BLACKALICIOUS, Collie & Tu-Ki Fri week 9th July

Deaglan

Wide O presents



BLACKALICIOUS (live)

+ Collie

+Tu-Ki



Redbox, Harcourt St. Ph: 01 478 0225



Fri 9th July. Doors 8pm



Tickets €16 from All City, Urban, Big Brother, ROAD, Comet, Sound Cellar, Freebird, City Discs and Ticketmaster outlets nationwide. Ph: 0818 719 300. www.ticketmaster.ie



After storming sell out shows at The Village in Dublin and Cuba in Galway last summer; one of America’s finest hiphop acts Bay Area’s BLACKALICIOUS comes to Dublin’s Redbox venue for one night only on Fri 9th July. Blackalicious released their fourth album and major label debut ‘Blazing Arrow’ to widespread critical acclaim in late 2002. The most fully realized album is consitently ground breaking discography; it has continued to grow in popularity over the last year and a half; not least helped by collaborative contributions from Zach de La Rocha of Rage Against the Machine, Gil Scott Heron, Ben Harper and Jurassic 5 amongst others.



This tour is to promote the relase of the debut solo album of BLACKALICIOUS main vocalist GIFT OF GAB on Epitaph in late July. Along side CHIEF XCEL’s studio wizardry; GIFT OF GAB’s laid back storytelling is one of the things that sets aside BLACKALICIOUS’ uniquely jazz-influenced unmacho brand of hiphop and by all accounts his solo album will not be a disappointment.



With a slightly large entourage traveling on this tour; expect some surprise additions to BLACKALICIOUS’ now-customary practice of lifting the roof of wherever they play. Support comes from Irish DMC champ Tu-Ki with another support act to be announced.



The Gift Of Gab - Lyricist
Vitamin D - All Cuts



Self-described "everyday brothers," the Bay Area native Xavier Mosley (Chief Xcel) met the San Fernando Valley native Tim Parker (Gift of Gab) at John F. Kennedy High School in Sacramento, California in 1987, and immediately struck up a friendship over hip-hop. As Tim (known as Gabby T) and Xavier (then DJ IceSki) began plying their skills in the area, they decided to become a crew. Although they separated after Gab graduated in 1989, they kept in close touch and decided in 1991 to become Blackalicious.

Xcel's friends at the University of California at Davis were forming a crew called SoleSides, including DJ Shadow, Lyrics Born and Lateef The Truth Speaker (known together as Latyrx). In 1992, Gab moved to Davis to reunite with Xcel and found an intense, progressive collective, centered on rowdy KDVS radio shows and all-night living-room freestyle sessions. As Xcel prepared their first album, Gab joined DJ Shadow to record "Count and Estimate" as part of Shadow's side of the first SoleSides label 12-inch in late 1992, and released it to underground acclaim.

Blackalicious then recorded Melodica, released on SoleSides in 1995. The EP's soulful journey-displaying Xcel's lush, layered production and Gab's introspective, whiplash rhymes on classics like "Swan Lake", "40 Oz. For Breakfast" and "Deep In The Jungle"-fired the imagination of heads worldwide. By the time they began recording Nia in 1996, Billboard magazine was calling the crew the Bay Area's most important new hip-hop group.

But by the end of 1997, Blackalicious and the SoleSides Crew reached a crossroads. SoleSides folded and was reborn as Quannum. In all, Nia took three obstacle-filled years to make. Just as Xcel was experiencing profound creative growth, Gab fell into personal turmoil. That tension was reflected in the deeply moving album that resulted. As Gab says, "We always speak from our hearts about life as we see it, life as we know it, and life as we would like to see it." Nia — a Swahili word meaning "purpose" — took on a very real meaning.

Nia was preceded by 1999's A2G EP which featured "Alphabet Aerobics," a wickedly original collaboration with Jurassic 5's Cut Chemist. The two records proved to be something of a personal and spiritual triumph. "Nia showed me that the music can move minds," says Xcel. "We were doing a show in Massachusetts and this girl had been waiting outside our bus to see me and Gab all day. Gab came out and this girl was just shook to meet him. She gave us the most beautiful 5-page letter on how each of the songs had touched her life, and she made us a little music box — it was a Blackalicious box — and that stays up in the studio to this day. I just look at that as a constant reminder of: 'OK, we're doing the right thing.'"

After selling over a hundred thousand copies of A2G and Nia on their own independent Quannum label, MCA won a bidding war, and Blackalicious signed in late 2000. Blazing Arrow marks a continuing progression. "Nia was really about purpose and finding the path," says Xcel. "Blazing Arrow is about faith, having the strength to endure that path. It's an arrow in flight."

Gab adds, "Nia was forethought and Blazing Arrow is action." The album offers straight-up hip-hop bangers in songs like "Passion" (w/ Rakaa), "4000 Miles" (w/Lateef and Chali 2Na), "Art of Mind", and "Paragraph President" (a nod to early 90s fans); glimmering future-soul in "Nowhere Fast" (w/?uestlove and keyboardist James Poyser), "It's Goin' Down" (w/ Hi-Tek and Jonell), "Aural Pleasure" (w/ Jaguar) and "First In Flight" (w/ Gil Scott-Heron); and an epic suite that shares the vision and ambition of a Marvin Gaye or Pharoah Sanders in the three-part "Release" (w/ Zach De La Rocha and Saul Williams). With Cut Chemist, they even expand on the wig-lifting experimentation of their crowd favorite "Alphabet Aerobics" in "Chemical Calisthenics."

Now in the tenth year of their career, Blackalicious is just hitting their stride. "When blessings come, sometimes you can celebrate, but most of the time it means that you have to work harder," says Gab. "You may have a vision and you may get close to that vision, but then it broadens. Every time you move forward on it, it always gets bigger."

Xcel says, "It just takes both a faith and a focus — faith that no matter what happens, this is your calling, this is what you are supposed to do and you have to make it happen no matter what obstacles come in your way. The aim has always been to contribute our piece to this movement, to this continuum, because there really is no beginning or end to it."