Deleted User wrote: » Leadership as in not going over to negotiate the actual treaty?
nagdefy wrote: » The crying/vomiting scene in the stone breaker's yard in Kilmainham was ridiculous
P. Breathnach wrote: » I don't know. Not in the sense that I disagree with you, but in the sense that I really don't know how people might react in that situation: they had steeled themselves to face death bravely, even heroically; then, just as they were expecting to be marched before the firing squad, they were told that it wasn't going to happen; all the courage they had summoned up was suddenly unnecessary. I can't imagine how one might feel, but they would hardly react in the same way as if they were told that lunch was going to be delayed.
nagdefy wrote: » Yes i knew that but changing the context and having it take place at an execution scene that was fictional took the biscuit. Implied cowardice. But that's the lazy narrative fed for over 30 years now and especially since the Michael Collins 1996 film. It's almost obligatory to have jovial Mick clapping lads on the back and pedantic Dev being sly or cowardly. I expected they'd do as much tonight. No middle ground on the two men.
josephryan1989 wrote: » De Valera was the Irish De Gaulle.
Baggy Trousers wrote: » I have seen it before, its an excellent interview. Wogan has great insights and observations. RIP.
BlibBlab wrote: » He was sly, a trait the Fianna Fail party he created never lost. He made some awful decisions that hurt this country from the war of independence to his death.
nagdefy wrote: » That's true. i agree in the sense that we're all human and after such fatigue, tension etc God knows how anyone would react. But they picked Dev and not one of the others is the point i'm making more so.
P. Breathnach wrote: » I had never come across any suggestion that he performed particularly badly in 1916.
Deleted User wrote: » Its not as easy as people think to create a drama and work within constraint. I'm no fan of rte and the outrageous salaries they pay to
P. Breathnach wrote: » Yes, overall, Dev's reputation was given a rough ride by the programme. While I think that his later career was deserving of strong criticism, I had never come across any suggestion that he performed particularly badly in 1916. Perhaps not brilliantly, but most of the rebel leaders were somewhat militarily inept.
Lt Dan wrote: » ... To be fair, the last episode was solid and they finaly made use of the women's story; May conveyed what it was like for a woman who had divided loyalty and most importantly what it was like to bearing a child out of wedlock to a married man and the lack of options she had. Francis character seemed more solid though I thought it was going to go down Albert Noobs territory (dressing like a man, acting like a man and wanting to play a role in the raising of the child - such incidents did happen in life, the kiss) Elizabeth, meh, not used properly, the Belfast girl was more convincing
Bellerstring wrote: » Can't believe the broadly positive reviews for the first episode of this. It was everything I feared RTE would do wrong. They sacrificed the story of the signatories and leaders of the insurrection, the planning, the setbacks and doubts, the drive that led them to the GPO, for a glossy costume drama about love and infidelity across the social divide. I thought it was cliched nonsense, more suited to a modern soap opera than a serious reflection of the birth of our nation. Could they not have enlisted someone like Paul Greengrass to direct this? Certainly would have injected some badly needed grittiness and realism into it (try Bloody Sunday or United 93. No unnecessary love stories/unwanted pregnancies in those!) I read somewhere that this will be equal to RTE's production of Strumpet City. It won't.
gormdubhgorm wrote: » If you read "Éamon de Valera : a will to power by Ronan Fanning" you will see that De Valera was more then a bit clueless in 1916. He had a nervous breakdown during it, also he was his usual pedantic self when he refuse to allow his men to escape before the British forces arrived (unlike other leaders. He wanted them all to surrender the "right way". But he was no solider. Politician yes, but soldier no.
P. Breathnach wrote: » And Minnie's life went just as it was shaping up to be before the rebellion, even though a good deal happened to her and around her. And her mother suffered, including losing a son, but went on into an uncertain future with stoic resignation.
wp_rathead wrote: » ...so we learnt the whole "Brother and the Loan Shark" arc was completely pointless ... I actually thought episode 2 and 3 was rather entertaining but overall I found the show bit disappointing.. That episode particularly was all over the place though - the slow mo bit with fist in the air was just cringey Best scene of the series imo was the Shooting of the Policeman at Dublin Castle - that was very well done
Lt Dan wrote: » I wasn't having a go at you by the way.There was plenty of potential dramatic scenes to be had by putting more meat on incidents that they half arsedly covered, and they still could have put the women involved in the story. eg Spend the first episode dealing with pre Rising. With incidents like having one of the women working for John Dillon / John Redmond and show their reaction in Westminster throughout the period. Dillon's post rising speech was a master piece. Elizabeth's back story could have had more meat , all within 4-5 minutes, maybe she could have been involved or witnessed the IRB kidnapping Connolly and twisting his arm to join up with them; also the issues within IRB with Clarke (the real mastermind of the Rising) and McDermott (his prodigy) on one hand and Bulmer Hobson and McNeill on the other (1 minute job)
fin12 wrote: » I thought rebellion was really boring, didn't learn anything from the program.
Lt Dan wrote: » I wasn't having a go at you by the way. There was plenty to work on in this project. The producers were too afraid to spew out history. Frankly, they were afraid that the Irish viewer, whose tax went to this project, were too stupid or unwilling to grasp the nuances of the period. They taught the viewer wanted more style rather than substance. There was plenty of potential dramatic scenes to be had by putting more meat on incidents that they half arsedly covered, and they still could have put the women involved in the story. eg Spend the first episode dealing with pre Rising. With incidents like having one of the women working for John Dillon / John Redmond and show their reaction in Westminster throughout the period. Dillon's post rising speech was a master piece. Elizabeth's back story could have had more meat , all within 4-5 minutes, maybe she could have been involved or witnessed the IRB kidnapping Connolly and twisting his arm to join up with them; also the issues within IRB with Clarke (the real mastermind of the Rising) and McDermott (his prodigy) on one hand and Bulmer Hobson and McNeill on the other (1 minute job) Clearly they had no intention of showing the more gruesome side of the war such as the murder of Francis Sheffton Sheehey and how the women reacted or the revenge attacks on North King Street. To be fair they did show one British incident of a civilian shooting (though technically, he was a solider) Instead they did show a few incidents of the rebels shooting Civilians (which did happen) But they made Pearse out to be some sort of lunatic (which is partly true) Of course, it is noticed that part of the production company is British, so no one wants another row as seen with The Wind That Shakes The Barely (also directed by a British person) The Trials got no coverage and could easily been dramatic. Of course, the director probably thinks that would be going down the romantic Ireland route and idiots here would raise a statement that they somehow doubt that happened (with their admitted limited knowledge) Despite that, they had no qualms showing Michael Collins extensively (that actor looked the part and was very very very convincing) They did accurately convey that De Valera lost the plot and most importantly, why no one ever dared to question his conduct during the Rising , even during the Civil War when people were bitter. (TP Coogan cited that his men stayed loyal and threatened anyone who opened their gobs) However, the scene of De Valera acting like a coward after being told that his execution was cancelled was uncalled for and there was a clear anti De Valera message there. These incidents, while were legitimate (bar the puking incident), had no involvement of the women who were suppose to be central to the story and yet they were happy to include them. Instead we got the will they won't they kiss, the pointless sex scenes and the pointless show down with the bit on the side and scorned wife. People are complaining, legitimately , about what was left out and what was included, there was plenty to work on. Dramatic licence and even a few historical inaccuracies could have been tolerated at some points. There is little excuse for the poor execution of the pace of the story either. And frankly I laugh at the comments made that you could clearly see the 6 million euro on the screen. Damn all actual fighting (which did not have to cost lot) and the slums looked decent enough. It glorified a bit on the Big House and Well to do (hence the reference to Downton Abbey) Alas , Strumpet City did show the story of the well off but was convincing with the other half of the population (with less money) To be fair, the last episode was solid and they finaly made use of the women's story; May conveyed what it was like for a woman who had divided loyalty and most importantly what it was like to bearing a child out of wedlock to a married man and the lack of options she had. Francis character seemed more solid though I thought it was going to go down Albert Noobs territory (dressing like a man, acting like a man and wanting to play a role in the raising of the child - such incidents did happen in life, the kiss) Elizabeth, meh, not used properly, the Belfast girl was more convincing
TCDStudent1 wrote: » From my viewpoint, I actually learnt a lot from it. I had read a fair bit about the rising (not as much as other parts of Irish history admittedly). But I found myself reading up much more about the women of the rising like Lynne. I also found some small snippets fascinating, like the church moving to protect it's possessions. And British army soliders home on leave being called to assist in quelling the rising (something that would seem so obvious but I just never thought of). So maybe I didnt learn a whole lot directly from it but it certainly got me thinking about aspects of the rising that I never did before. And it made me go read up on those things.
fin12 wrote: » I just think I would be better of watching documentaries on it, does anyone know some that are available on line?
TCDStudent1 wrote: » There is no way they could have fitted all that into the time you suggest. The only way they could succeed in that was if every viewer had a detailed knowledge of 1916. However, while many posters on this thread are interested in history (including me), not everybody is. You have to remember that people with no knowledge or limited knowledge of 1916 also watch the series. Imagine putting in a scene of Bulmer Hobson for just 1 minute. There would be endless questions of "Wait, hang on - who's he now?" Or putting in the IRB kidnapping James Connolly. Again, it would just confuse viewers who have no knowledge of 1916 with them asking "What, why are they kidnapping this guy when he's on their side?" One thing that the show probably did do well was to fit in as much of the rising as they did.
Lt Dan wrote: » It was possible to get some of it in, especially Redmond and Dillon, that element should definitely have been in. The IRB-Connolly/Hobson stuff might have been superfluous as we had Pearse and St Enda's . The scenes with Hammond's wife and May could have been scraped, even the pregnancy story - but maybe not as we found out that that had a purpose in the last episode It could have been done in a way that people would get it. Don't treat people like idiots, even if many of them are. (not referring to you here) Those who don't get Bulmer Hobson or don't know who he is, don't really have to. A dramatic scene could have been done with that. Showing Connolly to be a voice in the future rebellion have competing and different views to Pearse and then being kidnapped (Love / Hate style) a scene later and told to join them would hardly confuse people, if done right. Drama and action baby, drama and action Considering how utterly pointless last weeks episode was, much of it could have been cut out.(or was it the week before, it was so forgettable and dealt with little , I can't even remember when it was on) God forbid people wouldn't put down their mobiles and facebook and do some research after watching rebellion. If they had no problem getting Love Hate, 24, The Wire, Homelands or whatever crap drama was the trend , surely they could have got some of these parts.?Remember BBC/RTE Rebel Heart? They managed to get 1916, Tan War and Civil War all covered within a similar amount of episodes and covered a lot of incidents as inspired by the books of O'Malley and Barry
Strazdas wrote: » I thought the episode was absolutely fine and for the first time we went heavy on characterisation. I'm convinced the only way the series would have been warmly received is if it had gone in favour of a nationalist / republican narrative. Once people realised this was not the case (episode 2 onwards) the negativity seemed to start : "awful", "abysmal", "boring", "revisionist" etc. I'd actually be interested to hear what an international audience would make of it. We should perhaps have guessed that Frances was a lesbian or had lesbian tendencies and Harry Butler surprisingly turned out to be one of the highlights of the series : lol @ him trying to bribe the detective into freeing Elizabeth