titan18 wrote: » Yup. Can bring Hawkeye and Fury in it. Set it late 90s, early 2000s or something
khaldrogo wrote: I'd have more interest in a Ronin movie than a Hawkeye movie. He was calling his daughter Hawkeye in one scene. Could be setting up something there?
Gardiner 2001 wrote: Makes sense. Another way to have Hawkeye in it as well as he wouldn't be one of the stronger characters in my opinion
titan18 wrote: » That's got to be a prequel. Probably how she meets Hawkeye or joins SHIELD would be likeliest imo
Foxtrol wrote: » I always expected/hoped it to be a prequel/origin story. They've regularly teased her early years, right up to why she owed Barton, and I think it is the most interesting direction to go with it. Post Thanos, I don't see how she'd end up off by herself in an interesting story.
Gardiner 2001 wrote: Very good film. Just wondering nw was it all talk of a new black widow film just to throw us off the scent what happens in this film or will that be somehow still getting made?
Gardiner 2001 wrote: » Very good film. Just wondering nw was it all talk of a new black widow film just to throw us off the scent what happens in this film or will that be somehow still getting made?
titan18 wrote: » I was a bit disappointed by it tbh. It's not a bad film, but it's weaker than IW, and a good bit more than some or the stronger individual films. I don't think they show the devastation well, and cos of the decision with time travel and leaving the 5 years, there's plot holes all over the place. Few eye rolling moments too (that stupid girl power shot and Thor's beer belly) that really don't work imo.
GavRedKing wrote: » I didnt like Black Panther or Captain Marvel, I think they were average enough origin stories that were pandering and some people were afraid to criticise at the time, in saying that, both were better than Ant Man & the Wasp and Dr. Strange, IMO.
kerplun k wrote: » Loved the film, I won’t do the normal review thingy as I generally agree with most of the stuff already said on here, but one thing I kind of want to talk about is my growing itch I have with the MCU formula. It probably sounds like I'm sh1tting all over this, but honestly I'm not, I love these films, but like some others have said, I'm not sure I even want to continue the journey after this. I find when I’m watching the latest marvel movies I keep thinking about a Tim Burton movie I saw called Big Eyes, if you haven’t seen it, it’s essentially a movie about an artist that paints her different subjects in a similar style, the artist is Margaret Keane, Google her images and you'll see what I mean, the paintings are all variations of things using the same style, anyhews, about halfway through the movie her paintings reaches the height of their fame and Keane is tasked with painting a piece called Tomorrow Forever, and again she uses the same style and technique to produce her biggest and best work, which is basically the same thing she normally does but more of it, squeezed into this one huge painting displaying all her work. And that’s how I about the VFX in Infinity War and Endgame, its Marvels version of Tomorrow Forever. These are the most "MCU" films yet, what I mean by that is that they use the same generic VFX, but more of it, and like Margaret Keane, the art is perfectly fine, but its the same dam thing, just more of it. The MCU seem to be relying more and more on VFX, Maybe because its cheaper and less time-consuming, it’s probably more convenient to use VFX to make changes in post-production than to do reshoots, I dunno. Let’s look at some of the VFX counts from some of the moves, Information was sourced from upcomingvfxmovies.com phase 1, Film, VFX The Avengers, 2200 Thor, 1309 Iron Man 2, 1000 Iron Man, 800 Now let’s look at the VFX counts from some of the films post phase 1 phase 2 and 3 Film, VFX Avengers: Infinity War, 2680 Black Panther, 2456 GOTG V2, 2300 Civil War, 3000 Doctor Strange, 1450 Avengers: Age of Ultron, 3000 Guardians of the Galaxy, 2750 Winter Soldier, 2500 Iron Man 3, 2000 I think it’s fair to say from this that VFX within the MCU has seen a large spike. Why do I have a problem with this... It’s simple, The MCU hands off the VFX in their movies to a special effects team which gives a director less input on the finished product. As the movies become more dependent on special effects, the room for creativity is diminished at least in terms of the visuals. As the VFX become more prevalent, it now seems like the VFX artists are directing these movies, leaving the actual director with less of a chance to put their own stamp it. When these films do shine, it’s through the dialogue and character moments, this is where the directors can actually put their own spin on things. This can be highlighted with two films from Directed by Ryan Coogler. Creed and Black Panther. Let’s first look at the big fight scene from Black Panther, look at the CGI, look at the character movements, and look at the ever increasing ignorance for the basic laws of physics After watching this, many accused Coogler of being inexperienced in doing actions scenes, but my argument against this was his work on Creed. Let’s look at one of my favourite shots from this film Now, tell me this man doesn’t know how to direct an action scene. so again, what’s the problem with BP? why is the action scenes so bland and generic, especially when you compare it to some of his work on Creed, If you ask me, I think the answer is that Coogler hasn’t got much say on the action in BP. When discussing the visuals of MCU films these same type of accusations are leveled at the Russo brothers and again I would argue that this is not their fault, Its the ever increasing influence of Feiges insistence that the visuals are outsourced to the SFX team. Take a look at this article from screenrant.[/URL] Marvel even has a crash course for new indie directors that come in to direct their movies. Normally when we go see these type of action moves, we tolerate things like a lose plot or one dimensional characters because we get rewarded with the big action pieces, but with the MCU, things have been turned on its head a little, the big action scenes come secondary to the characters, we almost tolerate the SFX because we love the characters and relationships between those characters. The highlights are the dialogues and moments between these characters. When people talk about their favorite parts of IW, it’s the Stark/Parker relationship, or Thor/GOTG bits, the jokes, etc., not one person came to be and said "I loved the bit when Thanos threw that moon at Stark". The MCU has got away the dodgy VFX for so long now because we've had 9 years of character development, the ground work was done in phase 1 without a ton of green screen, heck even, and the main event of phase 1, The Avengers had less VFX than most of the films in phase 2 and 3. I think this poses is a huge problem for the MCU, because if this is the end, and they plan to start a new chapter, they won't have the luxury of build up from previous moves that laid the ground work.Look at a side by side from the original Iron Man and endgame. Look at the original Iron Man trailer Look at the movements, the suit, look how real it looks, and then compare this to some of the scenes in Captain Marvel, BP IW and Endgame and tell me this isn't a problem. Now, in saying all of that, I get that IW and Endgame are Marvels Tomorrow Forever, it needs to be big, the people demand it, its the season final after all, however, If this really is the end like Marvel are claiming, they should go all in, and do the same with the VFX process. I say start again, start small, hire creatives like they did in phase 1 and let them actually direct their own actions sequences, give them full creative control, and let them establish their own unique style, because if the MCU really is serious about starting over, and you take a movie like Shang-Chi, and you try pull this generic gravity defying, rubbery movement, laser bean shooting up into the sky crap, no one will care. I think going forward, if the MCU want to remain relevant, they really do need to start over and take a chance and trust the creative process rather than special effects.
GavRedKing wrote: » If the Ancient One has the Time Stone during the NY attack and is protecting the sanctum, why didnt she help the Avengers?
The Ancient One wrote: The Avengers protect the world from physical dangers. We safeguard it against more mystical threats.
The White Wolf wrote: » There'll be more Iron Man films just not featuring RDJ. Katherine Langford of 13 Reasons Why fame filmed scenes that didn't make the final cut; if I had to guess she played a future Morgan who will probably end up being Iron Heart.
Drumpot wrote: » Some guy and his young son just walked past me on the street in swords. All I Hard was , “so there can’t be any more iron man movies!”. That’s why , if it matters to you, you goto these sort of movies on open day. Thank god it didn’t matter to me!!! Shows are selling out everythere, I was thinking of going to it again but it’s just cleaning up!!!!
Chris_Heilong wrote: » I had the exact same thoughts, the Ancient One is selfish so and the stone is everything to her so her priority was on that. I asked the exact same thing about returning the soul stone.
Midnight_EG wrote: » If that scene makes my daughter/niece/missus feel in any way empowered and want to enjoy and love what I do most (movie-wise) well then I'm all for it. It was 15 seconds, it affected nobody personally and if it did then I'd consider carefully looking at yourself and wondering why you're offended at 10 women in the biggest movie ever made
GavRedKing wrote: » If the Ancient One has the Time Stone during the NY attack and is protecting the sanctum, why didnt she help the Avengers? Time travel is great and all but it throws up too many questions and plot holes from previous films and events. Cap was tasked with returning the Stones to a time I'm assuming immediately after they were taken to reverse the snap which opens up a whole load of questions, how do you return the soul stone and does it bring Nath back, also meeting Red Skull again must have been great fun for Cap. He has to go back to a military base under lock down to return the tesseract to a highly secure area where they were looking for a person matching his description. Quill is K/O'd so does Cap just tuck the Power Stone into his pocket etc etc Or have I this all screwed up, I fear I do....bloody mad time travel. :pac:
mloc123 wrote: » Lots of differing views on how time travel should work etc.. But I assume everyone is on the same page about "that scene" with the ridiculously shoehorned girl power shot? I cringed so hard.