ixoy wrote: » Well I see "The Traitor Baru Commorant" is £2.17 currently on Amazon, for those who want to see if it's worth the fuss. I'm picking up a copy anyway
Widdershins wrote: » Switching between The Irish Princess ( about Aoife McMurrough & Richard De Clare) and Her Kind (about Petronelle Dr Meath, first woman murdered as a heretic in Ireland) Both enjoyable
cdgalwegian wrote: » Got it there. I'm 15% through and just cannot see what the fuss is about. It seems like it's written for YA audience; obviously it's about court intrigue and shenanigans, but Baru's arrival at Aurdwynn hasn't heralded any change in tempo or sense of danger, except maybe in 'talk' of danger. Maybe I just need some visceral violence with impending doom or something, or maybe I'm just impatient. Does this book move it up some gears? Does it set the scene for more 'actiony' sequels? Or do I need to stick to hard sci-fi? (I've been putting off Stephen Baxter's 'Raft' while reading this). Most reviews have 'epic' in them, but so far this relates more to a broad canvas of empire peopled by sneaky untrustwothy characters; is there much meat within the frame?
smacl wrote: » Finished Pinion by Elizibeth Bear and on to the second book in the trilogy. Very entertaining sci-fi that reads more like classic fantasy, with feuding factions and AIs fighting it out on an enormous defunct generation ship. I found it slow enough to get going, and was dipping in and out of a few other books at the same time, but smart and engaging once I got a feel for it. The second book Sanction picks up precisely where the last one left off and looks to be more of the same.
ixoy wrote: » 'Sea of Rust' by Robert C. Cargill. It's set in a post-apocalyptic earth where only robots are left after they wiped out humanity and how they continue in the world. I was disappointed in this because the story - told in the first person - rarely felt as if it was being related by a robot. There was little to no attempt to get into how that mind worked. Perhaps "Children of Time" and others have spoiled me for expecting different thinking but here you could just as easily have been reading about humans. The plot moved pretty swiftly but it never grabbed me and I didn't find much innovative here.
pixelburp wrote: » Finally, after 5 seasons of the TV show, picked up The Magicians by Lev Grossman. While I'm only about 30% through, it's fascinating coming to source material after my primary experience (and emotional investment) is through the adaptation. The book - or rather, the TV show, is so different in many small ways, mostly centred around the voice & tone of characters, the cast also being a smidge older in the TV version. The big - and slightly disappointing difference if I'm honest - is the absence of arguably the TV show's strongest & most compelling character: Margo. "Janet" is kinda similar - again in small ways - but she just isn't Margo and knowing where her journey takes her across the adaptation's four seasons, as I said I'm a bit disappointed she doesn't actually exist in the novel.
War. Politics. Revolution. The Age of Madness has arrived . . . The chimneys of industry rise over Adua and the world seethes with new opportunities. But old scores run deep as ever. On the blood-soaked borders of Angland, Leo dan Brock struggles to win fame on the battlefield, and defeat the marauding armies of Stour Nightfall. He hopes for help from the crown. But King Jezal's son, the feckless Prince Orso, is a man who specialises in disappointments. Savine dan Glokta - socialite, investor, and daughter of the most feared man in the Union - plans to claw her way to the top of the slag-heap of society by any means necessary. But the slums boil over with a rage that all the money in the world cannot control. The age of the machine dawns, but the age of magic refuses to die. With the help of the mad hillwoman Isern-i-Phail, Rikke struggles to control the blessing, or the curse, of the Long Eye. Glimpsing the future is one thing, but with the guiding hand of the First of the Magi still pulling the strings, changing it will be quite another . . .