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Emmett Tinley | Cork gig

  • 29-03-2005 6:18pm
    #1
    Jim Comic
    Registered Users, Registered Users 2 Posts: 416 ✭✭


    Act: Emmett Tinley.
    Date: Tuesday 19th April.
    Venue: The Foyer @ Sky Bar. ( next to city limits comedy club )
    Add: Coburg Street, Cork.
    Doors: 9.00.pm - Show 9.30
    Adm: 12 euros
    Book: brian@thecomedyclub.ie
    Web: www.thecomedyclub.ie
    Phone: 021 4507744 or 4501206

    all tickets can be pre bought @ Sky Bar or on the door on the night.





    Emmett Tinley
    New Album, “Attic Faith”, and Irish Tour

    Emmett Tinley releases a new album, Attic Faith, on Independent Records on 15 April 2005. The release co-incides with an initial 5 date tour of Ireland.

    Recorded for Atlantic Records (Emmett signed to the label after a development deal with Rick Rubin at American Recordings), Attic Faith was produced by Victor Van Vugt (Nick Cave, Beth Orton, PJ Harvey) in New York at the time of the U.S. invasion of Iraq. The story of the album is a long and winding one involving a string of countries, various record labels and a host of musicians. It goes something like this….

    Starting at the end of a Prayer Boat tour at the tail end of 1999 in Amsterdam, Attic Faith was written, honed, recorded and mixed over three and a half years in the US, Denmark, Ireland and the UK.

    Coming straight out of 12 years as lynch-pin and frontman with The Prayer Boat Emmett was eager to try something different in his life and in his approach to music. After periods of living and writing in Amsterdam, Arhus (Denmark) and LA (interspersed with solo touring in the U.S. and Europe) Emmett settled in Denmark again in 2001 and began working with bassist Martin Spure, drummer Nikolaj Bundvig and pianist Allin Bang, all of whose backgrounds were in jazz. After a few months, the addition of Dutch guitarist Marijn Slager added another facet to the songs.

    In the meantime producer Van Vugt had become part of the picture – “One of Victor’s great talents lies in his ability to create and maintain an atmosphere of creativity and positivity,” Emmett muses. “We knew beforehand that there would be a very limited amount of time in which to capture the sound we wanted and to this end Victor was the right man for the job.”

    At the beginning of March 2003 recording began in New York. Most of the album was captured in a studio in Manhattan, although some finishing touches were added in Denmark and Dublin and a fourteen-piece string section along with Adam Peters’ Cello and Keyboard touches recorded in London.


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