Advertisement
If you have a new account but are having problems posting or verifying your account, please email us on hello@boards.ie for help. Thanks :)
Hello all! Please ensure that you are posting a new thread or question in the appropriate forum. The Feedback forum is overwhelmed with questions that are having to be moved elsewhere. If you need help to verify your account contact hello@boards.ie
Hi all,
Vanilla are planning an update to the site on April 24th (next Wednesday). It is a major PHP8 update which is expected to boost performance across the site. The site will be down from 7pm and it is expected to take about an hour to complete. We appreciate your patience during the update.
Thanks all.

The Irishman (Scorsese, De Niro, Pesci and Pacino)

1356725

Comments

  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators, Technology & Internet Moderators Posts: 22,668 CMod ✭✭✭✭Sad Professor


    Yeah she was badly miscast. Scorsese cast her to help pay for the sets. Same reason he cast Leo, really, but that relationship proved quite fruitful.


  • Closed Accounts Posts: 3,419 ✭✭✭cowboyBuilder


    Yeah she was badly miscast. Scorsese cast her to help pay for the sets. Same reason he cast Leo, really, but that relationship proved quite fruitful.

    I think that was his last bad movie for me ... he grew right up after that film and is now one of the best ... and is only 40 - think of the great films ahead for him.


  • Registered Users Posts: 284 ✭✭parttime


    Loved the Aviator! Underrated I reckon. Cate Blanchet was really good.
    Loved Casino, Goodfellas. Departed was OK, as was Wolf, although at least half an hour too long.
    Recently rewatched Gangs and it was a mess. Too long with not enough substance,Cameron should not have been near it and Daniel seems to have been taking lessons from the Pacino School of Overacting. Just my opinions, not a film school graduate or anything.


  • Registered Users Posts: 84,967 ✭✭✭✭JP Liz V1




  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    Producer Gastón Pavlovich did a bit of a Q&A while promoting Silence


    Are you still talking to Joe Pesci about coming aboard The Irishman?

    PAVLOVICH: I know Bob is. Robert De Niro, that is. It’s in his hands now and I know he’s making an effort. There will be a time when we have to start that so I know he’s having those conversations with Joe and still trying to get him on board.

    http://collider.com/silence-interview-gaston-pavlovich/#the-irishman


  • Advertisement
  • Registered Users Posts: 4,407 ✭✭✭Wailin


    JP Liz V1 wrote: »
    Chazz Palminteri as replacement for Joe?

    Hopefully not.


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    Netflix have acquired worldwide rights to this.

    Netflix Buys Martin Scorsese’s ‘The Irishman’ Starring Robert De Niro
    Netflix has acquired worldwide rights to Martin Scorsese’s gangster movie “The Irishman,” starring Robert De Niro.

    Netflix would not comment on the deal but sources close to the project confirmed a report by IndieWire.

    “The Irishman” will be the ninth collaboration between Scorsese and De Niro. Steven Zaillian has written the script, based on the Charles Brandt’s 2004 book, “I Heard You Paint Houses,” which centered on the life of the mob hitman Frank “The Irishman” Sheeran.

    Scorsese and De Niro first partnered on 1973’s “Mean Streets,” followed by “Taxi Driver,” “New York, New York,” “Raging Bull,” “The King of Comedy,” “Goodfellas,” “Cape Fear” and 1995’s “Casino.”

    Production on “The Irishman” is expected to start later this year.

    The project originated in 2008 at Paramount with De Niro’s Tribeca Productions and De Niro’s producing partner Jane Rosenthal along with Scorsese’s Sikelia Productions.

    The book title “I Heard You Paint Houses” comes from criminal slang for contract killings and the blood splatter on walls. Brandt befriended Sheeran shortly before Sheeran died in 2003 and he confessed the author that he had been involved with the killing of Jimmy Hoffa, carried out on orders from mob boss Russell Bufalino. Hoffa disappeared in 1975 and was never found.

    “The Irishman” would mark Scorsese’s follow-up to “Silence,” a major disappointment for Paramount since opening wide on Jan. 20. The $46 million-budgeted historical drama has earned just $7 million domestically and may have contributed to Brad Grey’s exit as CEO of the studio last week.

    STX spent roughly $50 million for international rights to “The Irishman” at last year’s Cannes Film Festival with Paramount still on board at that point to distribute the title in North America.

    STX and Paramount were not immediately available for comment Tuesday.

    http://variety.com/2017/film/news/netflix-buys-martin-scorseses-the-irishman-starring-robert-de-niro-1201993446/


  • Registered Users Posts: 5,881 ✭✭✭WHIP IT!


    Netflix have acquired worldwide rights to this.

    Netflix Buys Martin Scorsese’s ‘The Irishman’ Starring Robert De Niro


    http://variety.com/2017/film/news/netflix-buys-martin-scorseses-the-irishman-starring-robert-de-niro-1201993446/[/URL]

    Apologies for possibly stupid question - but does this mean it will not be getting a cinema release?


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    WHIP IT! wrote: »
    Apologies for possibly stupid question - but does this mean it will not be getting a cinema release?

    It depends really If Netflix want it and hope for it to get nominated the big awards it will have to have at the very least a limited cinema release to be considered for the Oscars, Golden Globes, BAFTA's etc.


  • Registered Users Posts: 1,901 ✭✭✭McLoughlin


    It depends really If Netflix want it and hope for it to get nominated the big awards it will have to have at the very least a limited cinema release to be considered for the Oscars, Golden Globes, BAFTA's etc.

    It has to be one cinema in New York and LA for a few showings for Oscars


  • Advertisement
  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators, Technology & Internet Moderators Posts: 22,668 CMod ✭✭✭✭Sad Professor


    i predict a good festival run followed by a simultaneous release that most exhibitors will boycott.


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    Joe Pesci has officially signed on :D:D

    Joe Pesci, Harvey Keitel, Bobby Cannavale Join Martin Scorsese’s ‘The Irishman’
    Martin Scorsese is putting the band back together. Joe Pesci and Harvey Keitel have officially joined Al Pacino (whose deal is currently being finalized) and Robert De Niro in Scorsese’s Jimmy Hoffa disappearance film The Irishman. Bobby Cannavale is also joining the fray for Netflix.

    The Irishman will mark the first time that Pacino and Scorsese will have worked together and the first time all the Italian greats are on the big screen together. The film starts shooting next month in and around New York and will continue through December.

    Pesci’s involvement comes after the actor said no multiple times (some say about 50); a deal was just sealed this week. He will portray Russell Bufalino, a Mafia boss out of PA and has been long suspected of having a hand in the disappearance of Hoffa. Pesci and Scorsese have done five films together.

    Producers of The Irishman are De Niro, Fabrica’s Gaston Pavlovich, Jane Rosenthal, Scorcese, Randall Emmett and Emma Tillinger Koskoff. The casting director Scorsese’s longtime collaborators Ellen Lewis with Thelma Schoonmaker serving as editor. The film is expected to get a small theatrical release to qualify for Oscar.

    This project has been embroiled in controversy when the author of the book I Heard You Paint Houses (which is slang for a hit ala “painting” the walls with blood) Charles Brandt penned it based on the deathbed confession of Frank ‘The Irishman’ Sheeran. The hitman claimed to tell the real story of the disappearance of union former boss Jimmy Hoffa. However, the account that Sheeran told to Brandt has been disputed as well. Still, the FBI actually thought enough of Sheeran’s confession to pull up several floor board planks from a house where he said he shot and killed Hoffa to look for DNA (blood) evidence. Latter the bureau said that the DNA samples weren’t from the former Teamsters boss.

    It’s one of the coldest cases in history, but there is no statute on murder so it is not closed.

    Over the years, many stories about what happened to Hoffa has sprung forth, all to be debunked one by one by one. There are a couple of men still alive today whose knowledge of the event would still carry any weight with the FBI and who the bureau considers really do know what happened on July 30 after Hoffa got into Chuckie O’Brien’s car outside the Machus Red Fox restaurant and then disappeared, but these guys (now in their 90s) still aren’t talking.

    The Hoffa kids, one still in the union politics in Detroit and the other a former judge in St. Louis, are still waiting for resolution to bring their father’s remains back to bury next to their mother. They nor anyone else will likely know the full story behind his disappearance, but it is very possible that they will find out where their father’s remains are in their lifetimes.

    http://deadline.com/2017/07/joe-pesci-the-irishman-al-pacino-robert-de-niro-martin-scorsese-deal-1202126751/


  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators, Technology & Internet Moderators Posts: 22,668 CMod ✭✭✭✭Sad Professor


    The film is expected to get a small theatrical release to qualify for Oscar.

    :(


  • Registered Users Posts: 1,210 ✭✭✭Decuc500


    I can't imagine that Martin Scorsese, such a fan of the history of film and involved so much in film restoration, would be happy with his new film generally bypassing cinemas.

    If this wasn’t shown in Irish cinemas it would make me very sad.


  • Posts: 0 [Deleted User]


    I'm a bit lost here, why wouldn't it get a more general release with a cast, subject matter, and director like that?

    I would have thought it would sell itself and pull decent audiences, even if it was crap it would cover its costs.

    Or have cinema trends changed that much? (Maybe they could have a super hero cameo)


  • Registered Users Posts: 401 ✭✭Deisler


    I have a bad feeling about this..


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    I'm a bit lost here, why wouldn't it get a more general release with a cast, subject matter, and director like that?

    I would have thought it would sell itself and pull decent audiences, even if it was crap it would cover its costs.

    Or have cinema trends changed that much? (Maybe they could have a super hero cameo)

    Netflix are funding it and they want people to subscribe to them to watch it.


  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators, Technology & Internet Moderators Posts: 22,668 CMod ✭✭✭✭Sad Professor


    Decuc500 wrote: »
    I can't imagine that Martin Scorsese, such a fan of the history of film and involved so much in film restoration, would be happy with his new film generally bypassing cinemas.

    All the other studios turned it down, so it seems he didn't have much choice but to go with Netflix and their release strategy.
    I'm a bit lost here, why wouldn't it get a more general release with a cast, subject matter, and director like that?

    I would have thought it would sell itself and pull decent audiences, even if it was crap it would cover its costs.

    Or have cinema trends changed that much? (Maybe they could have a super hero cameo)

    It's being distributed by Netflix who refuse to abide by the 90 day theatrical window. They insist on their films being released in theatres and online at the same time. Theatres see this as an attack on their business, so until Netflix back down or reach a compromise a general release is out of the question.


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    First picture of Joe Pesci.
    4581FC0200000578-0-image-a-10_1508485776847.jpg
    458221AD00000578-4999982-image-m-68_1508487767749.jpg


  • Advertisement
  • Registered Users Posts: 2,993 ✭✭✭jones


    Wish this had of been done sooner in their careers.
    Unfortunately both are well and truly past there prime.

    This is my big far for this


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    Irish.png


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    It will be getting a cinema release.



  • Moderators, Category Moderators, Entertainment Moderators Posts: 35,941 CMod ✭✭✭✭pixelburp


    That studios turned this down, only for Netflix to swoop in, has me worried - though that could say more about the state of the Netflix film brand at the moment than whether Scorsese has hit a bum note. Even his less-than-brilliant work has always entertained.

    There's something about Irish-Americans though that rubs me up the wrong way - or at least Hollywood's portrayal of them. Feels like all the bad stereotypes about the Irish come from the US descendants, not the genuine articles :D


  • Registered Users Posts: 60,279 ✭✭✭✭Agent Coulson


    I think if I remember right Paramount (They would keep the North American rights) dropped it because the main money backer to the tune of a $100m a guy from Mexico pulled out.

    That's when Netflix stepped in and took the rights.


  • Moderators, Science, Health & Environment Moderators Posts: 18,136 Mod ✭✭✭✭CatFromHue


    In May 2016, Mexican financier / producer Fábrica de Cine had offered $100 million to finance the film, and through that deal Paramount Pictures would retain domestic rights.[29] IM Global was also circling to bid for the film's international sales rights.[29] STX Entertainment bought the international distribution rights to the film for $50 million beating out other studios like Universal Pictures, 20th Century Fox, and Lionsgate, while Fabrica de Cine closed the deal and Paramount retained its domestic rights.[30]

    By February 2017, Paramount Pictures had dropped domestic distribution rights for The Irishman following the announcement that Fabrica de Cine would not be financing the film due to its climbing budget. Netflix then bought the film for $105 million and agreed to finance the film's $125 million budget with a release date set for October 2019

    It's going to be an expensive film, up to 175m now I think :eek:


  • Moderators, Category Moderators, Entertainment Moderators Posts: 35,941 CMod ✭✭✭✭pixelburp


    Apparently the budget size is down to the fact a lot of the film (the talk is up to half) will feature digitally de-aged versions of the principal cast. If that's true, then prospects become shakier IMO; Captain Marvel looks like it'll set the bar for taking years of actors' face but in general, the technique has had ... mixed results so far, never fully out of the uncanny valley...


  • Registered Users Posts: 5,967 ✭✭✭TheIrishGrover


    There would want to be pretty extensive use of de-aging for that budget (As opposed to brief flashbacks). As you say, results have been distracting so far. While Sam Jackson's de-aging seems to be much better in what we have seen so far, it remains to be seen if the quality can keep up constantly.

    That's a hell of a lot of money for a non summer blockbuster FX-driven movie. It does beg the question, how do they make that back. Sure, they put up prices and their customer-base is increasing (although at a slower rate lately) but that's a chunk of change. Especially when you consider that it will be pirated extensively the instant it hits Netflix. They will have to stagger the US cinema release date and the European TV dates.

    As for Hollywood's portrayal of Irish-Americans, I suppose we get an inkling of what Italian Americans got for so long.... At least there are no felt puppet Irish stereotypes flogging off pasta.


  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators, Technology & Internet Moderators Posts: 22,668 CMod ✭✭✭✭Sad Professor


    There was period during the 40s and 50s when cinematic stereotypes of Irish-Americans were actually very positive (virtuous catholic priests etc) before taking a negative turn again in the 70s (corrupt cops, politicians etc). I guess it reflected the growing power of Irish-Americans in US society.


  • Advertisement
  • Moderators, Category Moderators, Entertainment Moderators Posts: 35,941 CMod ✭✭✭✭pixelburp


    Slightly related to The Irishman in that a proper look at Captain Marvel's own de-aging was shown via a clip released today; it's pretty good, the technology's definitely getting better. Hopefully Scorcese has a good FX studio hired, cos the bar is arguably now set.



Advertisement