515 presents ANDREW WEATHERALL // Friday July 2nd // Kelly's Galway

Kellys Galway

515 presents
ANDREW WEATHERALL
+ support from LRB (515 / Tripod)
Friday July 2nd
Kelly's Galway
Doors 10pm
Tickets E15 on the door only

http://www.facebook.com/kellysgalway
http://www.kellysbar.ie
http://www.myspace.com/twoloneswordsmen
http://www.rottersgolfclub.co.uk

Andrew Weatherall Biography

"I'm what you might describe as the classic underachiever. I tread that fine line between boffin-dom and the grand amateur."- Andrew Weatherall, 1997

Andrew Weatherall has always been good for a quote. From the deep, dark days of early acid house to the deep, dark days of the modern-day Two Lone Swordsmen if you're looking for an opinion on the largely insipid world of dance music then Andrew's always had that happy knack of cutting straight to the chase delighting and upsetting in roughly equal measures.

The swaggering original moody DJ. The pop star producer. Bastion of the underground. One-time (ahem) Balearic figure-head. Electronic experimentalist. Peerless explorer of the minimal techno sound. Arch grumbler. Londoner. Honorary Yorkshireman. All these notions have been bandied about by punters and critics alike in a bid to pin down Weatherall's role in music. Yet none of them quite fits the bill. And even when they do hit the mark they're often far too paradoxical to make much sense. In the dull as ditch-water world of dance music personalities Andrew Weatherall comes across as a refreshing and involving character. This has always been reflected in all his musical output since those formative days remixing Primal Scream's rocky original into the pivotal 'Loaded'.

Weatherall's history goes back far to the beginning of the British acid house scene having swung gigs for himself at Danny Rampling's legendary Shoom night off the back of the sort of sounds recently
showcased on Andrew's compilation for Nuphonic entitled '9 O'Clock Drop'. Subsequent to this his connections with the original Boys Own record label (and fanzine) led to artist releases, remixes and a
string of legendary London clubs such as Blood Sugar, Circulation, and of course Sabresonic (where the fledgling David Holmes cut his teeth). It was through Primal Scream though that Andrew first made his name. As the producer of Screamadelica he took The Primals, twisted them (best not to ask how) and in turn created the hybrid of narcotically challenged rock and acid house now seen as a generation-defining release.

It was through the club Sabresonic and Andrew's remix productions that he tied in with Jagz and Burns forming the live/ studio Sabres of Paradise band. More often than not shows would see Andrew standing at the side of the stage possibly doing **** all other than smoking fags. No one was quite sure. What is certain is that these experiences drew Andrew away from the Screamadelica-inspired lime-light that beckoned and back into the subterrain to develop the dark, experimental sounds he has subsequently become known and respected for. After the demise of Sabres (and the record label inspired by the outfit) following a string of albums and singles (on Warp) Andrew teamed up with fellow Sabres cohort Keith Tenniswood to form Two Lone Swordsmen. Keith
himself has a string of prior musical convictions working with The Aloof, David Holmes and Red Snapper. More recently he has made electro breaks to wrong-foot the dancefloor under the names
Bargecharge and Radioactive Man for the Fuel label. Keith's ear for the production of low-end frequencies is unrivalled.

Quietly toiling away in their Rotter's Club studio the pair honed their own brand of lo-fi emissions delighting experimentalists equally frustrating the folk waiting for Andrew to stop being up his own arse
and get on and knock out more of those dubby Balearic tracks he initially made his name with. Thankfully this never happened. Instead Fifth Mission- Return to the Flightpath Estate was released, a sprawling, dense double CD soundtrack lurching between leftfield dancefloor and your ****ed head all shot through with an alarming disregard for genre or expectations. As if to confound admirers
further Andrew also made deep house releases as Lino Square, Rude Solo and a whole host of yet to be discovered pseudonyms. After a couple more releases on his own Emissions label Andrew and Two Lone Swordsmen re-signed to Warp and became quietly prolific with a string of releases such as 'Sticky', 'A Virus With Shoes' and 'A Bag of Blue Sparks'. Then back to Primal Scream taking the track 'Stuuka' and re-writing it as a supremely morbid piece of reggae-heavy electro. Then there was the second TLS album 'Stay Down', its title as revealing as it was succinct. The third album 'Tiny Reminders' and then a fourth 'Further Reminders' when once again Andrew [and Keith] threw the cat amongst the pigeons making music with machines like no one else. In 2004 they delivered 'From The Double Gone Chapel', their final release on Warp.

All the while Andrew has been maintaining his output through various alternative projects, most notably his first EP under his own name 'The Bullet Catcher's Apprentice' released in September 2006 on
Rotters Golf Club. His mix CDs continue to impress from his Heavenly offering with Richard Fearless to his formidable Fabric Mix and the hard to find Rockabilly mixes recorded at his London residency with Ivan Smagghe, aptly titled Wrong Meeting, at the T Bar in Shoreditch. His latest were a rockabilly based compilation for Soma, the first under their Sci.Fi.Lo.Fi branding, and the genre-spanning Watch The Ride on Harmless Recordings.

In between DJing all over the world, with residencies at Fabric (London), Back to Basics (Leeds), Robert Johnson (Frankfurt), and Mondo (Madrid), he also finds time to run the monthly Double Gone Chapel night at The Old Queens Head in London. After a three year hiatus 2007 saw not one, but two new albums by Two Lone Swordsmen: Wrong Meeting (a limited edition vinyl box set) and Wrong Meeting II. These extended the rock 'n' roll influence evident on 'Double Gone Chapel' displaying a base of electronica with layers of garage and rockabilly stylings, TLS wear their influences on their sleeve while
still pushing barriers. 2008 saw remixes for Primal Scream and VV Brown and a collaboration between Andrew and The Boardroom, a group of dapper men about town who spend their leisure hours haunting the Boardroom Studios producing aural delights for fans of electronically informed dance floor beats. Mr. Weatherall dropped in and inspired by the tunes he heard twiddled a knob or two and, aided and abetted by the Boardroom's resident guru, Steve Boardman came up with the 'Andrew Weatherall Vs. The Boardroom' album. Mr. W enjoyed himself so much he invited Mr. B to collaborate on his upcoming solo album 'A Pox on the Pioneers'; brace yourself as one of the UK's few remaining innovators stays uniquely true to his own musical vision when all around him are going soft or running out of things to say.