"Such a weird juxtaposition.Every time I listen to it, when Pavarotti comes in, I think "what is this?". I still don't know if it actually works, but I love it."
Reberetta wrote: » Have I heard of this artist: NoHave I heard this song: Yes, but not this cover. The original was lively with a slight disco beat; this is much slower, a schmaltzy piano-driven ballad which has diminished the potency of its source. There's a part near the end where he shows his range, breaking the ceiling and going off into the clouds. Impressive. Although he's an excellent singer, I don't really like his timbre, and I think the song is more suited to a diva. I prefer Cher's version. It had more oomph. She sang the chorus with more panache and pizzazz, even if she cheated with auto-tune. Plus, she's Cher and this is some greaseball called Adam Lambert. Even his name sucks. Cher gives it a standing ovation at the end? Screw her too.Vocals: 8.5/10Song: 4.5/10Score: 1314th place: Pretzill
Reberetta wrote: » Have I heard of this artist: No
lassykk wrote: » Think mine might be at the bottom... Very left of centre!
Electric Nitwit wrote: » Likewise, just tuned in and I haven't been yet...
lassykk wrote: » I'm nervous! Still in the running but this could go either way
Reberetta wrote: » Have I heard of this artist: NoHave I heard this song: No I get the feeling this guy can sing even better than this performance suggests, which isn't to say it isn't very good, but he sounds a little frayed; the lungs a tad jaded. He's a natural, with a great pitch and timbre. This is a really good jazzy number, similar to some of Van Morrison's music, given justice by the backing band playing what I think is sax and trumpet. The lyrics are something many Americans can relate to no doubt; I can picture Donald Trump in the oval office weeping to this plangent serenade. Magnificent.
Reberetta wrote: » So coming up shortly the final four reveals. In order: 14th, 2nd, 15th and last, 1st and winner.
"I was going to make this my live performance entry, but I think its good here and I went for the live performance as I think JayKays voice is just so amazing, the band are fantastic and the first minute where the crowd sing the song before Jay even gets to the microphone is just awesome. Great vocals, great dancing! and of course he goes into the crowd for 3 minutes towards the end as well while the band just jams away in the background. But the vocal is just so crystal clear. In an age where everything is autotuned to the nth degree, its great to hear a voice that hasnt changed an iota in almost 30 years."
On “Feed You Lies,” you’re clearly battling some self-doubt. Is that a personal song, or are you assuming a character. And if it’s about you, does the doubt still percolate to the surface from time to time?
"Yeah, it kind of does, actually. “Feed You Lies,” was originally about a friend of mine that was just really frustrating me, just being so limited in the way he was approaching a lot of things in his life. Then I suddenly realized I was essentially talking to myself. I was essentially projecting everything I was feeling toward this person. A lot of it was basically telling myself to wake up; stop limiting the things that I can and can’t do. And yeah, it was a lot of self-doubt, a lot of frustration with my lack of action. This was a period where I was considering whether or not to show anybody this music at all. I thought, “God, nobody wants to listen to this trash; this is terrible.” Eventually I [said], “I’ve gotta put it out there, and I have to stop censoring myself.” So that song was very much turning things against myself. In a lot of ways, the other songs are quite like that, too. There’s a lot of [songs] inspired by other people, but definitely the situations that are involved are things we seem to all have."