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Sandwell District - Feed Forward

  • 14-01-2011 2:18pm
    #1
    Registered Users, Registered Users 2 Posts: 749 ✭✭✭


    Anyone else getting into this album as much as i have?

    The production seems so unique so distorted and chaotic yet at the same time so pleasant to the ears.

    This is my favorite track



    Would anyone be able to hazard a guess as to how they get this kind of sound? Ive been playing around with some lofi efx and saturators to try to achieve something similar but am falling somewhat short.


Comments

  • Registered Users, Registered Users 2 Posts: 3,945 ✭✭✭Anima


    I think the main source that contributes to the overall sound is really the reverb. You get that kind of warehouse vibe. There's very little high end detail so that will emphasize the bass a lot as well. I'd say theres some distortion on a select few sounds which gives the impression that its gritty but most of the sounds seem clean (I think).


  • Registered Users, Registered Users 2 Posts: 352 ✭✭splitrmx


    http://www.residentadvisor.net/podcast-episode.aspx?id=177

    "You recently played the Labyrinth Festival for the first time. Can you talk a little bit about the experience?

    Macbook Pro, UC-33, Roland TR-808, TR-909, SH-101, Space Echo, Lexicon PCM-80, 24 Channel Mixing Desk"


  • Registered Users, Registered Users 2 Posts: 352 ✭✭splitrmx


    http://soundsdefygravity.com/2010/11/18/function-live-pa-dj-set-recorded-10-24-2009-at-berghain/

    “This is a 2 hour DJ/Live a set of mine that was recorded at Berghain last year on October 24, 2009 using a Laptop, Controller, Mixing Desk, Roland TR-808, Roland SH-101, Boss SE-50, Doepfer MAQ 16/3, Roland Juno-1 and Yamaha DX-100."


  • Registered Users, Registered Users 2 Posts: 6,401 ✭✭✭jtsuited


    the absolute key to their sound is their reverbs and delays.

    stick a bitcrushed 303 emulator into a reverb and watch what happens.


  • Registered Users, Registered Users 2 Posts: 97 ✭✭cloudydsound


    looking at the gear list, it's definitely the re 201 contributing to a big part of the sound.
    they go for around 400-500 euro but the boss re 20 digital remodel is around 150-200, how similar it sounds is the question.

    tracks on aphex twin's (amazing) ambient works used the space echo heavily

    eg





    and so on...


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  • Registered Users, Registered Users 2 Posts: 1,214 ✭✭✭ICN


    RE-201 Space Echo impulse responses (Free)

    http://www.boards.ie/vbulletin/showthread.php?p=64236035



    Free Conv. Reverbs:

    Windows - SIR1 http://www.knufinke.de/sir/sir1.html

    Mac & PC - Reverberate LE - http://www.liquidsonics.com/software_reverberate_le.htm


  • Registered Users, Registered Users 2 Posts: 1,214 ✭✭✭ICN


    splitrmx wrote: »
    http://soundsdefygravity.com/2010/11/18/function-live-pa-dj-set-recorded-10-24-2009-at-berghain/

    “This is a 2 hour DJ/Live a set of mine that was recorded at Berghain last year on October 24, 2009 using a Laptop, Controller, Mixing Desk, Roland TR-808, Roland SH-101, Boss SE-50, Doepfer MAQ 16/3, Roland Juno-1 and Yamaha DX-100."

    Listened to this a couple of times now. Cool set. Thanks again splitrmx :cool:


  • Registered Users, Registered Users 2 Posts: 6,401 ✭✭✭jtsuited


    ICN wrote: »
    RE-201 Space Echo impulse responses (Free)

    http://www.boards.ie/vbulletin/showthread.php?p=64236035



    Free Conv. Reverbs:

    Windows - SIR1 http://www.knufinke.de/sir/sir1.html

    Mac & PC - Reverberate LE - http://www.liquidsonics.com/software_reverberate_le.htm

    fúckin jackpot ICN!!!!!!


  • Registered Users, Registered Users 2 Posts: 1,214 ✭✭✭ICN


    They're pretty cool alright.

    You'd (hopefully) know JT - Is there an easy way of figuring out the bpm in relation to what it might be? The BPM's of the delays are 25 - 200.

    Know that theres fk all tweaking that you can do to them.. but would like to know if theres a logical way of approaching it - rather than just trying one here & there?

    I've just been trying to select them based on multiples of my DAW's bpm.

    1/2ish my bpm for 1/2 notes.. etc..

    __________________________________

    Would love to get some IR's of the Space Echo Reverb - Must have a look & see if anyone has done any.


  • Registered Users, Registered Users 2 Posts: 6,401 ✭✭✭jtsuited


    ICN wrote: »
    They're pretty cool alright.

    You'd (hopefully) know JT - Is there an easy way of figuring out the bpm in relation to what it might be? The BPM's of the delays are 25 - 200.

    Know that theres fk all tweaking that you can do to them.. but would like to know if theres a logical way of approaching it - rather than just trying one here & there?

    I've just been trying to select them based on multiples of my DAW's bpm.

    1/2ish my bpm for 1/2 notes.. etc..

    __________________________________

    Would love to get some IR's of the Space Echo Reverb - Must have a look & see if anyone has done any.
    erm, i presume by bpm he's done stuff like quarter notes at 120, eighth notes at 120, eighth dotted at 120 and so on and so forth yeah??

    I haven't looked at them yet, but you could draw a chart I guess.


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  • Registered Users, Registered Users 2 Posts: 1,214 ✭✭✭ICN


    Here the low down from the site. They're single files done at different bpms.

    Nowt as fancy as that ; )

    The pack contains 176 IRs. All of them have the same pattern and the same sound but the speed goes from 25 bpm to 200 bpm so you can use these delays in any type of rhythm and style. The samples below are drums only but the IRs are good for any type of sound, not just drums. Enjoy!


  • Banned (with Prison Access) Posts: 3,455 ✭✭✭krd


    SteveDon wrote: »
    Anyone else getting into this album as much as i have?

    The production seems so unique so distorted and chaotic yet at the same time so pleasant to the ears.

    This is my favorite track



    Would anyone be able to hazard a guess as to how they get this kind of sound? Ive been playing around with some lofi efx and saturators to try to achieve something similar but am falling somewhat short.

    I like that track. I like the way it doesn't have hi-hats.


    An important thing for that sound is to have very low kicks underneath the higher kick. You can make a broken beat pattern under the higher kick and it'll rubble along. Or you can have all beats broken. The interplay of the kicks can make it's sound like there's a low rumbling bassline there.

    For your highs you can put a sample of something - a crowd or something, noises and then put it through lots of reverb and then you can put a side chain comp on it and side chain it with some kick - even a broken beat kick - that will give it a little bit of rhythmic flutter.

    Lots of reverb.


  • Registered Users, Registered Users 2 Posts: 82 ✭✭lazyatom


    SteveDon wrote: »
    The production seems so unique so distorted and chaotic yet at the same time so pleasant to the ears.

    seems to be very influenced by the Basic Channel sound. i've been trying to figure out how they (BC) created that beautiful deepdubtech sound for a while now. seems like Sandwell District have mastered it. lovely stuff. deep bass, constantly tweaked reverbs and subtle syncopation seem to be the key to the sound.

    Deepchord, Substance & Vainquer, Fluxion, Marko Furstenberg are all in that deeply satisfying realm...


  • Registered Users, Registered Users 2 Posts: 1,214 ✭✭✭ICN


    Sandwell District - Live @ Plex

    Listening to this now.. Fkn Class.



    http://www.fabriclondon.com/blog/view/audio-sandwell-district-live-at-plex/


  • Banned (with Prison Access) Posts: 3,455 ✭✭✭krd


    splitrmx wrote: »
    http://soundsdefygravity.com/2010/11/18/function-live-pa-dj-set-recorded-10-24-2009-at-berghain/

    “This is a 2 hour DJ/Live a set of mine that was recorded at Berghain last year on October 24, 2009 using a Laptop, Controller, Mixing Desk, Roland TR-808, Roland SH-101, Boss SE-50, Doepfer MAQ 16/3, Roland Juno-1 and Yamaha DX-100."

    Absolute F'ing killer.


  • Registered Users, Registered Users 2 Posts: 3,341 ✭✭✭hans aus dtschl


    lazyatom wrote: »
    Deepchord, Substance & Vainquer, Fluxion, Marko Furstenberg are all in that deeply satisfying realm...

    Mika Vainio
    Pan*Sonic
    BV Dub
    Echochord
    Sven Weisemann
    Quantec

    are some more names worth sifting through, who use the heavily dubby sound. Sandwell generally have more grit than a clean dubby sound, though I havn't heard all of this new album. Mika Vainio would be a noted trailblazer in this area, possibly worth looking into. Basic channel would have been more clean/precise/etc to my mind.

    Thanks for the above links to echoes/reverbs guys. Much appreciated


  • Registered Users, Registered Users 2 Posts: 352 ✭✭splitrmx


    Maurizio is a Basic Channel alias and is probably one of the most ripped off sounds in techno:


  • Registered Users, Registered Users 2 Posts: 6,401 ✭✭✭jtsuited


    I love Maurizio records far far far too much.


  • Registered Users, Registered Users 2 Posts: 1,214 ✭✭✭ICN


    Thanks Guys - Really enjoyed this. 12" only? :(

    http://www.youtube.com/view_play_list?p=20C2018523809BBC


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