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Dee Forbes banging the RTE TV licence drum again 60m uncollected fee *poll not working - pl ignore*

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Comments

  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    Scotty # wrote: »
    Capped salaries? This is the real world! Tubs is not going to work for the same money as say, Claire Byrne, despite taking in 10x, maybe 20x times her revenue. You think any of those presenters would work for €150K a year knowing the millions they generate? Joe Duffy has 400K daily listeners. That's over 10% of the adult population of this country. He's an advertising gold mine!

    As I said earlier, the hosts on the big money are generating income for RTE, not costing it money. If they all left, taking their listeners and advertiser revenue with them, it would just cause an even bigger deficit. Suggesting a cut in their salaries as a way for RTE to save money is nonsensical. RTE needs them. That's why they're on the big bucks!

    You might want to tell RTÉ that this is the real world. I assume you assume that the revenue generated by the 10 people RTÉ that this revenue not only goes to pay their wages but also it trickles down to into other "public service" areas and that their shows also bring in an audience to other areas of "public service" that RTÉ provide.

    Indeed I expect you think that 3.9 million spent on Children's Content is enough and that the small increase to 5 or so million in 2018 is more power to RTÉ in these Hard times?

    So the problem occurs when RTÉ spend so little on one of their core public services that the idea that these top 10 presenters should take up 1% of the total budget (That's about 3m) beggars belief.

    No if RTÉ need to make cuts and their top stars aren't happy to take a cut, I'd show them

    Rte.jpg

    From the other side.


  • Registered Users Posts: 51,386 ✭✭✭✭tayto lover


    The so called top presenters on RTÉ wouldn’t get work with the BBC and wouldn’t get the big wages they’re on anywhere else imo.


  • Registered Users Posts: 20,407 ✭✭✭✭kneemos


    Scotty # wrote: »
    Capped salaries? This is the real world! Tubs is not going to work for the same money as say, Claire Byrne, despite taking in 10x, maybe 20x times her revenue. You think any of those presenters would work for €150K a year knowing the millions they generate? Joe Duffy has 400K daily listeners. That's over 10% of the adult population of this country. He's an advertising gold mine!

    As I said earlier, the hosts on the big money are generating income for RTE, not costing it money. If they all left, taking their listeners and advertiser revenue with them, it would just cause an even bigger deficit. Suggesting a cut in their salaries as a way for RTE to save money is nonsensical. RTE needs them. That's why they're on the big bucks!


    It's not the presenters bringing in the audience,it's the show itself.

    Joe probably has a dedicated following though in fairness. Can't believe he gets those numbers.
    All over 65 no doubt.


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    kneemos wrote: »
    It's not the presenters bringing in the audience,it's the show itself.

    Joe probably has a dedicated following though in fairness. Can't believe he gets those numbers.
    All over 65 no doubt.

    We forget he took over that show.


  • Registered Users Posts: 5,645 ✭✭✭The J Stands for Jay


    Scotty # wrote: »
    Capped salaries? This is the real world! Tubs is not going to work for the same money as say, Claire Byrne, despite taking in 10x, maybe 20x times her revenue. You think any of those presenters would work for €150K a year knowing the millions they generate? Joe Duffy has 400K daily listeners. That's over 10% of the adult population of this country. He's an advertising gold mine!

    As I said earlier, the hosts on the big money are generating income for RTE, not costing it money. If they all left, taking their listeners and advertiser revenue with them, it would just cause an even bigger deficit. Suggesting a cut in their salaries as a way for RTE to save money is nonsensical. RTE needs them. That's why they're on the big bucks!

    Give it 5 years. The advertisers will realise that they're getting f all out of radio 1. Nothing but a load of old people who spend nothing and dentist waiting rooms tuned in. There's no value for them there. People tend to think print media is a big deal, but boards.ie has higher certified readership than the papers. RTE 'stars' are near worthless, and will be more so as every day goes by.


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  • Registered Users Posts: 14,172 ✭✭✭✭elperello


    Elmo wrote: »
    We forget he took over that show.

    From another very proficient broadcaster.

    The format of the show is important but you need someone who knows what they are doing behind the microphone.


  • Registered Users Posts: 20,407 ✭✭✭✭kneemos


    elperello wrote: »
    From another very proficient broadcaster.

    The format of the show is important but you need someone who knows what they are doing behind the microphone.

    He's knows what he's doing alright, setting one caller against the other.


  • Registered Users Posts: 12,480 ✭✭✭✭Varik


    Scotty # wrote: »
    Capped salaries? This is the real world! Tubs is not going to work for the same money as say, Claire Byrne, despite taking in 10x, maybe 20x times her revenue. You think any of those presenters would work for €150K a year knowing the millions they generate? Joe Duffy has 400K daily listeners. That's over 10% of the adult population of this country. He's an advertising gold mine!

    As I said earlier, the hosts on the big money are generating income for RTE, not costing it money. If they all left, taking their listeners and advertiser revenue with them, it would just cause an even bigger deficit. Suggesting a cut in their salaries as a way for RTE to save money is nonsensical. RTE needs them. That's why they're on the big bucks!

    Who cares if RTE makes less money, it's not like they give a rebate on the TV licence.
    They make more money and give themselves a bonus and continue on.

    It isn't about RTE saving money it about US saving money.


  • Closed Accounts Posts: 4,105 ✭✭✭Kivaro


    Scotty # wrote: »

    As I said earlier, the hosts on the big money are generating income for RTE, not costing it money.


    Then why are we paying for television licenses if they are generating so much income?
    The TV Tax is an antiquated concept ..... for a different century.


  • Registered Users Posts: 1,857 ✭✭✭Gen.Zhukov


    Scotty # wrote: »
    ...Joe Duffy has 400K daily listeners. That's over 10% of the adult population of this country. He's an advertising gold mine!


    ...Liveline has 400K daily listeners. That's over 10% of the adult population of this country. I'ts an advertising gold mine!

    Do you really think that the figures drop dramatically when Duffy is on one of his many, many holidays?

    It's the format of the program that gets the listeners, not Duffy. Random whack-heads ringing in about random crap that could basically go anywhere and sometimes you get the odd gold moment.

    Duffy is incredibly annoying quite a lot of the time. From his pronunciation of words like 'insurdance' and peoples names...Sab-eye-na (Sabina) Judge Brett Kav-auna (Kavanaugh) Zapponeay (Zappone)

    He also loses control frequently and seems incapable of moderating a discussion. He never pulls anyone up on something that is obvious BS.

    He's a bit of a plonker imo and is stealing a living.


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  • Registered Users Posts: 20,407 ✭✭✭✭kneemos


    Kivaro wrote: »
    Then why are we paying for television licenses if they are generating so much income?
    The TV Tax is an antiquated concept ..... for a different century.


    Quite a few countries have a license in fairness. Wouldn't be totally against it,even though I practically never watch RTE. It's the obvious waste and poor programming that pisses folk off.


  • Registered Users Posts: 8,274 ✭✭✭RabbleRouser2k


    kneemos wrote: »
    It's not the presenters bringing in the audience,it's the show itself.

    Joe probably has a dedicated following though in fairness. Can't believe he gets those numbers.
    All over 65 no doubt.

    Well, I'd commend folks for catering to an audience that gets ignored...
    Because they forget they've got money too. And often spend it on just as much junk as everyone else does.

    The numbers are easily explained tho-go into any dentists office, any doctor's office, any garage, accountants etc etc and they all have Joe Duffy on.
    It's background noise so you're not stressed out while doing whatever.


  • Moderators, Social & Fun Moderators Posts: 14,859 Mod ✭✭✭✭AndyBoBandy


    kneemos wrote: »
    Quite a few countries have a license in fairness

    And quite a few don’t have it.

    I lived in Lithuania for a while, a country with a little over half the population of Ireland, where there are 3 big national broadcasters, all capable of putting on very slick productions regularly, and guess what, no TV Licence in Lithuania.

    RTÉ is a cesspit of opulence and excess.

    There’s stagers in there earning close to 100k a year because they do their job (moving things around) at odd hours during the day.

    As much as I dislike Tubridy, D’Arcy & Duffy with their high salaries, the real scandal in RTÉ would be the hundreds/thousands of folks doing very basic menial jobs, yet earning executive like salaries due to various bonuses and top ups, all protected by unions.

    I bet the lads that strip the LLS set down on a Friday night after the show airs are on a very handsome bonus for having to do their job at 2 in the morning.


  • Closed Accounts Posts: 840 ✭✭✭The Late Late Show


    McGaggs wrote: »
    Give it 5 years. The advertisers will realise that they're getting f all out of radio 1. Nothing but a load of old people who spend nothing and dentist waiting rooms tuned in. There's no value for them there. People tend to think print media is a big deal, but boards.ie has higher certified readership than the papers. RTE 'stars' are near worthless, and will be more so as every day goes by.

    I know this is (slightly) off-topic but I've been wondering too about the 'benefit' of advertising. Think about it: when the ads come on, people often tune out, go get a cup of coffee/tea or can of beer/glass of wine, check their email, text someone back, etc.

    Most ads about services most people use anyway such as banks, phones, etc. One time, ads were just a poster and a talkover on TV and were cheap. Now, they have to be almost mini-movies and they are expensive to make. When you have so-called 'stars' like this Dermot Bannon on them, you can be sure he will not come cheap! The costs will outweigh any gains I feel. It is only a matter of time before the advertising industry is radically altered and will revert back to more realistic affordable options.


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    I know this is (slightly) off-topic but I've been wondering too about the 'benefit' of advertising. Think about it: when the ads come on, people often tune out, go get a cup of coffee/tea or can of beer/glass of wine, check their email, text someone back, etc.

    Most ads about services most people use anyway such as banks, phones, etc. One time, ads were just a poster and a talkover on TV and were cheap. Now, they have to be almost mini-movies and they are expensive to make. When you have so-called 'stars' like this Dermot Bannon on them, you can be sure he will not come cheap! The costs will outweigh any gains I feel. It is only a matter of time before the advertising industry is radically altered and will revert back to more realistic affordable options.

    Particularly ads when we had monopolies. Suppose it subliminal.

    I always think the Dermot Bannon ads are for eir.


  • Registered Users Posts: 14,701 ✭✭✭✭loyatemu



    There’s stagers in there earning close to 100k a year because they do their job (moving things around) at odd hours during the day.

    As much as I dislike Tubridy, D’Arcy & Duffy with their high salaries, the real scandal in RTÉ would be the hundreds/thousands of folks doing very basic menial jobs, yet earning executive like salaries due to various bonuses and top ups, all protected by unions.

    I bet the lads that strip the LLS set down on a Friday night after the show airs are on a very handsome bonus for having to do their job at 2 in the morning.

    the RTE secret producer had a lot to say about this type of thing, the account is now deleted but the tweets are compiled here:
    \https://www.reddit.com/r/ireland/comments/719cv4/ive_compiled_all_the_tweets_from_secret_rt%C3%A9/


  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    And quite a few don’t have it.

    I lived in Lithuania for a while, a country with a little over half the population of Ireland, where there are 3 big national broadcasters, all capable of putting on very slick productions regularly, and guess what, no TV Licence in Lithuania.

    There is one public broadcaster, the rest are private. It's much like here, but they are Polish and Swedish private companies AFAIK. There is one syndicated Sports channel which is decent, but Dutch I think.

    They basically had to wrestle back their TV Towers less than 30 years ago from the Soviets.

    They were never going to introduce a direct tax for public television, they needed it "free" to get away from years of propaganda. A license system is apparently in the works though.


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    Boggles wrote: »
    There is one public broadcaster, the rest are private. It's much like here, but they are Polish and Swedish private companies AFAIK. There is one syndicated Sports channel which is decent, but Dutch I think.

    They basically had to wrestle back their TV Towers less than 30 years ago from the Soviets.

    They were never going to introduce a direct tax for public television, they needed it "free" to get away from years of propaganda. A license system is apparently in the works though.

    AndyBoBandy is right, we have a tendency to think we are a small country. But largely RTÉ, Virgin Media and TG4 aren't doing their jobs. I don't think it is about money, I think it is laziness and lack of imagination. Every now and then they do things on minimal budgets beyond what they should be doing.

    We are a smaller country but the products aren't up to strach and we're probable spending too much on them.

    RTÉ certainly have moved away from National drama, everything is a co-production, Dublin Murders for example, and I wonder if it will truly resonate with the nation as Love/Hate did or as other Dramas from the 2000s did.


  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    One time, ads were just a poster and a talkover on TV and were cheap. Now, they have to be almost mini-movies and they are expensive to make.

    Not just now, it's been like that for decades, since VCR's became affordable really.

    They figured out the more entertaining the Ad the more will watch them.

    'The Lady Loves Milktray' - 'Who is taking the Horse to France'.
    When you have so-called 'stars' like this Dermot Bannon on them, you can be sure he will not come cheap! The costs will outweigh any gains I feel. It is only a matter of time before the advertising industry is radically altered and will revert back to more realistic affordable options.

    Bannon wouldn't be a pimple on the arsé of Vodafones advertising budget.

    They wouldn't do it if they didn't work.

    It's about saturation, watch Ireland in the 6 nations, half time a relatable like-able chap hocking their products.

    It will be around for a while yet.


  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    Elmo wrote: »
    AndyBoBandy is right, we have a tendency to think we are a small country. But largely RTÉ, Virgin Media and TG4 aren't doing their jobs. I don't think it is about money, I think it is laziness and lack of imagination. Every now and then they do things on minimal budgets beyond what they should be doing.

    Maybe they could be factors, but it always comes back to money.

    Complaining about nothing been on tv is not new, it's has been a national past time in all nations for decades. Springsteen wrote a song about the bones of 3 decades ago.
    Elmo wrote: »
    We are a smaller country but the products aren't up to strach and we're probable spending too much on them.

    You look at what products are popular, we can't afford them and the ones we can are fair poor, if they tried to make a series about dumping a load of idiots on and Island and listening to them whittle for a month they would be castigated, all though revenues would probably sore.

    What would you like to see made that is low budget and popular?

    Elmo wrote: »
    RTÉ certainly have moved away from National drama, everything is a co-production, Dublin Murders for example, and I wonder if it will truly resonate with the nation as Love/Hate did or as other Dramas from the 2000s did.

    Love/Hate seems to be the anchor everyone reverts back to. But lets be honest it was decent but it was over hyped to within an inch of it's life, Sunday World esque crime porn is basically what it was. They got very lucky because they stumbled upon Vaughan-Lawlor and cast him.

    He has been cast in Dublin Murders which TBF looks decent.

    Will it resonate with a nation, it's a story about historical child murders linked to the present so I don't know if will resonate.

    But we do love a good crime drama, both here and the motherland.

    Speaking of which, a large sway of people banging on about the license fee don't seem to have much a problem handing a grand over to a British Company, personally I don't think the programming is 5/6 times better.


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  • Registered Users Posts: 2,584 ✭✭✭ligerdub


    Boggles wrote: »

    Speaking of which, a large sway of people banging on about the license fee don't seem to have much a problem handing a grand over to a British Company, personally I don't think the programming is 5/6 times better.

    You personally don't, but they personally do, and have voluntarily opted to spend their hard earned on it, good for them.

    The fact that it's a British company is neither here nor there.


  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    ligerdub wrote: »
    You personally don't, but they personally do.

    You have spoken to all of them personally have you?


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    Boggles wrote: »
    Maybe they could be factors, but it always comes back to money.

    Complaining about nothing been on tv is not new, it's has been a national past time in all nations for decades. Springsteen wrote a song about the bones of 3 decades ago.

    It comes back to money, but RTÉ have made cuts in some areas where they shouldn't (Drama and Children's Content) and made no moves to make cuts in other areas (partiularly 25m they spend on imported programming).
    You look at what products are popular, we can't afford them and the ones we can are fair poor, if they tried to make a series about dumping a load of idiots on and Island and listening to them whittle for a month they would be castigated, all though revenues would probably sore.

    What would you like to see made that is low budget and popular?

    I have personally no problem with popular programming from RTÉ, I think it is just as important as high end stuff, but it is limited, DWTS and Ireland's Fittest Family are at the high end of this type of programming, but there is so little of it, at the lower end you have Winning Streak. There are no Quiz Shows, no other Game Shows, these are still stables of TV content weather you like them or not.
    Love/Hate seems to be the anchor everyone reverts back to. But lets be honest it was decent but it was over hyped to within an inch of it's life, Sunday World esque crime porn is basically what it was. They got very lucky because they stumbled upon Vaughan-Lawlor and cast him.

    I agree, I'd be one of those people that didn't take to Love/Hate, I always thought that RTÉ had created better home produced dramas/comedy in the years up to that show and in the years after pulled back completely.
    He has been cast in Dublin Murders which TBF looks decent.

    Will it resonate with a nation, it's a story about historical child murders linked to the present so I don't know if will resonate.

    But we do love a good crime drama, both here and the motherland.

    It looks decent but its clearly a co-production and often they don't work for a local audience. This maybe the exception to the general rule I am putting on Co-Pros.

    I don't know what you mean by the Motherland. And yes Irish Detective serials are hard to come by much like all type of Irish content.

    Also I would say that RTÉ's 2019 line up of Drama's consists of Dublin Murders and The Resistance and nothing else. This looks bad and is bad.
    Speaking of which, a large sway of people banging on about the license fee don't seem to have much a problem handing a grand over to a British Company, personally I don't think the programming is 5/6 times better.

    I agree but you can't stop people, the BBC effectively get an extra Billion from content rights.


  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    Elmo wrote: »
    It comes back to money, but RTÉ have made cuts in some areas where they shouldn't (Drama and Children's Content) and made no moves to make cuts in other areas (partiularly 25m they spend on imported programming).

    Pumping money into Children's content IMO would be futile.

    There is nothing competing with Netflix or Youtube TBH or getting next to near them any time soon.

    Which I think is a travesty, but is the reality.


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    Boggles wrote: »
    Pumping money into Children's content IMO would be futile.

    Futile for what exactly

    1. A Training Ground for young content producers?
    2. Ability to sell animation worldwide?
    3. To give children in Ireland an option to watch content produced in Ireland?
    4. From a public service point of view, as in RTÉ are a public service content provider?

    Where's the futility?

    1. Buying programming that you have no control over for 25m per year?
    2. Investing 25m in programming that provides nothing to your national economy?
    3. Spending 25m on content that you don't have rights to put online (e.g. film and some other imported content)?
    4. From a public service point of veiw wasting your income on programming that no one is watch on your service because they can get it everywhere else?


  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    Elmo wrote: »
    Futile for what exactly

    1. A Training Ground for young content producers?
    2. Ability to sell animation worldwide?
    3. To give children in Ireland an option to watch content produced in Ireland?
    4. From a public service point of view, as in RTÉ are a public service content provider?

    Where's the futility?

    Have you kids?

    Children don't give a flying fúck about níche cartoons. It's not 1988 anymore. If it was, Bosco is still knocking around, he'd be back in the primetime in a hot minute if he were still relevant.

    They want Paw Patrol, Blaze and the Monster Machines, Pokemon, Teenage Mutant Ninja Turtles, etc.

    So unless RTE heavily invest in the next one of those, it is futile.

    Times have changed, 2 sock puppets that looked like they are stitched together by Stevie Wonder laughing at Ian Dempsey doesn't cut it anymore.

    Ninjago in HD whenever they want it is the new norm.

    RTE need to pick their battles and pumping millions into childrens tv is not the way to go given the level of available competition, they should certainly invest more than they are, but of course that doesn't mean anyone will watch it.


  • Moderators, Social & Fun Moderators Posts: 14,859 Mod ✭✭✭✭AndyBoBandy


    Boggles wrote: »
    Children don't give a flying fúck about níche cartoons. It's not 1988 anymore. If it was, Bosco is still knocking around, he'd be back in the primetime in a hot minute if he were still relevant.

    Most of what my son watched over the last year or 2 came out of Ireland, including Peter Rabbit, The Octonauts, Bing and a few more. (a lot of the CBeebies roster)

    A lot of Irish produced stuff on Nickelodeon as well.

    Ireland punches handsomely above its weight in terms of cartoon/animation production. Handsomely.
    (It seems every other year an Oscar nominee in animation is Irish)


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    Boggles wrote: »
    Children don't give a flying fúck about níche cartoons. It's not 1988 anymore. If it was, Bosco is still knocking around, he'd be back in the primetime in a hot minute if he were still relevant.

    Guess what if you don't make children's programming they don't get that option. What niche programming do you think I am talking about.
    They want Paw Patrol, Blaze and the Monster Machines, Pokemon, Teenage Mutant Ninja Turtles, etc.

    It's not 1988 but they want TMNT, and the original series was animated where?
    So unless RTE heavily invest in the next one of those, it is futile.

    Times have changed, 2 sock puppets that looked like they are stitched together by Stevie Wonder laughing at Ian Dempsey doesn't cut it anymore.

    Not that those "sock" puppets went on to have any kind of career after The Den.
    Ninjago in HD whenever they want it is the new norm.

    RTE need to pick their battles and pumping millions into children's tv is not the way to go given the level of available competition, they should certainly invest more than they are, but of course that doesn't mean anyone will watch it.

    You right I am not suggesting that RTÉ pump all their money into children's content or that Children in Ireland should watch what they producer/commission.

    I never said that, I say they shouldn't be cutting that content by 75% bring it to an a low of 3.9million (2017) and a tiny increase up to €5.5 million in 2018.

    All I am saying is that RTÉ are wasting 25million on imported programming, when it could be put to better use, such as Children's Content.


  • Registered Users Posts: 23,641 ✭✭✭✭Elmo


    Most of what my son watched over the last year or 2 came out of Ireland, including Peter Rabbit, The Octonauts, Bing and a few more. (a lot of the CBeebies roster)

    A lot of Irish produced stuff on Nickelodeon as well.

    Ireland punches handsomely above its weight in terms of cartoon/animation production. Handsomely.
    (It seems every other year an Oscar nominee in animation is Irish)

    And no thanks to RTÉ and its great to see, but pulling the rug from all your own content does not help.

    Again this isn't just about Children's Content but its as important as other content. They are cutting where they shouldn't.


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  • Registered Users Posts: 39,482 ✭✭✭✭Boggles


    Most of what my son watched over the last year or 2 came out of Ireland, including Peter Rabbit, The Octonauts, Bing and a few more. (a lot of the CBeebies roster)

    A lot of Irish produced stuff on Nickelodeon as well.

    Ireland punches handsomely above its weight in terms of cartoon/animation production. Handsomely.
    (It seems every other year an Oscar nominee in animation is Irish)

    They were commissioned by the BBC, their childrens budget is practically RTE's entire budget.


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