do-not-have-permission-for-that#latest

88.2

  • 03-09-2008 2:38pm
    #1
    Registered Users, Registered Users 2 Posts: 2,182 ✭✭✭


    The quality difference between 88.2 and 44.1 is huge. I am never going back. What do my friends on here think?


Comments

  • Registered Users, Registered Users 2 Posts: 2,110 ✭✭✭sei046


    As a 44.1 24bit man im interested in hearing some discussion.


  • Registered Users, Registered Users 2 Posts: 261 ✭✭danjokill


    dav nagle wrote: »
    The quality difference between 88.2 and 44.1 is huge. I am never going back. What do my friends on here think?

    hell yeah .... i agree, even 48khz i can hear the difference


  • Closed Accounts Posts: 6,408 ✭✭✭studiorat


    yup yup!
    doesn't quite eat hard drives like 96k either


  • Registered Users, Registered Users 2 Posts: 2,182 ✭✭✭dav nagle


    I always wanted a Mac pro to record at a higher sample rate and so I got one. Then I got advised to stick with 44.1 and heard all the reasons why to, so I did. If you set up a couple of mics and sing a song and play the guitar the difference in the vocal definition is huge. For me its the difference between singing into a plastic bag and singing into a silk sheet. Never again.


  • Registered Users, Registered Users 2 Posts: 616 ✭✭✭ogy


    i presume you mean recording at 88.2 and mixing back down to 44.1 is better than recording at 44.1?

    yeh the antialiasing filter isnt gonna be operating anywhere near the audible range, i think that makes a big difference.

    also with going from 88.2 to 44.1 as opposed to 96 to 44.1 seems like there would be a lot less truncation and distortion at final mixdown


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 2,110 ✭✭✭sei046


    Surely singing into a silk sheet would sound terrible aswell. You would loose so much high end!


  • Registered Users, Registered Users 2 Posts: 2,182 ✭✭✭dav nagle


    sei046 wrote: »
    Surely singing into a silk sheet would sound terrible aswell. You would loose so much high end!

    Not if it had a low pass filter :eek:


  • Registered Users, Registered Users 2 Posts: 7,790 ✭✭✭PaulBrewer


    I think there's little doubt that 88.2 sounds a good deal better than 44.1.

    There's also a line of opinion that 44.1 is more 'rock' sounding...

    However there are some downsides with 88.2 and higher frequencies -

    Storage, as da 'Rat mentioned. Perhaps less of an issue than it was even a year or 18 months ago. The price is dropping fast. Still, everything becomes at least twice the size.

    Even with a hd3 rig it doesn't take a whole heap of tracks before she'll start slowing, add a pile of edits and crossfades and it will effect performance.

    Some guys think the gain sonically is so small it doesn't warrant making the session a pain in the whole to do.....


  • Registered Users, Registered Users 2 Posts: 440 ✭✭teamdresch


    Depends on the players/genre.

    Good players, not too many overdubs get 88.2
    Players or genres that I expect to require a high plugin count or a lot of processing to sound right I'll tend to stick to 44.1
    I've also done a few bits and bobs with bands that have very very long songs, so I'll tend to stick with 44.1 with them either way.


  • Registered Users, Registered Users 2 Posts: 2,857 ✭✭✭indough


    my sp1200 samples at 22KHz in 12bit :)


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 261 ✭✭danjokill


    ogy wrote: »
    i presume you mean recording at 88.2 and mixing back down to 44.1 is better than recording at 44.1?

    yeh the antialiasing filter isnt gonna be operating anywhere near the audible range, i think that makes a big difference.

    also with going from 88.2 to 44.1 as opposed to 96 to 44.1 seems like there would be a lot less truncation and distortion at final mixdown

    Where is the conversion happening in the chain?


  • Closed Accounts Posts: 176 ✭✭iquinn


    Anecdotaly, some gear, converters/pluggins work better at higher sample rates. Others work just as well at 44.

    i think it depends on the context and worth trying out for yourself.

    i've done tests myself, processing a stereo mix using a small amount of pluggins and going through some outboard, so there was an AD/DA process.
    I did 3 differnet songs, the original mixes were 24bit/48k, I did each session at 24bit/88k and then at 24/44k.
    The final mix was then converted to 16/44, as that's what normally happens...

    The results were...well, inconclusive, i thought one track sounded better from the 44k session, the others just sounded slightly different to each other, neither better or worse though, just different.

    The test was really to see if working at higher rates produced a better sounding mix with regard to my own way of working and not really about recording at higher rates....

    But as a result, I now work mostly at 24bit/64k....as I found there doesn't seem to be much, if any, difference once you go past that rate.

    As most things audio, it's horses for courses and worth experimenting with your own set-up to see if you think it's making an improvement.


Advertisement