Bedrock John Digweed venue change to Academy Due to demand April 8th

release clubnight

RELEASE PRESENTS:
BEDROCK RECORDS PARTY
JOHN DIGWEED
OLIVER HUNTEMANN
JIMMY VAN M
THE ACADEMY
EASTER SUNDAY - APRIL 8TH
DOORS: 10pm

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ADMISSION:
€23.50 Early Bird
€25 Advance
€26.50 On The Door
€12/10 For Green Room & Academy 2 Only
Advance tickets available from www.ticketmaster.ie

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LINE UPS:

MAIN ROOM:
John Digweed
Jimmy Van M
Dave Devalera
LRB

GREEN ROOM:
Oliver Huntemann
Trainwreck DJs
Shane Murphy
Dar & Freeman

ACADEMY 2: Housewerk
Finn Merrins
Johnny Brennan
Elliot Hyland
Conor Cashin
Ciaran Fitz
John Hargan
Joelle & Sophie

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Release Dublins newest clubnight from the promoters that brought you 515 launches it's headliner series on April 8th with the legend that is John Digweed and his Bedrock brand. It will be Johns biggest line up to date with a massive support billing in Oliver Huntemann and Bedrock favourite Jimmy Van M. On support are two of Ireland's finest LRB and Dave Develera.

John Digweed Biog:
If you're not an avid follower of dance music but are tuned into popular culture at all you've likely experienced music touched by the hands of John Digweed. Originally hailing from England but having clearly arrived on the global scene well over a decade ago John has long since cemented his name in the pages of dance music history. His list of achievements are groundbreaking to say the least. Highlights of which would be the first proper dj mix compilation (The Mix Collection, done with Sasha), being the first British dj to hold a residency at what was then the worlds most well known club in NYC (Twilo, also with Sasha) as well as having remixed music by William Orbit, Underworld, Quincy Jones, Mr Fogg and New Order.

John Digweed is a DJs DJ. The beauty of what he does lies in just how different he really is from his contemporaries. From his early beginnings in Hastings, England at the age of 15 in the blossoming scene of acid house to the apex of the international djing world he has created and maintained a level of integrity that is the benchmark for both dj?s and producers globally. In fact, he has reached the very top of his profession, being voted #1 in a voter's poll. John Digweed has become the people's choice while maintaining his longstanding presence in underground dance culture. His popularity as both a dj and a person seems to have no limits, but his efforts transcend dj'ing alone, he is as much a producer and promoter. His moniker Bedrock is actually three things: a record label, a promotions company and a studio production partnership with Nick Muir. His management and creative direction for the Bedrock record label spans over 12 years with the vision and creative insight to seek out mixes and remixes from the worlds best producers. To have a record released on Bedrock serves as the global stamp of production quality, ingenuity and integrity for underground producers worldwide. In fact, the name John Digweed is synonymous with those very qualities. From the nights he has either created or been a part of (Bedrock, Northern Exposure) to his world renowned mix cd's (Renaissance, GU, Northern Exposure, Transitions and Bedrock compilation album`s 10 ,11 12 and Structures) he has consistently produced characteristic products that stay in demand, himself included.

As one half of Bedrock the production duo he has landed two tracks in the top 40 (Heaven Scent and For What You Dream Of) the latter of which made it into the hit movie Trainspotting. He has even tried a bit of acting himself ("Groove"). He and Nick Muir as Bedrock the production team also scored a Hollywood film (Stark Raving Mad) as well as the animated release of Spider-Man for Sony / MTV. He's toured every corner of the planet including bus tours in the USA (Delta Heavy and Area 2 (with David Bowie and Moby), The legendary Big Beach Boutique in Brighton with Fatboy slim had him gladly performing to 250,000 and most recently selling out the O2 Brixton Academy for Bedrock's 12th Anniversary.

His Transitions Radio show is now it's 10th year and is still one of the most successful dance music shows, being broadcast to over 30 countries across the world to a weekly audience of over 12 million.

As a person John's lack of pretense is enveloped in imagination and invention. Good reason for John being one of the most respected, analyzed and imitated dj's in the world. Digweed is both solid and durable with unyielding precision. His sinuous dj'ing and production sound has become its own convincing dance ethic. He is centered to the principles of life, living and friends in such a way that he generates an aura of self-explanatory excitement and enthusiasm. Without heroic pretensions his sets are filled with moodiness and musical mystery but held down with a punchy distinctiveness and earthly rhythm. Always emanating a sense of boundlessness he overlaps dream events that spill into reality with an enormous certainty.

Oliver Huntemann Biog:

Myths abound in the north when it comes to techno ground zero, and they refuse to go away.
Oliver Huntemann is one of a handful of children of the north who, for what seems like an eternity, add an element of credence to the mythology. He does not, of course, live in a snowy forest or at the edge of the polar oceans. The sun does, on occasion, shine down on Hamburg. Nevertheless, there is a tendency towards hypothermic reduction in the rigourous efficiency of the Huntemann oeuvre. Images of cold storage warehouses, desolate heavy plant sites and blueish flesh are not entirely misplaced. Shards of German Engineering glimmer in his music, laced with persuasive logic, gruesome Darwinism. What remains: what works. In ?Brighter than the sun?, the English music theorist Kodwo Eshun depicts the birthplace of Kraftwerk, Dusseldorf, as the Mississippi Delta of Techno. Huntemann's tracks may well have dragged themselves out of the same primeval soup, but it was the far north which fired them with the necessary steel for clubland. The resultig creations are linear, free of fancy, charmingly direct. One particular London arbiter of taste sought to label the nature of his skeletal sound as bare and striped back to the metallic core, Whereby Huntemann's reduction does not end in thin minimalism, it draws attention to the core itself. Less is more to the max. The only luxury is a little dirt.

Whilst hordes of German producers and DJs set their satnavs for Berlin, Oliver Huntemann chose to head back home. His epicentre is, and will remain, the north. Hamburg, to be exact. This is where he produces his music and it is from here that he sets out into the world, thrilling the populus with his DJ sets. His mix CD PLAY! 01 (live in Sao Paolo, Brazil is ample proof of clubber euphoria, followed closely by PLAY! 02, recorded in the legendary REX Club, Paris, France. Moreover, the live mix is indicative of the fact that the tonality or all round aesthetic of his set ultimately earns the response it deserves. His music enters a deeper level, detached from time and space, beyond all points of reference or rational categorization. It's as if the crowd becomes a part of the sound itself, engaged at times in a call and response game. What more could a DJ desire?

Oliver Huntemann's concrete roots can be traced back to early techno. Had he been any younger, he would undoubtedly have sucked electronica like mother's milk from a C64 chip. Like so many of his colleagues, his route to techno took a tour through electro and rave. He could tell the usual veteran tales when it comes to influences, his first record purchases, or on the subject of the good old days. Been there, done that. It was more difficult maintaining a low profile. Since 1995 Huntemann has been running the Ideal Audio label. A new chapter after more than 15 years Confused Recordings plus a host of sub and sister labels. As well as numerous 12 inches and almost as many remixes (for Underworld, Chemical Brothers and Depeche Mode, to name just a few), he released his third album, H-3 in 2009 to critical acclaim on Ideal Audio. Last but not least the succesful collaboration with Dubfire (Deep Dish) since 2008, creating with Diablo and Dios the biggest dance tracks of the year 2008.

With so much fame on his plate, he done remarkably well to stay out of the spotlight. That's how it is in the north, actions count, not appearances.

Watch out for "Oliver Huntemann - Paranoia", the new album. Release: 02.11.2012

td2008

On a related note, does anybody know what happened the Flux Pavilion gig that was meant to be on?
cheers