[US] DollHouse [** Spoilers **] (Renewed!)

basquille wrote: »

does it remind anyone else slightly of 'My Own Worst Enemy'?

Deleted User wrote: »

I thought that Dollhouse had already been cancelled? Or was that J.J Abrahm's new show?

Entertainment Weekly gives it an “B-minus” and says:

… Dushku's acting is dexterous and beguiling. Given the artfully vague hints of an intriguingly desperate past for Echo, as well as Whedon's track record, we ought to cut the show some slack. Let's see if Whedon can bring this doll to greater life. …

USA Today gives it two and a half stars (out of four) and says:

… an empty-vessel premise that probably couldn't support a series even were it more adroitly cast … The result is a show that his most devoted fans will debate and embrace, and a mass audience just won't get. … We love you, Joss, but please, build something else.

Time Magazine says:

… If it weren't for Whedon's pedigree, I'm not sure I'd be dying to see a second episode. …

The Los Angeles Times says:

… beyond disappointing. Overcrowded with plotlines, high-tech gimmicks and ambition yet empty of emotional connection and purpose, "Dollhouse" tries so hard to be so many things it winds up being nothing much at all. …

The Chicago Tribune says:

… is "Dollhouse" worth watching? Though Whedon fans no doubt want the answer to be a slam-dunk "yes," I can only, at this point, supply a more tentative "Yes, but …" …

The Washington Post says:

… a pretentious and risible jumble … Slices of mumbo don't come much more jumbo than this … it's enough to make one long for the days when TV dramas were criticized for being too pat, too predictable, too much like one another. Whedon, who directed the pilot, certainly dressed it up stylishly, but I'll take simple coherence over fancy-pants trappings any day. …

The San Francisco Chronicle says:

… a major disappointment. … judging from two additional episodes - one a step forward, the other a step back to the underwhelming quality of the pilot - it could be that Whedon has invested too much hope in his muse, Eliza Dushku, the star of "Dollhouse." It could also be that the premise is too flawed for anyone to elevate.

The Pittsburgh Post-Gazette says:

… isn't awful, but neither is it remarkably good. It's a passable hour of entertainment that shows potential to improve but flails and confuses (and occasionally bores) from the start. …

The Salt Lake Tribune says:

… The kidnapping story is standard criminal fare, and we are given little to no information about Echo's background, which might give viewers a reason to latch on to her character. … I'll watch a few more episodes, but I'm afraid it won't be any more watchable than one of "Star Trek's" worst episodes ever.

The Newark Star Ledger says:

… The idea seems too complicated by half … it looks like a slate that keeps getting half-wiped as Whedon struggles to decide what to draw. …

The Boston Globe says:

… doesn't stand up to the broad interpretations it invites. … Ultimately, you'll want to think about "Dollhouse" more than you'll want to think about watching "Dollhouse." …

Variety says:

Joss Whedon's cult following is no secret, but he seems assured of attracting the faithful and little else with "Dollhouse" -- a series that exhibits a kitchen-sink mentality, throwing in a half-dozen assorted plot threads that intertwine to create confusion. … attempting to unravel this convoluted package suggests that by the time "Dollhouse" finds itself, there won't be anybody but hard-core Whedon worshippers left to play with. …

The Hollywood Reporter says:

… it's easy to see the high aspiration and grand potential of the series but far more difficult to develop any sort of attachment to either the conceit or its enchanting young star and co-producer, Eliza Dushku. … Although Whedon infuses "Dollhouse" with an impressively detailed story line and social structure as well as nifty production values, the show lacks something for viewers to grab onto. Having a personality-shifting protagonist makes for a rooting challenge and, at its core, a disappointingly soulless exercise. On the other hand, Whedon knows how to build a story like few others, and Dushku is an uncommonly talented performer who breathes vibrant life into the ever-evolving blank canvas scheme. So this could definitely turn into something special over time, if the Friday night ratings can justify the patience.