Advertisement
If you have a new account but are having problems posting or verifying your account, please email us on hello@boards.ie for help. Thanks :)
Hello all! Please ensure that you are posting a new thread or question in the appropriate forum. The Feedback forum is overwhelmed with questions that are having to be moved elsewhere. If you need help to verify your account contact hello@boards.ie
Hi there,
There is an issue with role permissions that is being worked on at the moment.
If you are having trouble with access or permissions on regional forums please post here to get access: https://www.boards.ie/discussion/2058365403/you-do-not-have-permission-for-that#latest

Digital and Analogue Metering

Comments

  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    good article as always by UA but im perplexed as to why there's any confusion.

    it basically boils down to:

    analog - get a good strong signal
    digital - keep your signal well out of the red.

    most of us work this way and will probably never worry about digital signaling until the mix stage (unless you're tracking thru plugins). even then if a plugin has no input control then just put a trim before it and get the signal correct on the input meter before doing anything else.

    like UA said, there is no real mystery.


  • Closed Accounts Posts: 2,655 ✭✭✭i57dwun4yb1pt8


    its a bout fcuking time


  • Registered Users, Registered Users 2 Posts: 1,892 ✭✭✭madtheory


    Whaddya mean? This was standard practice at the dawn of digital. It wasn't until ADAT came out that confusion arose. A lot of people who used them didn't know that dBFS is not the same as dBu. And not all +4dBu are the same ;)
    good article as always by UA but im perplexed as to why there's any confusion.
    Because it is not widely understood that dB is only a scale, and that the important part is the reference level. "dB" on its own means nothing unless it's a ratio or referenced (e.g. SPL, FS etc.)

    The issues inside the digital mixer are not as clear cut as you seem to imply. For example, see this month's SOS article about Pro Tools master fader.


  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    madtheory wrote: »

    Because it is not widely understood that dB is only a scale, and that the important part is the reference level. "dB" on its own means nothing unless it's a ratio or referenced (e.g. SPL, FS etc.)

    oh, i woulda thought that most people knew that db was only a reference. i mean you only have to use your head when working within your DAW to realise this.
    if you raise your PT faders to a certain level you only get that level as a visual representation. obviously its dependent of your initial input level.

    maybe it does cause confusion, i just thought it was fairly logical :confused:


  • Registered Users, Registered Users 2 Posts: 1,892 ✭✭✭madtheory


    The word deciBel is bandied about (and spelled) incorrectly every day. :)

    PT is a big source of confusion, not the least of which is that -18dBFS only lights up 60% of the meter. The urge is to light it up more, ignoring the colour coding (green, yellow, red.)


  • Advertisement
  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    madtheory wrote: »
    The word deciBel is bandied about (and spelled) incorrectly every day. :)

    PT is a big source of confusion, not the least of which is that -18dBFS only lights up 60% of the meter. The urge is to light it up more, ignoring the colour coding (green, yellow, red.)

    even given the meter colour coding (which isnt present until PT8) surely someone would notice their waveform looking a bit hot?

    i just dont understand the confusion. even with no knowledge of metering and with a dreadful set of ears, theres still a visual indication. so with 3 differant references to go by how do people still get their input levels wrong?


  • Registered Users, Registered Users 2 Posts: 7,790 ✭✭✭PaulBrewer


    even given the meter colour coding (which isnt present until PT8) surely someone would notice their waveform looking a bit hot?

    i just dont understand the confusion. even with no knowledge of metering and with a dreadful set of ears, theres still a visual indication. so with 3 differant references to go by how do people still get their input levels wrong?

    The confusion for the beginner is pretty obvious.

    One could easily imagine a scenario where one might expect a '0dB' on one thing to be the same as '0dB' on another.


  • Registered Users, Registered Users 2 Posts: 7,790 ✭✭✭PaulBrewer


    madtheory wrote: »
    The word deciBel is bandied about (and spelled) incorrectly every day. :)

    Alexander Graham Decibel, yea?


  • Closed Accounts Posts: 5,277 ✭✭✭DamagedTrax


    PaulBrewer wrote: »
    The confusion for the beginner is pretty obvious.

    One could easily imagine a scenario where one might expect a '0dB' on one thing to be the same as '0dB' on another.

    true that. but i doubt UA are aiming their articles at beginners.. although i could be mistaken.


  • Registered Users, Registered Users 2 Posts: 1,892 ✭✭✭madtheory


    This is such a common misunderstanding for beginners, and continues to be so. Did it myself back in 16 bit ADAT days!
    PaulBrewer wrote: »
    Alexander Graham Decibel, yea?
    LOL!


  • Advertisement
  • Registered Users, Registered Users 2 Posts: 77 ✭✭Echoplex


    Worth noting that a 24 Bit Recording doesn't diminish to 16Bit until
    -48dBFS
    Yes really!
    Any indication at all around the middle of the meter is plenty.
    I have to keep reminding myself of that, having grown up with Tape and 16 Bit, both of which needed careful tending.
    DD


Advertisement