PeterDuggan wrote: » Taken Down (from the makers of LoveHate) starts on RTOne on Sun, 4/11/18 at 9.30pm.
The Late Late Show wrote: » Taken Down is the direct opposite of Love/Hate. This is mainly because it is written for the most part by someone else, because it is in line with RTE's new sanitised agenda for drama and features no iconic character like Nidge or Fran. Love/Hate pushed the boundaries and went where other dramas were and sadly now are again afraid to. As said before, I do not watch or enjoy the likes of Dancing With The Stars or Daniel and Majella's B&B Roadtrip but do enjoy gritty crime and dystopian dramas. Why then are RTE making crime dramas for the first audience and not for the second? All those who do not enjoy 'torture porn' or whatever they like to call it should stick with Daniel and Majella and the Dancing thing and let crime and dystopian drama fans watch proper stuff and not watered down rubbish.
mr_edge_to_you wrote: » Don Wycherley’s accent is shocking - makes the whole thing look amateurish.
ednwireland wrote: » male garda are all culchies only women are street wise and sassy
Atlantic Dawn wrote: » Episode 3, at 3 mins there's a different Passat with man scene, not what was shown tonight as no vehicle passed him tonight...https://www.rte.ie/player/ie/show/taken-down-30006504/10965665/
Atlantic Dawn wrote: » They didn't even show an ad after the credits for the DVD release Friday week, do they think it bombed?
Laneyh wrote: » I found the first series of Love/Hate was quite hammy in parts with John Boy and Hughie. ...........
Good TV drama takes us to places we ordinarily never see. The best kind makes it feel vividly real.... ....Jo Spain and Stuart Carolan’s show, with its eye-opening depictions of the stultifying conditions within Direct Provision, often seemed just as attentive..... ....Taken Down may have used dramatic licence, but it knew whereof it spoke.... ...Its keener impact actually came in quieter moments, like director David Caffrey’s melancholy shots of Dublin at dawn, the sun rising over stalled cranes and idle scenes. That inertia bolstered a creeping feeling, one brought about by leering opportunists and inhumane systems, that here was a murder drama in which the lives of the most vulnerable barely mattered.