The Billy Meier UFO case Switzerland

dyer,

The Asket and Nera photos

“We are the Pleiadians”, Meier was explaining to the people at the table. “We came from a cross between the Pleiadians and the humans beings from the earth.”

Quote from LIGHT YEARS (1987). written by Gary Kinder.

There are differences between us and them, such as they live longer, and they are on a higher level of evolution. But in look, we are similar. That was one of the reasons why problems occurred with regards to the Asket and Nera photos.

The issue of lookalikes was raised to Billy early on. In fact it was put to his attention already when he took the photos, in July 1975. As well as four and a half month after the photos were taken, in the beginning of December 1975. This is the trail I found in the German contact notes.

The photos were taken on Billy Meier’s trip through the universe which started on the 17 July 1975 This was contact 31. On this long trip lasting days, Billy also went all the way to the universe barrier, to the edge of our Universe. Here, at a certain point, the Plejaran mother ship created an energy tunnel, which allowed passage for them into the DAL universe, our sister universe.

After passing through this artificial passage tunnel, created by generating enormous amount of energy, they then arrived into the DAL Universe where they travelled close up to a waiting space ship belonging to Asket’s people. When they arrived at the rendezvous-point, Semjase and Billy went down to the hangar in the Pejaran mother ship. Here they entered Semjase’s beam ship, which took them over to the waiting DAL-mother ship.

Billy described this space ship as also being gigantic in size, hanging in space only a few hundred meters away. But the lock through which they flew in was smaller size. Smaller than the 100 x 100 meter lock opening of the Plejaran mother ship they just exited. When inside the DAL-mother ship Semjase parked the beam ship in a hall. They stepped out and walked into a room adjacent to this hall. It was here, in this room, Meier again met up with Asket. And it was also here he met Nera for the first time.

Asket presented Nera as being her deputy (stand-in). She was the second-coordinator (Zweit-Koordinatorin). The word coordinator used in this context has to do with point navigation in space. Asket was the first-coordinator on board (Erst-Koordinatorin). The mothership was under command of a man named Stalor. He was not present. They only went to one room in this mother ship. They were not shown around.

So it was here, while they were all gathering together for a meeting, that Billy asked if it was possible to take pictures of both Asket and Nera. Asket saw no problem in that. She explained that in regards to Semjase, as Billy already knew, a picture of her would jeopardize her security as she was still on duty on Earth.

But as to themselves, Asket saw no problems in that, because they were not going to return to Earth in the near future. She raised two concerns. One being the quality of the pictures, due to energy radiation problems, which also had affected Billy’s film in the past. The other, being the fact that every human have a double somewhere. A person with a near identical look. Billy took the pictures of them anyway. He writes that as opposed to Semjase, who had her space suit on, Asket and Nera wore normal clothes.

Source: Plejadisch-plejarische Kontaktberichte (2002), Gespräche, Block 1 page 276 to 285 (contact 31) Cross reference contact 31 translated by Wendelle Stevens from SEMJASE-KONTAKT-BERICHTE 1975 published in Message from the Pleiades (1979) page 283 to 339.

Comments:
Meier reported various electronic devises was carried by the extra-terrestrials around their belt. Also reported by witnesses such as Kalliope’s short encounter with Ptaah. She also reported seeing various electronic gadgets around his belt.

This raises the question:

Would there be a particular occasion when they would need to carry other devises than those around the belt?. Yes, I think so. And that device would a microphone. The type pilots and astronauts use. And I think an occasion when carrying a microphone would be of great benefit would be when piloting a mother ship. This would be a job which would include a lot of coordination, where voice communication would be needed.

Internal communication
between the 1st coordinator in the navigation control room and other departments on board. In a similar way to what happens on a cruise ship where for example the 1st officer at times has the need to speak with the 1st engineer in the engine room in order to coordinate movement of the ship.

External communication
Speak to pilots of their own beam ships being dispatched or coming in to the mothership.

External communication
Speak to other space ships around, such as in this case, when the Plejaran mothership approached and where there would be need to coordinate transfer of Semjase and Billy over to their ship.

Asket and Nera carry the same work title, with the only difference that one of them carry a number one as in first, the other carry a number two as in second in front of her job title. It means they are rostered on shift which goes around the clock. When Asket is on duty, Nera is off. When Asket finishes her shift, Asket goes on duty to replace her as the coordinator. They are both capable of doing the same job.

It would be likely that the one rostered on duty will carry the pilot-mike. That would be Asket. She carries the head microphone, while Nera carries none. At least none is clearly visible on the photos. Because she is off duty. The third person who can fully replace Asket and Nera in the navigation control room , whilst they are both meeting Meier and Semjase in a room down below, is either a third-coordinator, or the commander of the mother ship. A third-coordinator is not mentioned here, but a commander is. His name is Stalor. But he is not in the meeting, quite possibly because he had to relieve Asket, possibly because she was rostered on duty in the control room, but had to go downstairs together with Nera to attend the meeting. Asket is obviously planning to go back up and finish her shift as first- coordinator once the meeting with Meier and Semjase is over, hence she did not take the mike off but left it on during the meeting.

This created a challenge for those who saw a need to falsify the photographs Meier took. Because in the end 60’s beginning 70’s it was not common for women singers to carry head mikes when performing. Today it is, but back then it was not. Hence they would have to find a substitute for the pilot-mike. That substitute became a hair lock since the two look-alikes dancers did not carry head mikes. Hence they would need to pick a frame where a hair lock came up looking shaped as a mike.

This was also found. Perhaps on the other side, so the photo had to be mirrored. If not the mike was there, and on the correct side of the face, Meier would have become suspicious that the photograph was falsified. I think Meier knew Asket was carrying a pilot type mike in the meeting hence he would be looking for one in the photos. They could not include any make up, such as blue eye shadow. Semjase told Meier on other occasions that none of them use make up around the eyes. But that would be of no problems because the makeup the lookalike singers wore, such as blue eye shadow, could be deleted in a lab. The photos Meier got back from his photographer would have to closely resemble the colours, albeit distorted, that Meier thought he saw and photographed.

It should be noted that their hair colour can change. The reason given why Semjase for a long time appeared with a red hair colour was due to medical reason, whereby an agent was inserted into a carrier substance mixed with a natural un-harmful type colorant which then would give a long term effect against cold and allergies etc. It is also mentioned around this that some of the Plejaran women do colour their hair for vanity reasons, but again with natural and un-harmful dyestuff. (Ref contact 248 3.Feb.94)

The fact that the radiation blurred the colours and quality of the photos also helped the falsifiers as if things did not look quite right, it could be blamed on the distortion. Hence Billy, nor Ptaah were able to notice the minor changes. Only Asket did. She noticed the errors.



Above:

1991
VERZEICHNIS authentischer Farb – Fotos (1991) (List of authentic Colour photographs)

Three colour photographs listed with the number 109,110 and 111 of Asket and Nera but on all of them has the date 26.6.75 wrong. They were taken 17.7.75. Number 110 is the single photo of Asket. Text translated reads:

ASKET and her friend NERA taken in the space ship of Asket in the DAL Universe, which we with Ptaah’s mothership visited (of unknown reasons did photos taken inside the space ships always become blurred.)




Above

1996
Not only is the date 26.6.75 wrong but this photo of Asket is printed in mirror the book written by Billy Die Wahrheit über die Plejaden (1996) Billy Meier Druck: Verlag <Die Silberschnur>



Above:

1997
Here is also the date 26.6.75 wrong. This is the colour photo Billy claim he got back from photograph Schmid back in 1975 which he still thought it was the original until 1998. When he became aware it was not, he continued to publish it as the look-alike of Asket due to the striking similarity with the real Asket. Notice the look-alike Michelle DellaFave has blue eyes and blue eye shadow, whilst Asket obviously has brown eyes and no blue make up around her eyes according to this photo. Published in the book written by Billy: Aus den Tiefen des Weltenraums…. Kontakte mit den Plejadiern/Plejaren by Eduard Meier (1997) Druck: Offset Druckerei



Above:

On duty
Look-alike First-coordinator Asket is wearing what looks to be a mike used by pilots.
She is likely on shift as Billy and Semjase come to visit them. Wherefore the situation photo of her look-alike here seen would have to include the gadgets Asket wore in the real photo, a mike.
Photo from: UFO contact from the Pleiades, A preliminary investigation report (1978).



Above

Off duty
Look-alike Second-coordinator Nera. No head mike is visible. That could be because she is not rostered on duty. The situation photo of her look-alike would have to reflect what the real Nera was wearing in the original photo.
Photo from: UFO contact from the Pleiades, A preliminary investigation report (1978)



Above

Asket look-alike Michelle DellaFave
It would seem the hair-curl resembling a mike appears best on the left hand chin. So quite possibly the frame has been mirrored to appear on the right hand chin. (From the clip posted on you-tube below)





So four and a half month after the photos of Asket and Nera were taken, and still before Meier went public as a contact person, he was advised by Ptaah that there were doubles of Asket and Nera in America.

This became officially recorded in contact 39 dated 3rd of December 1975 as follows (Ref. Block 2, page 40) my translation above the original:

Ptaah
229. It already was a major exception that you was allowed to take photos Asket and Nera and we have, by the way in the meantime, in America, tracked down female Earth humans who look deceivingly similar to them and which interestingly enough also jointly work together .

Billy
Man, that is bad. But these women, the doubles of Asket and Nera, where are they?

Ptaah
230. In America
231. I already said that.

Billy
Can you give me their addresses and mention further details about them?

Ptaah
232. That, I’d like not to do for certain reasons.

Billy
You are always so secretive.

Ptaah
233 In certain matters it has to be like that.

German original

229. Es war schon eine grosse Ausnahme, dass du von Asket und Nera Photos anfertigen durftest, wobei wir übrigens inzwischen in Amerika weibliche Erdenmenschen ausfindig gemacht haben, die ihnen täuschend ähnlich sehen und die interessanterweise ebenfalls in Gemeinschaftlichkeit zusammenarbeiten.

Billy
Männeken, das ist schade. Aber die Frauen, die Doppelgängerinnen von Asket und Nera, wo sind sie?

Ptaah
230. Im Lande Amerika.
231. Das sagte ich aber schon.

Billy
Kannst du mir ihre Anschriften geben und nähere einzelheiten über sie nennen?

Ptaah
232. Das möchte ich aus bestimmten Gründen nicht.

Billy
Ihre seid immer so geheimnisvoll.

Ptaah
233 In gewissen Belangen muss das sein.


Comments:
In the contact notes it is frequently mentioned that surveillance and collecting data takes up a great deal of the extra-terrestrials time. As a minimum they would collect images from all open sources. Such as TV stations around the world. They have the advantage of being high and above, which would make it easy to record signals .Since the two lookalikes were performing in a TV show, their images would have already been stored in the extra-terrestrials data bank. So when Ptaah scanned Meiers original photo of Asket and Nera, the faces of the two American dancers showed up as lookalikes matches.

It is also here logical that Ptaah did not wish to identify them with name or addresses etc, as Billy adversaries would then be able to seek them out and copy their images in order to frame Billy as a swindler.

May 1998

Contact 264 dated 14th of May 1998 is when the reference to this contact again comes up. Billy speaks with Ptaah and brings up the interview Korff and Luc Burgin had conducted with his ex-wife to be distributed a month or two later. He tells Ptaah that in this interview it is being claimed that he has recorded the photos of Asket and Nera from TV. That they are not Asket and Nera, but instead American lookalikes which Ptaah also specified in contact 39 not only did exist. But precisely as Ptaah then stated it (above), the two young women live in America, work together in the same job, and are even exact images of Asket and Nera

The reply from Ptaah

Ptaah the reminded Billy that on the 3rd of February 1985, when he and Quetzal visited him, the circumstances around these photographs were passed on to him. That he had got back false photographs, which did not show Asket and Nera.

Billy replies that he has no recollection of that information being passed on to him. To which Ptaah replies that the reason why he forgot this would without doubt be due to his life-threatening condition at the time, which also was connected with part amnesia, consequently he no longer was able to remember many things. (Billy had a bad accident in 1982 and for many years after that he was in very bad health, unable to record contact notes in writing)

Ptaah advised Billy that since it was not his fault, he should still publish the photos, but instead present them as American lookalikes of Asket and Nera

The photographer Schmid had been forced to work for the socalled <Men in Black>.

Ptaah states the reason why he uses the expression < Men in Black> for these black men, is because we refer to them as being such, using the same expression in UFO circles.

Ptaah is obviously using this expression as he wish not to identify them.

So these <Men in Black> forced photograph Schmid to make falsifications. By either falsifying the photos from base up or falsifying the photos Billy took by altering them.

This happened several times in the beginning when Billy used the photographer Schmid to develop his film. His own originals were substituted with completely new or falsified films.

This happened with the film roll containing the images of Asket and Nera . It was a film roll which Billy only months later got back from the photographer

What these <Men in Black> did, was to search out Asket and Nera lookalikes in the the US, make photos of them, and afterwards the photos were processed by the photographer Schmid, who handed them back to Billy.

Billy thought it was the originals he got back. Instead they were forged counterfeits of his real photos .

Which is why Billy did not discover the swindle, nor did the extra-terrestrials discover it either straight away. It was first in the autumn of 1984 that they discovered it. Then Ptaah gave the photos to Asket because she wanted them. She then discovered the swindle.

Consequently the Plejarans then checked it up and found that the <Men in Black> were behind it and that they used the photographer Schmid as a tool. He was forced to cooperate with them.

Billy here adds the comment that photograph Schmid always came to him and picked up his film and negatives from his home, and he personally also delivered the processed the photos directly to Billy. Billy never got to know his address. One time he asked for it, Schmid’s excuse was that his wife was not to know that he came and went at Billy’s address.

She had a very negative attitude towards Billy and became furious only hearing Billy’s name being mentioned. So that was his excuse for not giving his address to Billy. All he told Billy was that he came from Rheintal.

Ptaah then advised Billy that Schmid passed away several years ago and it was a lie that he lived in Rheintal. And the real reason why he did not want to give Billy his address was because he was constrained by the <Men in Black> who seriously threatened him.

Billy replied to Ptaah that he noticed that he always acted somewhat nervous. To which Ptaah replied that with good reason when one think of the <Black Men>.

Ptaah then tells Billy that the <Men in Black>, which they are called because they always wear black clothing, have always had to their disposal undreamt-of possibilities, when viewed from what possibilities the normal citizen’s have. Wherefore it was easy for them to locate both of the young artists

In fact these utterly unscrupulous men do not remain hidden, when they involve themselves in a case, Ptaah further states.

The photos made in regards to the lookalikes, of which they, the Plejarans informed Billy about on the 3.February 1985 , were however not directly made with the young women, but copied from a show film. Which the “Men in Black” got hold of.

This type of film is referred to as cabaret-film. Anyhow, single frames were copied from it, whereby the men together with photograph Schmid selected those frames which were most similar to Billy’s own photos of Asket and Nera. Which is why Billy was deceived.

So the purpose of this was to fabricate certain situation- photos deceivingly similar to the photos Billy took of Asket and Nera so that Billy would distribute these false, or more precisely lookalike photos, in a normal way and sell them to those interested – simply as real photographs of Asket and Nera.

And precisely that was the meaning of this, to one day set Billy up in a situation where he would be labelled a fraudster. Because in a calculating way it was based on that sooner or later somebody hostile to him would investigate these photos and would then get to the bottom of it with the inevitable consequence the aforementioned show film resp. cabaret film will be found and the false Asket-Nera- photos with the lookalikes in it would be known.

This was further meant to count as evidence, in order so that Billy could be exposed as a purportedly fraudster. And to make the information he provided, as well as the information around his own person, not believable, in order to destroy his mission.

So everything was already then, in the year 1975, thoroughly pre programmed by the <Men in Black> simply so that the corresponding picture sequences through their assistance would soon be found , what in the meantime is what also what ought to occur, and in the future Billy’s enemies will dig further into it, Ptaah here continued, in 1998.

He then tells Billy that the enemies against him and his mission, without any doubt, is Earth humans. Which makes it further clear that the <Men in Black> he has been talking about are Earth humans as well.

Billy then asks Ptaah the question; in which one of the murder attempts were the <Men in Black> responsible. To which Ptaah replies that out of the 15 murder attempts (1998) in truth 11 of them are tracing back to the <Men in Black>.

(Source: Pejadisch-plejarische Kontaktberichte (2005) Block 8 contact 264 14 Mai 1998 Page 13 to 19)

Comments:

If Schmid was pressured by the <Men in Black> then it is likely Billy would be pressured by them too.

Why did he print the wrong date on the photographs of Asket and Nera, and even allowed a mirror print of the photo of Asket where the mike is on the wrong side? Billy would know the day when contact 31 took place, when he took the photographs of Asket and Nera. A day Semjase opens up with the words “Today is your big day”, the 17 th of July 1975. The day of his great space journey.

Stevens translation of the first print edition of contact 31 in 1978 clearly states the photos were taken during this space journey which started July 17th 1975. Same in the 2002 print edition of the German contact notes. Also there it is stated that the photos were taken during contact 31 on the 17th of july 1975. But instead Billy printed that the photos were taken on the 26th of June 1975. A day no official contact took place. In fact the day before, on June 25th, contact 27 took place (at 14.37 pm lasted a few hours), the day after, June 27th contact 28th took place.
No contact is recorded to have taken place on the 26th of June 1975.

http://meiersaken.info/Asket_Nera.html