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#1 |
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Registered User
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Incoming Fifth Years...
...here is your prescribed material for English.
SINGLE TEXT For your exam, you are required to learn one single text inside out and most teachers will pick the Shakespearean text for the simple fact that if you don't do it in this one, you'll have to do it in your Comparative Study and this will require you to learn another Shakespearean text as well as the one prescribed in the Single Text, and learning one of them is tricky enough as it is (although I quite like reading them). TEXTS BINCHY, Maeve Circle of Friends (O) BRONTË, Emily Wuthering Heights (H/O) IBSEN, Henrik A Doll’s House (H/O) JOHNSTON, Jennifer How Many Miles to Babylon? (O) MONK KIDD, Sue The Secret Life of Bees (O) MURPHY, Tom A Whistle in the Dark (H/O) O’CASEY, Sean The Plough and the Stars (O) SHAKESPEARE, William Hamlet (H/O) STEINBECK, John The Grapes of Wrath (H/O) Most of you will be doing Hamlet. That's a nice play. Think it's one of the easier ones and you could be able to predict potential questions. An easier play than Macbeth and King Lear (yes, I have read both) imo. COMPARATIVE STUDY You are required to do three texts for your comparative. There's a number of texts and films that are prescribed and your teacher will pick three of them. You're only allowed to pick one film at most as part of your comparative study, although some teachers don't do a film at all. The modes were the most complicated part (for me, anyway) to get my head around at the beginning. You are prescribed 3 modes of comparison and 2 will appear in your paper. These are the headings by which you will compare your three chosen texts. However, if your teacher is covering the Sha MODES (Higher Level) Theme or Issue Cultural Context General Vision and Viewpoint Nice and easy ones there. Can't be complaining too much with them. Theme or Issue is self explanatory. Just pick any theme or issue that's common to all three texts and compare them. Cultural Context is the outlook on society of the texts and has a number of sub-headings which you can use in your answer (The setting, Religion, Class divisions, violence, poverty etc. etc.). General Vision and Viewpoint is one I never really understood properly, so what I'm about to say is completely open to correction. From my understanding it's where you explore the themes/relationships and the society of the text and conclude whether the author/director is showing the world of the text in an optimistic or pessimistic light. MODES (Ordinary Level) Relationships Theme Social Setting Again, can't complain too much about them. Did Higher Level myself so they'd be a walk in the park for me personally. For an ordinary level student I'd class them as easy as well. All self-explanatory as well. TEXTS AUSTEN, Jane Emma BINCHY, Maeve Circle of Friends BOWEN, Elizabeth The Last September BRONTË, Emily Wuthering Heights CHANG, Jung Wild Swans COETZEE, J.M. Boyhood: Scenes from Provincial Life DICKENS, Charles Hard Times FRIEL, Brian Dancing at Lughnasa GAGE, Eleni North of Ithaka HARRIS, Robert Pompeii HOSSEINI, Khaled The Kite Runner IBSEN, Henrik A Doll’s House ISHIGURO, Kazu Never Let Me Go JOHNSTON, Jennifer How Many Miles to Babylon? KEANE, John B Sive MacLAVERTY, Bernard Lamb MARTEL, Yann Life of Pi McDONAGH, Martin The Lonesome West McEWAN, Ian Atonement MONK KIDD, Sue The Secret Life of Bees MOORE, Brian Lies of Silence MURPHY, Tom A Whistle in the Dark NGOZI ADICHIE, Chimamanda Purple Hibiscus O’CASEY, Sean The Plough and the Stars PETTERSON, Per Out Stealing Horses PICOULT, Jodi My Sister’s Keeper ROSOFF, Meg How I Live Now SHAKESPEARE, William Hamlet SHAKESPEARE, William The Tempest SHIELDS, Carol Unless SOPHOCLES Oedipus the King STEINBECK, John The Grapes of Wrath TREVOR, William The Story of Lucy Gault Only one of my texts is in there (Plough and the Stars) but I've read some of them and while the stories themselves aren't the best and extremely predictable, there's still plenty to write about under the modes of comparison. FILMS BRANAGH, Kenneth (Dir.) As You Like It (Film) CURTIZ, Michael (Dir.) Casablanca (Film) DALDRY, Stephen (Dir.) Billy Elliot (Film) MEIRELLES, Fernando (Dir.) The Constant Gardener (Film) O’DONNELL, Damien (Dir.) Inside I’m Dancing (Film) RADFORD, Michael (Dir.) Il Postino (Film) I've seen all of them and I can easily say that is a nice set of films to choose from. Would have liked to have seen Billy Elliot as part of my Comparative Study as it would have fit in well with the Father-Son relationship theme I covered as part of Theme or Issue. POETRY In Higher Level, you are given eight prescribed poets with 10 poems from each poet. In the Higher Level paper, four of the eight poets will appear and you are only required to answer the question on one of them. However, you are recommended to learn at least 6 poems per poet to use and quote from in your answer. I only used 4 in my answer which most seem to do. HIGHER LEVEL PRESCRIBED POETS Eaven Boland Emily Dickenson Robert Frost Gerard Manley Hopkins Patrick Kavanagh Adrienne Rich William Wordsworth William Butler Yeats Boland, Kavanagh, Rich and Yeats are on the 2010 course as well whereas Dickenson, Frost, Hopkins and Wordsworth replace TS Elliot, John Keats, Michael Longley and Derek Walcott ( ! No more Walcott ). 4 changes is a bit harsh imo. I know the 2010'ers have that as well. I'm a 2009'er and we only had two different poets from the year before which has me thinking that I was one of the lucky ones.Anyway, no idea why I posted this considering it doesn't really effect me tbh. I found it and I thought I'd tell people
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#3 | |
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Quote:
you only need to study one shakespearean text, and it can be either as a single text or a comparative text. from education.ie Shakespearean Drama At Higher Level a play by Shakespeare must be one of the texts chosen. This can be studied on its own or as an element in a comparative study. At Ordinary Level the study of a play by Shakespeare is optional. |
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#4 |
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Ah ok. Cheers for that. Was going by what my teacher was saying. Says a lot about him although his notes were pretty epic.
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#5 |
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I know you're all going to be going crazy because ye are starting the leaving cert cycle but in fairness the 5th year genuinely isn't something to get too stressed out about.
Leaving Cert isn't overly stressful either although some people almost have a breakdown over the whole thing |
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#7 | |
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English seems like a lot and ok maybe it is but it's very doable and I'd advise every 5th year to really familarise themselves with the course straight off when going back to school. It'll really ease a lot of confusion that some people have with it. Once you get your head around the exam structure and what you need to learn then it'll be a lot easier on yourself. 5th year is generally the time to study all of your poetry etc. 6th year is brushing up on what you've learned in 5th year and then going hell for leather on the exam papers. Well this is my experience anyway. Plus a load of creative writing exercises. |
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#9 |
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So overall, do us new 5th years got a good english course?
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#10 |
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I think judging by the comments of the OP it's pretty even. The LC English course seems very much rote learning...whereas the JC was I'd say 80% imagination required. I'm not sure which I'd like better but I suppose I'll find out. So, we're the 2011er's now, are we?
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#11 |
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Purple Hibiscus up again this year, unlucky yous.
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#12 |
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Registered User
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#13 | |
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Registered User
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Quote:
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Gavin "shels": Official Drunk Crustacean of The Nocturnal Forum ![]() ![]() ![]() Real football fans have the urge and need for live football and atmosphere. Football fans who have the urge for football on TV's are nothing but imitations. |
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#14 | |
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I bet they are trying to keep us all calm and let us enjoy the rest of the hols without scaring us about that purple hibiscus. Sounds like a lovely thing to study actually. Like the sound of it. Puurplle hibisscusss
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#15 |
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Moderator
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It seems pretty decent, dont expect miracles though........
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