johnny_ultimate wrote: » First CowStrange Days - One of those rare box office bombs which is legitimately really good, actually. Kathryn Bigelow's film revels in the grime and seediness of a then near future Los Angeles. Despite it being made in 1995 and set on NYE 1999, the film is startling in how fresh it feels today. Sure, the music and mini-discs are pure mid-90s, but a story built entirely around video footage of racially-tinged police violence sadly is as relevant today as it was two and a half decades ago. The film mostly earns its 140 minute running time, but it's pretty messy at times and I’ve a few issues with how it all wraps up (love its confetti riddled, extras heavy fake Y2K party though). Not enough to weaken the potent, sci-fi adjacent brew though. And Angela Bassett is just absolutely outstanding alongside an impressively against-type Ralph Fiennes. A twitchy, sprawling opus that's well worth digging out despite Hollywood's continued efforts to bury the damn thing (seriously - criminally unavailable on digital platforms).
barrymanilow wrote: » Gallipoli (1981) Pleasantly surprised by this one. Follows a group of idealistic young men trying to escape rural life in western Australia by joining the Australian Army during world war 1. Has a great balance of light humor , drama and depictions of the horrors and waste of life during the war. Stars a very young Mel Gibson 8.5/10
pixelburp wrote: » On the Basis of Sex (2019) A thoroughly fascinating and remarkable woman, reduced to a cookie cutter, utterly pedestrian biopic. People crib about how interchangeable the Hollywood blockbuster is now but you know? I think biopics might be worse. At least blockbusters have flair or a bit of panache at times. Features like this this one are just so rote you can predict each plot best and soundtrack swell down to the running time minute. And they're all so damned earnest all the time.
johnny_ultimate wrote: » Strange Days - One of those rare box office bombs which is legitimately really good, actually. Kathryn Bigelow's film revels in the grime and seediness of a then near future Los Angeles. Despite it being made in 1995 and set on NYE 1999, the film is startling in how fresh it feels today. Sure, the music and mini-discs are pure mid-90s, but a story built entirely around video footage of racially-tinged police violence sadly is as relevant today as it was two and a half decades ago. The film mostly earns its 140 minute running time, but it's pretty messy at times and I’ve a few issues with how it all wraps up (love its confetti riddled, extras heavy fake Y2K party though). Not enough to weaken the potent, sci-fi adjacent brew though. And Angela Bassett is just absolutely outstanding alongside an impressively against-type Ralph Fiennes. A twitchy, sprawling opus that's well worth digging out despite Hollywood's continued efforts to bury the damn thing (seriously - criminally unavailable on digital platforms).
flasher0030 wrote: » Some films on my bucket list for this week:- BlacKKKlansman Take Shelter Hidden Figures The Equalizer films (Denzel Washington) Dunkirk The Road 25th Hour Brazil City of God Once Upon a Time in America – watched about half it before. Need to finish it. It’s over 4 hours. Mulholland Drive Or if anyone wants to advise to avoid any or all of there, feel free to.
flasher0030 wrote: » Or if anyone wants to advise to avoid any or all of there, feel free to.
crushproof wrote: » Some great picks there, 25th Hour is an underrated gem that I first saw years and years on RTE late at night. Has always been my go to recommendation to anyone who's stuck looking for something to watch. Take Shelter is easily Michael Shannons finest performance.
Nerdlingr wrote: » Yeah love Take Shelter.