https://www.boards.ie/ Sat, 04 Apr 2026 23:28:37 +0000 en nch — boards.ie - Now Ye're Talkin' https://www.boards.ie/discussion/2058070977/new-childrens-hospital-dublin-a-satanic-reptilian-sacrifice-temple Fri, 17 Apr 2020 17:35:28 +0000 Conspiracy Theories SaintPat 2058070977@/discussions https://www.boards.ie/vbulletin/showthread.php?t=2058070937

Sauron, by the way, is also referred to as the Beast. Aleister Crowley one of the most notorious satanists referred to himself as the Great Beast. And there are those who claim that reptilians and satanists have infiltrated all areas of society on all levels. Facts. Just saying.


I noticed something unusual about the new children's hospital in Dublin.

As you know, snakes are cold-blooded, which is also a term for lack of empathy or in its strongest form for psychopathy. They are carnivores and nest robbers, they eat the young of mammals. Many of them are venomous and even deadly to humans.

The highest saint of Ireland is Saint Patrick, who is known for driving snakes out of Ireland. In the 2016 census, 78.8% of the Irish population identified as Catholic. In Christianity, the personification of ultimate evil is represented as a snake. The old serpent the devil.

In summary. Snakes are dangerous animals from a secular point of view and are associated with poison, suffering, death and psychopathy.
From a religious and spiritual point of view they are personifications of evil. And are equated with treachery, dark wisdom, deception and malice.

They do not have a good reputation in human society, for scientific reasons, common sense and cultural and spiritual understanding.

And yet, Ireland is building a up to 2.4 billion Euro expensive children's hospital in the shape of a snake or devil eye into its capital.

...Why?







That is a visual fact, no interpretation necessary. It's a dragon's eye. It looks like the eye of Sauron. And that is the entity that Satanists worship.

It is therefore a logical assumption to suppose that these Satanists or Reptilians have infiltrated Ireland at the highest level and are erecting monuments to themselves. And who knows what's going to happen inside there, I don't dare to imagine. I mean it's a venomous animals that brings suffering and death to young mammals. What's to be expected?

Maybe they plan to set it on fire once it is built and full of sick children. Crazy? Well, they initally wanted to call it PHOENIX. The bird that rises from the ashes. Satanists or Luziferians believe that Lucifer (Sauron) will rise from the ashes.
https://www.independent.ie/irish-news/politics/new-childrens-hospital-likely-to-drop-phoenix-name-after-threat-of-legal-action-36392267.html

And there was that very odd incident with the fire safety system, where they tried to avoid getting the needed safety measures in place... quote "with one eye on the money"...

Children's Hospital 'deliberately designed to avoid installing sprinklers' - claims fire brigade
https://www.independent.ie/news/environment/childrens-hospital-deliberately-designed-to-avoid-installing-sprinklers-claims-fire-brigade-36259501.html]]> https://www.boards.ie/discussion/2058032681/national-concert-hall-dublin Thu, 21 Nov 2019 23:40:19 +0000 After Hours Andy From Sligo 2058032681@/discussions
I just presumed it would have been a lot bigger.

sound wasn't brilliant at the show I went to , but I cannot decide if it was the acoustics of the place or whether the sound guys did not turn up the volume loud enough, mind you we were sitting at the back underneath the balcony as well but i would have though the sound still would have blown us away still.]]> https://www.boards.ie/discussion/2057374881/glass-in-national-concert-hall Wed, 04 Feb 2015 13:58:50 +0000 Classical zom 2057374881@/discussions https://www.nch.ie/Online/Perspectives-Philip-Glass-04May15

For some reason website is not working correctly but I spotted today and found google cached:

Perspectives 2015:
Philip Glass - The Études
Monday 4th May, 8.00pm
Philip Glass
Philip Glass: The Etudes
Start Date04-05-2015 20:00
Room: Main Auditorium
Price: €35, €40
10% discount for Friends of the National Concert Hall

Philip Glass, piano
Maki Namekawa, piano
Timo Andres, piano

The American composer performs his now complete twenty Études for Piano, alongside pianists Maki Namekawa and Timo Andres.

An introspective portrait of the composer over two decades, The Études is an immersive journey into one composer’s personal soundscape as expressed in the depth and breadth of a single instrument.

One of the most influential composers since the 1970s, Philip Glass started writing this series of twenty piano pieces in the mid-90s to expand his piano technique with music that would enhance and challenge his playing. The result is a body of work that has a broad range of dynamic, tempo and emotion. Throughout the 1990s, he completed 16 of the etudes, each of which take a unique approach to the instrument. The final four études were commissioned in celebration of Glass’s 75th birthday in 2012.

Presented by the National Concert Hall]]> https://www.boards.ie/discussion/2056410682/einaudi-2011-tour Tue, 04 Oct 2011 21:32:26 +0000 Gigs & Events Kev2Dee 2056410682@/discussions https://www.boards.ie/discussion/2056277844/national-concert-hall-promotional-code Tue, 24 May 2011 07:56:10 +0000 Bargain Alerts [Requests] uli84 2056277844@/discussions Are those just for the ''friends'' of NCH?
Thanks!]]> https://www.boards.ie/discussion/2055928896/spanish-flamenco-star-buika-in-nch Wed, 02 Jun 2010 19:44:12 +0000 Gigs & Events helenimc 2055928896@/discussions
Improvised Music Company in association with Irish Times The Ticket present
Supported by the Embassy of Spain in Ireland and Instituto Cervantes Dublin

From Majorca
CONCHA BUIKA
Tuesday 15th June 2010
8pm
National Concert Hall, Earlsfort Terrace, Dublin 2
Tickets: €25/30/35
Book: www.nch.ie or tel : 01 417 0000

Concha Buika- voice | Ivan Gonzalez-piano | Daniel Martinez-bass | Angel Favier-percussion

"Magnificent. Her music is the rare fusion that honours all its sources "- New York Times
“Wow. I was looking forward to this, but did not dare expect it to be so good. I can't think of another singer who has so consistently found the perfect balance of intensity and relaxation, push and pull, challenge and charm.”- The Observer
West African heritage, raised in exile in Majorca, and embraced by flamenco’s inner sanctum, the sensational Concha Buika has ignited Spanish music, bridging the gypsy tradition with a modern sensibility, effortlessly embracing grooves from The Americas and her African roots in Equatorial Guinea. A heady cocktail from a compelling stage presence and a voice of raw emotive power awaits audiences for her debut Irish performance.
Buika’s passage to the forefront of popular flamenco has been a journey along a road less travelled. The daughter of political exiles from Equatorial Guinea, she grew up the fourth of six siblings in what was then the only African family in Palma Mallorca, lending an outsider’s perspective that found solace in the island’s ever-present flamenco with its themes of loss and yearning. It found expression too in divas like Sarah Vaughan and Tina Turner, and their inspiration is readily apparent in Concha’s uninhibited embrace of jazz and soul - sultry like the former, defiant like the latter.
If flamenco was her destiny, she wasn’t one to immediately embrace the muse, and her formative years were marked by a restless quest to satisfy other musical appetites from soul reviews in Las Vegas to dance remixes in The Balearics. An encounter with Javier Limon changed the script, the celebrated guitarist and producer immediately recognizing that this was a unique voice. Their 2006 debut together, Mi Nina Lola, heralded the coronation of a major new star in Spain with its imaginative perspective on the coplas, the songs at the heart of flamenco, brilliantly woven with the other threads of her unique musical DNA.
Live, it transfixes, for this is a performer who has it all - glamour, defiance, charisma, arresting looks, a voice to die for and music that unapologetically deals in real life passion and drama. She has duende too, that elusive soulful quality that defines the authentic flamenco, but hers is from a different source, as much African as Iberian.]]>